Chinese flower and bird painting is one of the three major painting disciplines in chinese tradition. The objects depicted in flower and bird paintings are actually not just flowers and birds, but also refer to various animals and plants, including flowers, vegetables and fruits, feathers, grass worms, animals and animals.
Painters of successive dynasties have different, step-by-step, improved and innovative painting methods when painting flowers and birds, and below, I recommend some tips for painting flowers and birds.
【Tips for painting plums】
The painting plum has a thickness, and the ink should see the pen,
Frustration and obedience, the branch demands a song.
Branches should be interspersed, drawing branches as if writing "female".
Stacked flowers like the word "pin", grouped chrysanthemums densely,
Save three and gather five, the chief guest Mo separates,
Pitching and back, the color needs to be uniform.
【Tips for painting orchid leaves】
White banana painting orchid
One stroke is long, two strokes are short, three strokes are broken phoenix eyes,
The key to skimming the leaf is to press the button.
There are folds and turns and interspersed, and there are thicknesses and thins to stretch.
Use the pen steady and dashing, the pen in place must be bold,
Two strokes and three strokes to collect the roots, together but not together and scattered.
There are puts and retracts and backs, do not make three strokes.
【Tips for painting orchids】
The stems of the flowers are drawn among the leaves, and the flowers are pitched and stretched.
It can be fully exposed or hidden, and there are high and low to be natural.
Thick ink painting leaves light ink flowers, light ink must also have shades.
Thick ink dots are like writing "mountains", and the contrast between thick and light is eye-catching.
The grass green tone red painting flower head, color contrast correction is obvious.
The ochre is dipped in a red dot corolla, and the colors are harmonious and natural.
As long as the black is well matched, the painting orchid is elegant and not vulgar.
【Tips for painting bamboo mouth】
Qi Gong paints bamboo
Draw bamboo first, full of courage and determination.
There are thick and thin, and the intricacies need to be natural.
Heavy ink B character hug, with the pen steady as a mountain.
The branches should not be on the same side, and the pen should not be slow.
Painting leaves is the most important key to dense and dense.
The pen uses internal force, and the essence increases by itself.
【Painting Qing Bamboo Mouth Tips】
There are many leaves on the bamboo, and the stretch is broad.
Press the magpie's claw on the branch, and the sketch should be flexible.
The word "one" is the same as heavy people, and the intercourse needs to be wrong.
The anterior leaves are large and do not shrink when stretched.
Dense is the most important, and the collection and release are linked.
Draw the weeping leaves appropriately, and the contrast changes a lot.
The main guest should be clear, and avoid scattering and stacking.
Painting bamboo to practice skill, the focus is on combinations.
【Painting rain bamboo mouth tips】
Painted rain bamboo branches slightly curved, the leaves droop to one side. The characters "介" are broken by each other, and various characters are drawn in between. The line is stable according to the needs, and the strike must be decisive. There are masters and guests divided into groups, and the whole needs to be connected into pieces. Secret places seek to be sparse and dense, and the most taboo is to pile up and scatter. The key to painting bamboo is in combination, and kung fu is in the pen and ink.
【Tips for painting chrysanthemums】
Southern Song Dynasty Zhu Shaozong "Chrysanthemum Flying Butterfly Figure" Fan Silk Color 23.7×24.4 cm Collection of the Palace Museum
There are three kinds of chrysanthemums, which are flat and flying.
Focus on practicing the top, and the drawing method should be thick.
The line should be decisive, mainly with a center.
There are even broken, virtual and real can be used together.
The petals are misaligned and in different directions.
The outer flap must be stretched and jagged.
The ink color is dark and light, depending on the color of the flower.
Ink dry and then color, remember to fill in the color.
【Tips for painting chrysanthemum leaves】
Ming Lü Ji (1477~) "Guiju Mountain Bird Diagram" silk color 192× 107 cm Collection of the Palace Museum
Chrysanthemum leaves with pen flanking points, circles in the square is not simple.
The leaf surface is semi-dry and uniform, and there are mentions and presses to be decisive.
