Lin Jianfa
Lin Jianfa, male, Han ethnicity, born on November 7, 1950 in Xiao'ao Town, Lianjiang County, Fujian Province. He was conscripted into the army in December 1970, joined the Communist Party of China in July 1973, and voluntarily applied to join tibet as a farmer in May 1976. He graduated from the Department of Chinese of East China Normal University in January 1982. In July 1982, he was appointed as the theoretical editor of Fujian Literature, in 1983 he proposed to establish the "Selected Literature of Taiwan and Hong Kong", and in September 1984, he was transferred to the Theoretical Research Office of the Fujian Provincial Federation of Literature and Literature, and participated in the founding of "Exploration of Contemporary Literature and Art" as an editor.
In July 1986, he was transferred to the Liaoning Writers Association as the editor of Contemporary Writers Review, and in January 1987, he was appointed as the deputy editor-in-chief. Since January 1991, he has been the legal representative of Contemporary Writers Review, presiding over the overall work of the editorial department. He was Editor-in-Chief from May 2000 to 2010. In February 2007, he was appointed as the director of the Creative Research Department of the Liaoning Writers Association. In 1993, he was a deputy editor and in 1999, he was an editor. In October 2006, he was awarded the special government allowance of the State Council. August 2010 is the second level of professional technology. He is a member of the Chinese Writers Association, a director of the Chinese Literary and Art Theory Society, and a director of the Chinese Contemporary Literature Research Association.
He has also served as a special editor of Chunfeng Literature and Art Publishing House (2001), a part-time professor of Weihai Branch of Shandong University (2003), a final jury member of the Chinese Literature and Media Award (2003), an adjunct professor of the College of Literature of Shanghai University (2004), a distinguished professor of Bohai University (2005), a director general of the International Writing Center of Bohai University (2006), a part-time researcher of the Research Center for Contemporary Chinese Literature Creation and Research of Fudan University (2006), Adjunct Professor of Shenyang Normal University (2007), Executive Editor of Western Chinese Literature (2007), Editor-in-Chief of Journal of Bohai University (Philosophy and Social Sciences Edition) (2007), Distinguished Researcher of Institute of Literary and Contemporary Thought of Chinese Min University (2009), Executive Editor of Soochow Academic (2010), Distinguished Professor of Key Disciplines of Chinese Modern and Contemporary Literature of Changshu Institute of Technology (2010), etc.
During his presidency of the Contemporary Writers Review, the journal has had a far-reaching influence in the literary circles and journal circles, and has been selected as "Chinese Core Journals Overview", "core journals of Chinese social sciences", "Chinese Social Science Citation Index" (CSSCI source journals), repeatedly rated as a first-class journal in Liaoning Province, an excellent social science journal in three northeastern provinces, in 2001 by the General Administration of Press and Publication of the People's Republic of China as a phalanx double-effect journal of Chinese periodicals, and in 2004 it was selected as a "Chinese Social Science Journal Quality Database". China Academic Journals Comprehensive Evaluation Database (CAJCED) statistical source journals, China Journals Full-text Database (CGFD) full-text journals. Since 2004, it has been rated as an excellent journal in northern China for three consecutive times.
He has planned major literary academic activities many times: "2001 Symposium on novel style" (Dalian, June 2001), "Novelist Forum" (Soochow University, Bohai University, 2001-2006), "2003 Academic Seminar on Chinese Writing in the New Century" (Weihai, September 2003), "Dialogue on the Status Quo and Possibilities of Novels in 2005" (Bohai University, September 2005), "Jia Pingwo Works Academic Research Association" (Changshu, May 2006), " China's First Academic Symposium on Literature, Media and Literature Education (Bohai University, September 2006), "Academic Seminar on Mo Yan's Works" (Lu Xun Museum, November 2006), "Academic Seminar on Wang Anyi's Works" (International Writing Center of Bohai University, May 2007), "Academic Seminar on Yan Lianke's Works" (Lu Xun Museum, September 2007), "Summit Forum on Chinese Literature and World Literature" (Bohai University, April 2008), " Writing and Criticism in Our Time" (Wenzhou Contemporary Chinese Literature Summit Forum, November 2008), "The Second Contemporary Chinese Literature Summit Forum" (Dalian, September 2009), "The Third Contemporary Chinese Literature Summit Forum" (Shenyang, October 2011), etc.
