Stretch your eyebrows and think of the state (Part 1)

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Editor's note: Penglai has a long history and splendid culture. Since Emperor Wu of the Han Dynasty toured the east for the name of building a city, it has a history of more than 2100 years. As the birthplace of oriental immortal culture and a starting point of the ancient Maritime Silk Road, there is a beautiful legend of "eight immortals crossing the sea", a wonderful landscape of "mirage", the former residence of national hero Qi Jiguang, and the legend of a generation of literary heroes Su Dongpo "Five Days Dengzhou Capital, Millennium Su Gong Ancestral Hall", known as "Wonderland on Earth". From now on, today Penglai has launched a series of reports to tell the story of Penglai from the perspective of history and humanities, pick up the memories of Dengzhou, and show the humanistic charm of the fairyland, so stay tuned.

Chen Peng

Dengzhou survived at the age of 1293, opened a government in Penglai, and lived in eight seats for 1207. It is not "Penglai ancient called Dengzhou", to be precise, it is the Dengzhou establishment that staggers in the arms of Penglai and "starts" until it "grows old". Penglai and Dengzhou have been singing and harmonizing for more than a thousand years, working together in the same boat, solidarity and solidarity, although they are related to the subordinates, the regional culture is varied, but in all kinds of fragrances, they are each other's appearance, and there is no distinction between them. The years are vast, and now, the distant figure of Dengzhou has been sprinkled in the dust of time since 91 years, however, as long as you set foot in Penglai, dengzhou everywhere, and gently ask a question, it is a moving story that is dizzying. Although what has never changed is change, I leaned over and picked up all the old records left by Dengzhou to Penglai.

Gudeng Prefecture took root in the land of Wenden, and developed in Muping and Huangxian mountains, and in the third year of Tang Shenlong (707), the town of Penglai was changed to Penglai County, and the administrative office of Dengzhou was moved to Penglai. Penglai ground officially has a history of "Dengzhou" and "Dengzhou Capital".

Penglai is the seat of government of Dengzhou, also known as "Shou County". For quite a period of time, when it is said that going to Dengzhou, it is actually to settle in Penglai; to say that it is to catch up with Penglai is actually to stay in Dengzhou City. One city and two titles, and the prefecture has a total of one city.

A sea and a sky, a city ship, half a city official and half a city soldier.

The fourteen characters can generally outline or depict the geopolitics, economic geography, cultural customs and social ecology of Dengzhou or Dengzhou, and dance with the gods, giving birth to the highlight years of Dadengzhou.

A sea and a city of culture

The sea and sky are unique to Penglai, a cultural resort with two scenes and two materials, and the evolution of natural landscapes. The chinese sea frontier stretches for thousands of miles, and here the flowers and magic pens are shaken, and the ghostly work is like the opening of the sky, the name of the fairyland on earth, which depends to a large extent on the gift of a sea and the sky. Bohuang Andhuang Erhai jointly spit out a string of pearls here - the Changshan Archipelago; from time to time, in the sea and sky, the city is bustling, the pavilions are colorful, the shadows are enough, ethereal, seemingly there is nothing, the changes are unpredictable - the history is called the mirage. A large part of the Chinese immortal culture is written in this natural context, interpreting the immortal drama that runs through more than 2,000 years. Whether it was Qin Shi Huang or Emperor Wu of Han, in the Spring and Autumn Period, they repeatedly wrote about the "elixir of immortality", covering up their great talent in expanding the territory, stabilizing the frontier, and promoting the economy of the sea.

The so-called sea and sky: clouds float in the water, fish swim in the air, "the sea to the sky cloud as the shore" "fish dragon diving into the water into the text". In addition to the romantic wings that need imagination, the artistic conception objectively needs a mirror sea, smooth like a mirror, and an endless sea surface. Jing'erhai has a wonderful description in the essay "Haishi" by Yang Shuo, a famous writer from Penglai: "A good piece of Mirror Sea." The water is blue and blue, and I really want to become a fish and burrow into the waves. ”

The mirror of the sea is full of light, the earth is bright, the earth is the same, reflecting everything; by virtue of the birth of the high pavilion floating water, fishing beam song fishing; sails and clouds diving, water moon Q&A beautiful scenery. Anyone who wanders on the reef on the shore of the bay can quietly smell the fish and read the moon, and enjoy the gulls talking about the sky. There is a poetry of Wei Ye in the Song Dynasty: "Looking for the truth and mistakenly entering Penglai Island, the incense wind does not move the pine flower old." Caizhi has not returned, and the white clouds have not been swept everywhere. ”

Laiyang Jinshi Sun Xun said in the preface to the Penglai Pavilion Collection: "The Danyan of a Thousand Blades, the Han Sea of the Boundless, and the Empty Ming Dynasty." Swimming on it, the sky wind flutters sleeves, refreshing the placket, trance clear, if the swim is too vain. Therefore, the name qing ju gong, HongRu rioter, the people who come and go to Zi County, there is no one who is quick to ascend to the county and form the chapters, so, with the virtual far view, then see the sky of Yukuo suddenly mirrored. ”

Beautiful, pouring ancient and modern cultural realization and value expression.