Save three or five consecutive pieces, there are sparse and dense and focused.
The ink color of the leaves should not be flat, and should be divided into dry and wet and thick.
There are virtual and real and broken, and they are cut according to the momentum.
Don't look at the corolla, just look at the leaves, and the combination of complexity and simplicity is also beautiful.
【Painting Moon Season Recipe】
Wang Xuetao Monthly season
The petals are square, and the level of expression is shallow and shallow.
The leaves of the three-five corolla are axillary, and there are high and low and scattered.
Grass green tone red painting stems, there are straight and curved and long and short.
Pinnate compound leaves three or five out, dense combination mo plate.
There are virtual and real and thick, and the prominent theme is the corolla.
【Tips for painting lilies】
Wang Xuetao Lily
To study the structure of the lily, the six lobes should be divided into front and back.
The midside side is combined with the outline, and the pen is flexible and meticulous.
Thick ink evenly point flower buds, can be reduced do not have to piece together.
The leaves are small and large, interlaced with lengths and shorts.
The color needs to be hooked, and the thick ink can also be hooked.
Symbolizes harmony and beauty, fresh and elegant and lively.
The petals are divided into two layers, for a total of six petals.
Zhu Biao is ashu red, and the color can be intense.
The flower is shaped to the back, with three strokes and one petal.
Thick ink painting flower buds, rouge spots.
Paint leaves like lilies, intersecting and gathering.
The drawing method is not difficult, mainly in proficiency.
【Drawing bee mouth tips】
Qi Baishi Magnolia Bee
Flowers dotted with bees need to be painted well.
Not only the shape contrast, but also the movement in the stillness.
The double wing ink should be lighter and the pen should be lighter.
The six legs have lengths and lengths, and they cannot all be parallel.
The head and chest can be disconnected, in order to seek vividness.
Although the shape is small, the painting intention should also be strong.
There is an echo to the back, and the vitality is in the painting.
【Tips for drawing butterflies】
Qi Baishi Butterfly
Draw a triangle of forewings first, and the pen should be lighter near the back.
Then draw the hindwings to the forewings, and seek the square in the circle to find the shape.
Looking back at the forewings pressing the hindwings, the relationship is upside down.
Three strokes point out the head, chest and abdomen, can be disconnected to seek vividness.
The two antennae should not be thick, and the six-legged changes Moqiping.
Use the pen to die into a specimen, there are virtual and real interesting students.
【Tips for drawing gourds】
Qi Baishi Gourd Bird
Depict the gourd flank point, the color should be thick and the pen should be soft.
Garcinia garcinia is green with a cool color, and ochre is tinged with red to warm.
Properly distinguish between dark and shallow, outline to be natural.
The color is semi-dry dots of the navel, and the thick ink dots are written without seeking circles.
Heart-shaped leaves can be broken, and there are virtual and real and thick.
The flanker seeks ingenuity, and the spirit is relaxed.
First draw the gourd there is a gathering and dispersion, there are high and low for nature.
Then paint the ink leaf lining the fruit, the shape is between the similar and the unlikely.
The middle side combines the painting vines, and the main vines are thick and light.
There are tight and loose windings, and the taboo is drawn into a spiral.
There are pens that are slightly dry and thick, and there are square folds and turns in the circle.
Let go of the brush and be restrained, and feel comfortable.
【Tips for drawing persimmons】
Qi Baishi persimmon
Deciduous trees and persimmon barriers, beautiful red fire is connected.
Persimmons can be painted with vermilion punctuation, slightly adjusting the shades of garcinia.
The upper four strokes are the next stroke, and the two strokes on the side are finished.
The brushstrokes do not have to be obvious, grasp the large three-dimensional sense.
The leaves are larger oval in shape, but the foil is not complete.
The forming force of the ink pen is calm, and the appropriate repetition is also natural.
Qi Baishi persimmon diagram
The fruit is drawn first, the leaves are drawn, and finally the branches are strung together.
The guest of honor is distant and near, and it is necessary to remember the truth to the back.