Lin Jianfa has won more than 20 titles, honors and awards, including Liaoning Top Ten Editors (1995), Outstanding Social Science Editors of The Three Northeastern Provinces (1996), The Fourth Liaoning Literature Award (2006), the First Liaoning Provincial Periodicals Award (2007), the 2nd China Publishing Government Award Outstanding Publishing Figure Award (2010) issued by the State Administration of Press and Publication, and the 2nd Chunshen Original Literature Award Literary Editing Achievement Award (2010).
Cover of The Contemporary Writers Review
attach:
Senior journal and famous critic - Lin Jianfa
(Excerpt)
One
Lin Jianfa began to work as a literary journal editor after graduating from university in 1982 and has been working for 29 years. For a long time, Lin Jianfa has always regarded the prosperity of China's contemporary literary theory and literary criticism as his important responsibility, and has taken the establishment of a literary journal with characteristics, influence and uniqueness in China's contemporary literary circle as his life goal. Lin Jianfa has a solid literary foundation and profound literary theoretical accomplishment. He set a very high goal in his editorial work, insisting on the four first-class, that is, to be a first-class editor, to compile first-class manuscripts, to cultivate first-class writers and critics, and to run first-class journals.
Today, Lin Jianfa's contributions to contemporary Chinese literature are also widely recognized by the Chinese literary scene. Yu Xinchao, a reporter from the Xinhua News Agency, pointed out in his article "A Literary Criticism Magazine in Our Province Has Become a Well-Known Magazine at Home and Abroad attracts people's attention" that "a provincial-level journal can arouse the repercussions of researchers at home and abroad, can become an authoritative journal in the field of contemporary literary research, attracts people's attention, and studies the phenomena in it, and has a lot of enlightenment for the literary publishing circles in our province to improve the level of running periodicals and to give play to and consolidate the role and status of our province in the literary circles of the whole country." ”
Photo of Pharaoh Lin Jian
Two
In the literary world, when Lin Jianfa is mentioned, everyone will invariably talk about the magazine "Contemporary Writers Review" edited by him. For more than 20 years, this magazine has become a part of Lin Jianfa's life; for more than 20 years, the idea of contemporary writers review to explore innovation and strive to create a first-class journal has become clearer and clearer.
The Review of Contemporary Writers, edited by Lin Jianfa, strictly adheres to academic principles and has won the respect and attention of the literary circles with its clear-cut views, objective and fairness, profound theory, sharp writing, and high academic level.
