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China in the classics
Director: Lu Xiaobo / Zuo Xing
Starring: Sa Bening / Ni Dahong / Wu Fan
"China in the Classics" is a large-scale cultural program jointly launched by the CCTV Comprehensive Channel of the Central Radio and Television Corporation and CCTV Creation Media, focusing on "Shang Shu", "Tiangong Kaiwu", "History", "Compendium of Materia Medica", "Analects", "Sun Tzu's Art of War", "Chu Ci", "Xu Xiake's Travels", "Tao Te Ching", "Zhou Yi", "Chuan Xi Lu" and other excellent Chinese cultural classics. Through the innovative form of time and space dialogue, with the expression method of "drama + film and television + cultural interview", it tells the origin, circulation and shining story of the classics in the long river of 5,000 years of history.
The immersive theatrical program is even more shocking as if we were experiencing it firsthand, and we can generate empathy while gaining knowledge. As soon as the program was broadcast, it quickly "went out of the circle" and was praised by General Secretary Xi Jinping and the State Supervision Commission of the Central Discipline Inspection Commission, and was praised as a "fairy program".
"China in the Classics" Shang Shu chapter
The theme of the first issue is the "Political Code of the First King", the opening chapter of the Book of Shang, which is known as the "ancestor of the political book and the source of the history book". It is passed down or compiled for Confucius in his later years, bringing together various important documents from the Yao Shun of the ancient period to the Qin Mugong period of the Spring and Autumn Period, and after careful compilation, a hundred articles are selected to facilitate the study and inheritance of future generations. Many people may not know that the word "China" was first derived from the Book of Shang, unifying the rhythm and weights and measures, and was first mentioned by the Book of Shang.
The program "Shang Shu" takes "Fusheng Protective Book" as the main line, interspersed with two famous chapters of "Yu Gong" and "Pastoral Oath". Ni Dahong played the Qin Dynasty doctor Fusheng, he is a book protector and a book lover, when Qin Shi Huang burned the book pit Confucianism, he fled back to his hometown in Shandong, although he was displaced along the way, he still gave up his life to protect the book and preserved a "Book of Shang". In the time of Emperor Wen of Han, he looked everywhere for people who could teach the Book of Shang, heard about Fusheng's deeds, and wanted to recruit him into the dynasty, but at this time Fusheng was more than ninety years old and could not travel (from Shandong to Shaanxi). Therefore, Emperor Wen of Han sent Tai Chang to Fu Sheng's house to give it in person. After that, Chao Mistaken took the 28 articles he had learned back to the capital and entered the Secret House of the Great Han Dynasty.
"If Han has no Fusheng, then the Book of Shang will not be passed on, and if it is passed on, there will be no Fusheng, and its meaning will not be known." Without him, perhaps there would be no such book in the future! In the long history of the Chinese nation, the importance of this book is self-evident!
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Highlight Presentation – Immersive experiences build synaesthesia
The scene layout and immersive experience of scene interpretation in "China in the Classics" maximize the transmission of emotions. Through the four-part stage joint picture presentation, each issue of different situations around a theme core layer to promote, on this basis also the use of ring screen projection, AR, real-time tracking and other new scientific and technological means to improve the visual level. The time and space channel driven by contemporary reader Sabine connects the "historical space" with the "real space", so that the audience has a better sense of experience and a stronger sense of substitution.
Stories related to the classic Book of Shang were presented on the stage. For example, the childhood Fusheng listening, the elderly Fusheng lecture, the Oath of Zhou Wuwang Makino and the dialogue between Fusheng and the flowers and children of the motherland, etc., it is this series of situation settings that allows the audience's emotions to be expressed, and the immersive emotional commonality is more shocking and the soul is more touched than the insensible recitation.
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Highlight Presentation - Appreciate the meaning of the Book of Shang
"There are scriptures, there are precepts, there are vows, and there are mysteries of books", as the Book of Shang is introduced in the Three Character Classic. The canons, sayings, precepts, vows, and fates here refer to the six styles of the Book of Shang. According to the division of time and dynasty, the Book of Shang can be divided into the Book of Yu, the Book of Xia, the Book of Shang, and the Book of Zhou, which can be called the source of Chinese civilization.
In the drama performance part, the program team adopted the expression method of story set story, "Yu Gong" and "Pastoral Oath" respectively expressed the two major themes of "Kyushu Division, The Four Seas Will Meet" and "The People's Nobles and Gentlemen", and these two themes corresponded to the main theme of "The People are the State, the Ben Gu Bang Ning" in the "Book of Shang", highlighting the close connection between the country and the people.
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Highlight presentation - from the perspective of today's people, tell the story of passing on the torch
Dr. Fu Sheng of the Qin Dynasty was most concerned about the inheritance of the Book of Shang, and he asked the contemporary reader Sabine: "I wonder how the Book will be circulated in the future generations?" From the perspective of the present, Sabine tells the aftermath of the passing on of the torch: "The Book of Shang has experienced the Western Jin Dynasty, the Eastern Jin Dynasty, the Tang and Song Dynasties to the present, and has been lost several times and re-searched several times. Today, we regard the earliest historical records as national treasures and exhibit treasures. But at the same time, it is widely disseminated by the Internet, which is readable by everyone in the world and realizes the widest dissemination of knowledge. As Fu Sheng traveled to the modern era and saw what he said now: "But the ancestors of Yin have books and scriptures." The classics are readable by everyone, good. "I am relieved that the Book has your heritage."
"China in the Classics" has been updated for eleven issues since its inception. The eleventh program will focus on the quotation works that embody Wang Yangming's philosophical thought, and the "contemporary reader" Sabine will lead the audience to Mr. YangMing's school in person, walk into the "Chuan Xi Lu", a work of determination and speech, a classic of morality and self-reliance, and work with three readers to interpret the true meaning of the idea of "unity of knowledge and action" for everyone. Therefore, talking about the classics, the "Book of Shang", and the "Records of Transmission" are even more reminiscent and nostalgic for this spirit, and the current society needs people who are immersed in learning, and people who can withstand loneliness and are willing to sit on the cold bench. Materialized enjoyment will only make people anxious, and only by returning to the classics and traditional culture can we find a pure land.
Programs such as "China in Classics", "Poetry Conference", "Chinese Idiom Conference", "National Treasures", "Classic Arias" and other programs are borrowed from traditional culture to taste the wisdom of the ancients. Only by looking at history can we know where we came from, where we came from, and where we will go. Each of the classics of Chinese civilization and the process of passing on its torch give us the answer. I hope that through this recommendation, you can also feel the shock from the Chinese classics.
(Some of the text and pictures in this article are from the Internet)
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