The leaves are ink-free and uncolored, stable and elegant and natural.
The layout avoids the four corners, and the branches do not have the midpoint of the edges.
The middle side of the painting branch should be combined, and the hair thickness should be lifted.
Opening and closing is the law, and all branches are the same.
【Drawing Loquat Tips】
Qi Baishi Loquat grass worm
The tall trees are warm on the day, and the loquats are ripe and golden.
Three green garcinia yellow tone Zhu Biao, slightly divided into shades and cold and warm.
The dots are round or elliptical, and the structure of the fruit should not be messed with.
The color of the fruit is not dried, and the four strokes are more obvious.
The hand muscles have to be exercised, and the wrist strength increases and the skillful operation.
【Tips for drawing morning glory flowers】
Qi Baishi Morning Glory
Fresh and beautiful flower crown, ribbon calyx also fluttering.
Three out of the leaf province tip, with a pen solid and scattered.
The vines are weak and soft, and the winding is square and round.
The flower head protrudes from the upper leaf axils, and the flower heart leaves room for white space.
The cinnabar dots are more eye-catching, and the elegance and customs are fun to enjoy.
【Tips for painting wisteria flowers】
Qi Baishi made
The vines are entangled and climbed, and the vines and flowers are like butterflies.
Flower green aquamarine, four strokes to write a flower.
Realistic in the virtual, the buds are thick and hanging down.
Grass green or ink painting stems, rouge painting calyx with flowers.
Finally Garcinia dotted with buds, can also be omitted without painting.
【Tips for painting wisteria leaves】
Pinnate compound leaves are odd, large in front and small in oval in the back.
The leaves were reborn and hanging, seven pieces of nine pieces of thirteen pieces.
Grass green ink green ochre ink dots, can also be grass hook light color dyeing.
Decorative hook leaves are another method, and they also need to be flexible and disconnected.
Although the leaves are supporting characters, they are natural in order to choose the law.
【Recipe for drawing vines】
The old vine is thick and inky, and the vine is thin and stretched.
The middle side of the turn should be changeable, thick and dry wet are used in full.
There are also methods of vine winding, thickness and thickness are broken and square.
There is a tight and loose spirit, and the pen is slightly scattered with flying white edges.
The combination of vine flowers highlights the flowers, and there is a sense of beauty with less victory.
【Painting Magnolia Tips】
In early spring, the magnolia flowers are clean, and the nine-petaled corolla is fat and large.
Light ink outline can be on the middle side, and the front side can be reversed and changed.
Stone green cinnabar dot pistils, stamens coloring needs to be changed.
Ochre stone ink dot calyx, several brush hairs do not play fine.
Standing on the branches like a jade plate, not subject to dust and shine.
First use light ink to hook the flower crown, and use the pen to avoid dullness.
The three gatherings and five phases are staggered, and there are virtual and real and continuous.
The buds open in unison, standing on the branches.
The branches need to be frustrated with a pen, and the square is hard to turn at the end of the branches.
The flowers are light and light ochre to be dyed, such as filling in the white mo wound line.
【Tips for painting the head of the lotus flower】
Zhang Daqian Lotus
Single-petaled, multi-petaled corolla that stretches around the lotus canopy.
The petals are large and small, and the front side is wide and narrow.
There is only one pistil, and the stamens are thick ink.
There are virtual and real with the pen, and there are thick and light with ink.
The color filling should not be flat, and the light ochre flowers should be clearly painted.
【Trick for drawing lotus leaves】
Zhang Daqianzuo
The painting leaves need to be released, and the defects should be left appropriately.
Use a pen to arrange the pen, and the ink color should be harmonious.
Take advantage of the wet veins to infiltrate the natural beauty.
The painting is done with fine coarseness and cleverness in omission.
【Painting color lotus with combination recipe】
The first flower and then the leaf procedure is clear, and there is an echo between the flowers and leaves.
Choose a good ink color thick or light, whether it is hidden or dew whiskers are clear.
Interspersed petioles are not parallel, long, short and long.
Intention is not to seek image, pen and ink charm should be valued.
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