Chen Jiangong, vice chairman of the China Writers Association, highly commented on the contribution of Contemporary Writers Review magazine to contemporary literary creation and criticism in China: "As one of the most important theoretical criticism magazines in the field of contemporary Chinese literary criticism, Contemporary Writers Review has made important contributions to the development of contemporary literary theory and contemporary literary creation and criticism in recent years. This magazine, along with the extraordinary course of thirty years of literature in the new period, has gone through its own extraordinary twenty-five years of brilliant years, and is recognized as an important critical center in the contemporary Chinese literary circles. Over the years, with its own unique literary vision, broad mind and temperament, it has adhered to the academic stance and true colors, adhered to the elegant academic character, gained insight into the development trend of literature, constantly encouraged and inspired the creation of outstanding writers, discovered and supported the growth of new literary talents, paid attention to theoretical construction, but also emphasized the aesthetic passion of academic concepts and criticism, and with its own persistence and efforts, gathered the most powerful and vigorous critical forces in contemporary literature, and together with writers, witnessed, participated, It has promoted the ups and downs and gratifying achievements of the development of literary creation and criticism in the new era. It can be said that the large amount of thought-provoking, leading and far-reaching constructive work they have done has won wide recognition, full affirmation and enthusiastic praise from the literary circles and academic circles at home and abroad. A magazine that condenses such a huge academic and spiritual strength, especially the literary standards and aesthetic standards that can persistently adhere to humanities, elegance and innovation, does make us awe-inspired and full of awe. ("Sending Congratulations and Respects from Afar: A Congratulatory Letter to the Award Ceremony of the Contemporary Chinese Literary Critics Award", Contemporary Writers Review, No. 1, 2009)
Lin Jianfa and Mr. Chen Yan
……
The selection committee of the first Liaoning Provincial Periodicals Award gave Lin Jianfa the following award comments:
"Writers and critics write articles to create, editing and editing publications is also creative labor, his works are publications, and a good literary journal will also have an important impact on the development of the times." I wanted to be an editor all my life, and I wanted to be the best editor in China. The person who said this was Lin Jianfa, editor-in-chief of the Contemporary Writers Review. Lin Jianfa practices the professional ethics and personality charm of a journal person with his own practical actions, amazing perseverance, and diligent and solid attitude. The Contemporary Writers Review is integrated into his life, and he has made unimaginable efforts for the survival of the journal, and has fixed a splendid spiritual home in a poor environment. He built the journal into three famous literary criticism journals, and won himself the reputation and status of a famous critic and the best literary works editor in the contemporary Chinese literary circle. He is the well-deserved winner of the 'Liaoning Provincial Periodical People Award'. ”
Lin Jianfa black and white art photo
Three
In recent years, Lin Jianfa has planned and edited 102 books: "The Intelligent Structure of Literary Artists" and "The Face of Contemporary Chinese Writers" with 7 parts and 5.3 million words; 18 "China's Best Novellas" and "China's Best Short Stories"; 9 "Chinese Literature Department and Literary Criticism in the 21st Century"; 12 New Classic Libraries and Novels (co-edited with Wang Yao); 10 "New Humanistic Dialogues" (co-edited with Wang Yao) 9 novellas (co-edited with Han Zhongliang) and 15 New Classics Library short stories (co-edited with Han Zhongliang). He also planned and published "Contemporary Prose Series" (5 parts), "Wang Zengqi Novel Classics", "Lin Jinlan Novel Classics", "Su Tong Short Story Chronicle" (5 parts), "Wang Anyi Short Story Chronicle" (4 parts), "Chi Zijian Novella Chronicle" (5 parts).
Wang Zengqi wrote a book to Lin Jianfa
In addition to his busy editing duties, Lin Jianfa also insisted on literary criticism and theoretical research, and in 1983 published "The Essence of Art is Emotion" ("West Lake", No. 12, 1883), which was introduced by Xinhua Digest in 1984, No. 10, and included in "Overview of the Discussion of Literary and Art Theory in the New 10 Years" (edited by Wei Shi, Lijiang Publishing House, 1988); in 1991, he published literary criticism work "Searching for Spirits - Literary Emotions and Others" (Liaoning University Press, April 1991). After the publication of this book, it attracted the attention of the academic circles, and it was considered that "this book covers a very wide range, has an extremely sensitive sense of smell for new theories and new phenomena in the literary world, and grasps them in time to express their own thoughts... It is a literary criticism work that integrates literary theory and practical activities of literary criticism." Therefore, he was selected for the "Compendium of Chinese Literary Research Works in the Twentieth Century" (edited by Qiao Mo, Peking University Press, January 1994) and the Liaoning Yearbook (1994) (Published by China Statistics Publishing House, august 1994) pointed out in "Literary Studies": Lin Jianfa's "Searching for Elves: Literary Sentiments and Others" by the Provincial Writers Association Lin Jianfa was considered to have "high academic value" by Peking University Press's "Outline of Chinese Literary Research Works in the Twentieth Century". His other book, "The Face of Contemporary Chinese Writers," co-authored with Wang Jingtao, won the Outstanding Book Editing Award of the Three Northeastern Provinces. Lin Jianfa's [Norwegian] Tao li Moi's "The Politics of Sex and Text: Feminist Literary Theory" (co-translated with Zhao Tuo) was included in the "Series on the Construction of New Disciplines in Literature and Art" by the Chinese Academy of Social Sciences, published by the Times Literary and Art Publishing House in 1992, which attracted the attention of female literary researchers and became an important work in women's literary studies. Since 2003, Lin Jianfa has written 7 consecutive prefaces to "Chinese Literature Department and Literary Criticism in the 21st Century", which evaluates Chinese literary criticism every year, all of which are published in domestic CSSCI theory magazines, and reprinted and introduced by important newspapers and periodicals such as Xinhua Digest, People's Daily, and Guangming Daily. "Writing and Criticism in Our Time" (originally published in "Contemporary Writers Review", No. 1, 2009) was reprinted in full by People's Daily, the abstract thesis of "New Treatise" of Guangming Daily, and the full text of "Studies in Modern and Contemporary Chinese Literature" copied by the National People's Congress. The paper was also translated into Japanese and published in the summer 2009 issue of the New Chinese literary magazine Hotpot (No. 73).
