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Divine | Rare: The light ink tanhua king Wenzhi praised his book, and there was an air of clouds
In the Qing Dynasty, the Jiazhou Collection of Xiao Kai of Zhongguang, the Xiao Kai of Zi Zhongguang has been passed down very rarely, so this volume is particularly precious.
Zi Zhongguang (1623-1692), also known as Yu Zhongguang (1623-1692), also known as Toad Guang, Yi Shuo, Jiang Shang Wai Shi, Yugang Sweeping Leaf Daoist, in his later years Jumaoshan Xuedao changed his name to Chuanguang, Toad Guang, also signed Yi Guang, Feng Zhen, ShiQing Daoren, Jiangsu Sultan Tuju Rong Dongjing (now Maozhuang Village, Jurong Baitu Town, Jiangsu Province) people (a jiangsu sultan disciple), a famous calligrapher and painter of the Qing Dynasty.
The era in which Shige-guang lived was the peak of Dong Shu, and because he was not able to escape the ethos of Dong Shu in calligraphy, and prematurely withdrew from the political stage and lived in seclusion in the countryside, his calligraphy has not received the attention it deserves. It was not until the middle of the Qing Dynasty that his compatriot Wang Wenzhi admired his calligraphy and deduced that his book spared no effort, and his "Fast Rain Hall Inscription · Zi Jiang Shang Zhi Mu" Yun:
Mr. Wuxiang Jiang Shang's book is superb, and the small characters are especially good. Mr. Gai has lived in seclusion in the Jurchen Mountains since he was dissolved, reading Danshu, learning guidance, and wandering outside the dust, so the books he composed have the atmosphere of the clouds. The house of the good books of the national dynasty such as Mr. can not be counted to see also.
The houses of the First Book of the Kingdom, such as Huating Shen Xuan Hall and Cixi Jiang Ximing, can all be breastfed by the ancients.
As for the disclosure of innocence, the meaning of the clouds fluttering between the lines of the characters is the only one in my hometown.
Zhi wanted to place his books on top of Shen Xuantang (荃) and Jiang Ximing (宸英), and became the crown of calligraphy in the early Qing Dynasty. Although it is inevitable that "the ancestors of YuXiang cannot be selfless", Bao Shichen placed the Book of Zhongguang Xingxing in the third place of "Noh PinXia" in his "Yizhou Shuangyu and Guo dynasty books" (deng Shiru, the former of which is a divine product and a person on miaopin; Liu Yong Xiaozhen and Yao Naixing cursive under miaopin; nengpin under seven people, Qiu Shan zhen and xingshu, Song Juefen and list books, Fu shan cursive books, Jiang Chenying xingshu, Deng Shiru cursive, Liu Yongbang, Huang Yisheng xingli list; 23 people under the nobility Wang Duo cursive, Zhou Lianggong cursive, etc.), can be described as extremely highly evaluated.
Regarding the path of calligraphy of Zheng Chongguang, Wang Wenzhi wrote in the "Fast Rain Hall Inscription :
The calligraphy of Zheng Chongguang, the book of the river, down to the chapter grass, down to Sumi, is not used to it, and hate cannot be sure of the origin of its pen. However, its gossamer is empty and self-satisfied, and it cannot be created alone without adhering to anything.
One day, I came to Uncle Ji's night "Book of Renunciation", and suddenly realized: This place where Mr. Jiang Shang's book in my hometown came from. Since then, no one who has seen the book has been able to draw a single picture.
Zhao Ou Boyun: "In the past, people had to carve a few lines of ancient times, and they could become famous by concentrating on learning." "What a bittersweet remark?
Wei Jin, especially Ji Shuye, is in line with his personality. His poem reads: "The old business by the wild water bridge exists, and several huts are dry." Half of the Taiping is deep in the mountains, so why admit that the beginning is grace. The artistic conception and use of the poem are from the "Long Letter autumn words" of Wang Changling, the Seven Sacred Hands, showing a kind of uninhibited temperament and the interest of returning to the hidden mountains and forests, which is the embodiment of the complete unity of his people, his poems, and his books. Therefore, Wang Wenzhi commented that his book "has no trace of dust and qi", which is precisely what is higher than others, and it is also difficult for others to go everywhere.
He is the author of two books, "Book Raft" and "Painting Raft". His treatise, "The White of Kuang Kuo, the Uniform Hand Cloth; the White of The Scattered, the Symmetrical Eye Cloth", is a full embodiment of the Confucian "harmony" thought since Confucius in ancient China in aesthetics, and it is not a false reputation to say that it "all flow out of happiness and bitterness".
A volume of Jiazhou Collection by Xiao Kai Zhongguang, recording twenty-four poems of the Five Laws of Speech. "Jiazhou Collection" is a collection of poems by the Tang Dynasty poet Cen Shan, which is commonly used as the "Cen Jiazhou Collection". Cen Counselor Jiazhou Stabbed History, hence the name.
The volume consists of ten openings, each 21.5 centimeters long and twelve centimeters wide, except for the tenth opening which is slightly narrower (21.5 centimeters long and 8 centimeters wide). In the other volume, the poem title and poem are often distributed in two pages (where there are four places), and one is divided into two pages in the poem, which is suspected to be a small hand scroll, and then cut into a book. In front of the book, there is a Wang Wenzhi inscription, which is called "Mr. Jiang Shang's True Works, Matsushita Qingzhai Jianzang, Wenzhi", and Zhu Wenyin, "Wang Shi Yuqing", which is extremely precious.
Wang Wenzhi's "Fast Rain Hall Inscription , The Collection of Books on the River and the Cold Pavilion of the River" states that "Xiao Kai Fa du is particularly strict, purely based on the Tang Dynasty's transport of Wei and Jin super wonderful... With "Cao E" looking up to the "Declaration", Hu Dengzhong Fu Zhitang. ”
Looking at the wide glyphs of this volume, the painting is idle and idle, which is quite elegant, and it is also in line with "the stretching of the qi in the skimming". There are a total of eleven heavy light prints before and after this volume, and the seals at the end of the book are also quite one-dimensional.
Qing Cheng Chongguang "Book Raft" Cloud:
Horizontal painting of the hair pen upwards, vertical painting of the hair pen leaning, skimming the hair pen heavy, twisting the hair pen light, folding the hair pen, wrapping the hair pen round, dot hair pen frustration, hook hair pen sharp, a breath of hair pen dew, a hair pen collection, the distribution of the hair pen wide, the structure of the hair pen tight.
Horizontal can not be flat, vertical can not be straight, wrist can not be extended, eyes can not be noted, distribution can not work in the end; The distribution is not worked, and the rules cannot be completed in the end; The rules are broken, and it is difficult to write the law.
Qing Dynasty Zhongguang Xiaokai's "Jiazhou Collection" super Qing appreciation
Calligraphy Discover the beauty of the heart
Thinking of thousands of years, seeing through thousands of miles, the heart travels to ten thousand miles, and the eight poles are exquisite