Author: Kaos's Glove/Anitama Cover Source: Nori Kube Blog
Norifumi Kugai, 1983 birth original painting, current "School 园默录录", Middle Neck Deputy Homeroom Teacher original drawing, Main Participation of the Empress MADHOUSE-like paintings.
In 2011's "Animation Future Bondage", he was responsible for some acting painting, and he has already shown unique painting skills at this time. Later, he was responsible for a large number of key scenes in "Space Dandy" and attracted attention. In October 2015, he was very active in the new "One Punch Man", responsible for some very impactful action scenes, and was listed by the superintendent Natsume Masayuki as one of the "Four Kings of Drama".
The 3K-based approach to painting has been around in the early days of individual practice, and has gradually stabilized in recent years, incorporating more personal styles on this basis. Due to the small number of shots used, but boldly expanding the amplitude of the action, the role of the long cat is often very unrestrained, and the character movements in the pen are exaggerated, while maintaining a unique sense of rhythm in the jump.
As an original artist who is good at action performance, Kuko is very special in his choice of character portrayal. The varied oval shadows and dense pleat design can maximize the curling and expansion of the characters in the single original painting, which complements the jump of the overall action. Leaving aside the overall movement focus on the character's arm, it is more concise to discover how the long cat shows the oval shadow and the oval contour of the garment in a parallel multi-lane fold.
Arrange the parts with good elastic performance in parallel dense straight lines, or directly organize the overall contour of the clothes into a curl, carry out a large range of upper shadows, and divide them with lines. This treatment makes the overall effect of the continuous picture very three-dimensional and vibrant. Of course, this is inseparable from the painter's own good sense of modeling and long-term exploration.
In addition, the treatment of legs or long strips of objects is different from the upper body, and in ordinary pictures that do not require special attention, it is also common to deal with the overall slender shape of the character. It can be said that Kuko is an original painter who can make use of line changes.
Jiubei is accustomed to background animation, and in many action scenes, the back movement will be used to enhance the movement performance, such as "Space Dandy" finally returned to serve as a large number of back movement scenes, which is very prominent. In terms of special effects, it mainly has the characteristics of paperless painting, large color blocks, emphasis on fluidity, and good strength in the portrayal of explosions, lightning and water special effects.
Finally, The use of motion deformation by Jube is very varied, but mainly follows the wavy way. By adjusting the specific gaps and amplitudes, it can not only bring great power to the picture, but also reflect the texture of the moving material from the side, and even provide a considerable comedic effect when needed.
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Original: m.anitama.cn/article/7d36841e7510af6b?utm_source=toutiao