These works of Lin Jianfa not only accumulated valuable materials for contemporary literature, but also had a wide range of social influences.
Lin Jianfa and Wang Zengqi and others in Madame Bookstore (Wang Lao's works signed for sale)
Four
As a contemporary journaler, he is always performing his duties with practical actions, amazing perseverance, diligence and solid attitude, practicing the professional ethics and personality charm that a journal person should really have.
Both The Review of Contemporary Writers and Lin Jianfa are phenomena that deserve attention and study in the creation and criticism of contemporary Chinese literature and the work of editing.
Lin Jianfa, editor-in-chief| 1984-2013: 30 Years of Contemporary Writers' Review
"Faith is an Infallible Flag" and "Novelist's Pulpit" | book covers
Contemporary Writers Review Magazine
March 1, 2012
Yangzijiang Literary Review, No. 1, 2022| Catalogue
Famous Editor Vision Lin Jianfa
Mo Yan | Brother Jianfa is all right
Jia Ping | Say Lin Jianfa
Yan Lianke | Sister-in-law and construction law
Chen Zhonghui | The meaning of Mo Yan - a tribute to Mr. Lin Jianfa
Chen Sihe | Bile liver to take care of the real brother - Lin Jianfa and his editorial style
Wang Yao | A personal imprint of a magazine
Zhang Xuexin | Brother Jianfa's "Heart"
Xie Youshun | I often think of Teacher Lin Jianfa
Famous triangular prism Yemi
Ye Mi | Look up
Chi Zijian | Miya Yemi
Li Denan | Mental Traces and Psychology in the Transition Period - Ye Mi Theory
Writer wide angle
Zhang Qinghua | The Question of Drama and Lyricism: The Two Dimensions of Fictional Narration
New Horizons in Literary History
Zhang Fugui | The Historical Evolution and Classical Understanding of New Chinese Poetry
Jingwen Dong | Apocalypse from Dust Settled
Chen Jun | On the subject field of chinese contemporary drama acceptance
Young Critics Forum
Fang Wei | The "excess" of language and the "supergram" of transformation anxiety- Reappraisal of "The Happy Life of poor Zhang Damin" also discusses the secularization of the 1990s
Wang Dongdong | The concept of yuan poetry in modern Chinese poetics
Writer's Work Theory
Liu Jun | Darkness, Local History, Realism/Symbolism: On Li Zishu's "Flowing Place"
West crossing | Intellectual Imagination in Gomeck's Poetry - One of Gomeck's Poetic Methodologies
Zang Qing | The Legacy of the Pioneers and the Cultivation of Style: On Bi Feiyu's Novel Creation
Literary scene
Li Jingze, Ah Lai and other | Ecology: Methods as Literature - Selected Speeches of the Forum on Ecological Literature and Natural Poetry
List of "20 Books/Departments of Literature in the Twentieth Decade of the New Century"