With the opening of the Beijing Winter Olympics, the world has officially entered the 2022 Beijing Winter Olympics cycle, and the "Cheer for the Olympics" project has also ushered in an important stage in promoting the Olympic spirit, culture and art in Beijing, China. "Cheering for the Olympics" inherits the concept of "spreading the Olympic spirit and carrying forward the traditional Chinese culture", and will further show the good image of China's openness, confidence, enthusiasm and friendliness to the world through artistic means.
About the Author
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Huang Weinong
Zizuku Valley is also known as Tian Fu, Tian Jian Ke, Lin Chen, Sai No. Huifeng Hall, Tomorrow House, and Sleepy Warehouse Caotang. A native of Changshu, Jiangsu Province, he studied under Mr. Zhang Xigeng, a famous calligrapher in China. He is currently a member of the Chinese Calligraphers Association, a director of the Suzhou Calligraphers Association, the deputy director of the Women and Youth Creation Committee, the vice chairman of the Changshu Calligraphers Association, the special calligrapher and painter and director of the calligraphy creation room of the Changshu Calligraphy and Painting Institute, the vice president of the Changshu Yushan Contemporary Art Research Institute, and the honorary chairman of the Changshu Young Calligraphers Association.
His works have been exhibited in the 4th and 7th National Youth Exhibitions, the 7th, 8th and 9th National Exhibitions, the 1st National Fan Calligraphy Exhibition, the 1st Chinese Calligraphy Lanting Exhibition, the 1st China Book Association Members Excellent Calligraphy Works Exhibition, the 1st National Youth Exhibition, the 2nd National Cursive Book Exhibition, the 2nd National Newcomer Exhibition, the 5th National Yang Group Exhibition, etc.
Awarded "Top Ten" of the First Young and Middle-Aged Calligraphers in Suzhou (Suzhou Calligraphers Association)
Awarded 2006 Jiangsu Province Outstanding Young Chinese New Year's Eve Chinese Painters , Thirty Calligraphers (Seal Engraving) Artists (Jiangsu Provincial Federation of Literary and Art Circles, Jiangsu Calligraphers Association)
In 2020, he won the only "Grassroots Calligraphy Figure" award in China (co-sponsored by more than 20 famous media in China)
Won the 2021 Suzhou Calligraphers Association in the past five years of calligraphy creation advanced worker (Suzhou Calligraphers Association)
Yushan new rhyme
Hu Chuanhai
Huang Weinong was a representative of the Xinyushan School. Although, like the old Yushan Calligraphy School, it shows the spiritual outlook of its calligraphy with the qijiao outer brushwork of opening with the atmosphere and the layout of the situation, unlike the old Yushan Calligraphy School, which emphasizes shoucheng imitation, Huang Weinong is more focused on absorbing the essence of the various schools of calligraphy today, such as the delicacy and fullness of the Huating School, the inclusiveness of the Hai School, and the strength and thickness of the Zhejiang School. Therefore, the internal tension of Huang Weinong's calligraphy is obvious. I have seen his six-footed grass, sideways posture, seal brushwork, continuous cloth posture, rolling down, strong and vast momentum to capture the heart, reflecting his courage to write, good at writing and expressing the heroic life of people at the bottom of the pen, both momentum and boldness, as well as brilliance and ink. In contrast, the small lines he wrote were euphemistic and meticulous, and the paragraphs were written in small and large, unique. It has both temperament and interest, both carved and generalized, reflecting the overall aesthetic style of the New Yushan School of Books, which is free to relax and majestic. In his various works of books, there is a huge kinetic energy for seeking novelty and change.
Yushan art has qian qianyi, Liu Ruyi, as well as the four kings, Weng Tonggong, both Yan Gongda, Zhang Xigeng, and a new generation of Huang Weinong, etc. The chain of artistic inheritance is complete, and constantly breaks through in the study of ancient times, forming its own characteristics, which is why the Yushan School of Books has vitality. Huang Weinong, as the "Yushan New Rhyme" of Changshu calligraphy, will have a more wonderful calligraphy story to interpret, and like his predecessors, he will surprise the national book scene, so I look forward to...
Author: Hu Chuanhai (Academic Member of China Calligraphers Association, Former Executive Editor of Shanghai Calligraphy Magazine, Director of editorial department, Editor-in-chief)
Between the sissy and the clumsiness
Jiang Shoutian
Yushan mountain is a place with a thick vein of calligraphy, and it is also an important town of calligraphy in Jiangnan. As a representative figure of young and middle-aged calligraphers in the contemporary Yushan Calligraphy School, Huang Weinong's works especially reflect the aspect of jiangnan calligraphy and heavy literati inheritance. His calligraphy is based on Yan and Mi Liji, sleeping and feeding Yan Lugong's "Sacrifice to nephews", "Fighting for Seats" and Mi Fu Xingcao, and also involving the Eight Greats, Wang Duo, and the ancient xiangxian Weng Tonggong also had a deep influence on his writing style. He pursues the style of brushwork, which has the taste of harmony from weng TongGong's stele, and thus traces back to Yan Lugong's seal brushwork, and the eight typical center-forward round and thick pens are also added. Therefore, Huang Weinong's calligraphy is based on the thesis, but it is not purely confined to the side to take the left wind flow of the Yan River, but has the style of Yushan calligraphy with the essence of the Meaning of Haodao. Yushan ancient wumen, in the middle of the Ming Dynasty Zhuzhishan cursive book integrated tang and Song, wanton and wild, brushwork jump more and more reckless, straight to Xu Wei crazy grass, for the late Ming Zodiac Zhou, Ni Yuanlu, Wang Duo can also be described as a guide. As a branch of Wumen, Yushan Shujie also has its own crazy character, and in modern times, Weng Tonggong, Song Jiding, and Zhu Jiashufeng are all outstanding and unique. Up to the contemporary Changshu Zhongjingnian calligrapher group consciously adheres to the spirit of the traditional Wumen school of calligraphy, to the vast, subtle, pen and ink to write out the contemporary temperament and spirit, which is not difficult to see in the creation of Zhang Xigeng and Huang Weinong.