Thanks to the favor of Qi Xuanyan Zhao, Qin Emperor Han Wu and other emperors, the "big name" endorsement in the imperial vein is difficult to think of. The so-called unparalleled immortal culture in the world is the emperor Lao'er, the jianghu warlock cleverly borrows the wonderful colors of the sea and the sky, the legend of the Immortal Mountain of Liezi, and the "cultural old wine" brewed by the long river of time, even if you take a sip, the fluttering slightly drunk upper body, you have the feeling of "being immortal to Penglai". The secret realm of nature has been twisted out of a surprising flower by ideology, and it is eternal at the beginning. On the historical and cultural stage of China, a unique fairy drama has been sung, and the curtain has not fallen for a thousand years.

In the sixth year of Song Jiayou (1061), Dengzhou Zhizhou Zhu was about "five grains ascended to the top, the people are all blocked" in his spare time to climb Danya Mountain, looking far away, colliding with the great beauty of the sea and the sky, directly "shocking" Zhu Zhizhou, "looking up, looking up, leaning over, stepping on the back, listening to it, not knowing the immortal Penglaiye, is the Penglai of the world".

There is no need to ask How Zhizhou Zhu Shuyu was obsessed with the sky of the sea, secretly changed the customs, dared to move to the Dragon King Palace on Danya Mountain, and built the Penglai Pavilion with excellent viewing of the sea and the sky, which was called "a place for the people of the state to visit". He himself was deeply moved by his own decision-making, and in the "Penglai Pavilion", he sighed: "I don't know that the Penglai of the immortals is the Penglai of the world." ”

Zhu Chuyue not only served as an official, but also benefited one party, the cultural impulse before the sea and the sky made Penglai Pavilion, Zhu Chuyu used a cornice to materialize or extend the immortal culture of the Chinese nation, cultivated the evergreen tree of the Chinese immortal culture of the Hai sect, and also placed himself in the meritorious forest of national culture, the name of the gentleman who fell fruit for a thousand years.

The moment Penglai Pavilion stood tall on the top of Danya Mountain, it declared the cultural immortality of this building. It not only monopolizes the humanistic connection with the unique viewing position of the sea and the sky, but also operates the Sea and Sky Wonderland coveted by the Qin Emperor Han Wu and other royal families with traditional culture, the famous Qing da people, the literary heroes and ink masters compete to participate, the cultural exchange has realized cultural value-added, the cultural excitement has promoted the realization of value, the immortal culture has landed, the Penglai Wonderland has become popular, and the Penglai Pavilion has become the spokesperson of the Penglai Of the Three Immortals Mountain, sublimated into the symbol and symbol of the actual existence of the Penglai Wonderland; it has become a symbol of the regional soul and civilization of Dengzhou and Penglai. Material and intangible wealth that can be used by human beings.

At present, the so-called "Penglai Eight Immortals" still live on the Penglai Pavilion to drink, fulfill the value expression of Penglai Pavilion culture in an era, the cultural waves set off by the sea and the sky are endless, the cultural existence of Penglai Pavilion is bound to change with each passing day, and in the social ecology of each dynasty, it is fashionable culture to take care of colorful flowers, suddenly penetrating, radiating, dengzhou borderland has a rich and unique cultural heritage.

A pavilion of Huazhang and a state of immortals

Teng Zijing's "Book of Inquiry" believes: "Stealing that the world is a county, those who do not have mountains and rivers and rivers are not victorious, those who do not have a view of the landscape and water are not conspicuous, those who do not have a text in the building view do not say that the reporter is not long, and the text is not written by a person who is not a hero and a giant secretary." ”

Penglai Pavilion and the Yellow Crane Tower, Tengwang Pavilion and Yueyang Tower as the four famous buildings in the country are famous in the world, the wen and ink rioters who flock to Penglai Pavilion are not lacking in the romantic feelings of "the sleeves of the sea are troubled, to see the waves shooting the sky", according to the sea and the sky, the heart is to cherish the heart, and the natural landscape is brewed into a cultural wine that has been fragrant for thousands of years, which is far away and endless. Although it lacks the same ancient songs as Cui Hao's "Yellow Crane Tower", Wang Bo's "Preface to the Tengwang Pavilion" and Fan Zhongyan's "Yueyang Lou", the natural beauty reflects the thinness of culture, reflecting the relativity of the objective laws of history.

In the nineteenth year of the Ming Dynasty (1591), the prefect Wang Yunlu edited and engraved the "Penglai Pavilion Collection", systematically sorting out the Penglai Pavilion poems descended from the Qin Dynasty, with the preface: "There is no Penglai in the world, and there is Penglai Zezi where there is emptiness, that is, the true realm of Pengying; there are no immortals in the world, and there are immortals who swing the chapter of the pavilion to exhaust the immortal talents." "High-profile, domineering self-explanatory, but also question, there have been poetry and songs in the past, why are there few amazing songs? Perhaps Su Dongpo's Five-Day Dengzhou can look into its internal logic.

The Qing dynasty Zhang Gong has a poem: "Lai has a public official for five days, and the three mountains are ancient and heavy Penglai." Su Shi nominally only did Dengzhou Zhizhou for five days, only because he stood on the bank of Danya Mountain, he fell into the memory that he could not go away all his life, "In the end, there will be weak water for the sea, and there will be no acacia to send Wushan", and he has not stopped nagging Dengzhou for this sea color all his life. "Don't feel that the five days are hurriedly guarded, and return to pass on the music poems first", "Dengzhou Sun's Wansongtang", "Dengzhou Haishi", "Fenghe Chen Xianliang", "Liu Bei Dengzhou Lifting People", "Looking at the Three Mountains After Passing the Snow in Laizhou", "Wenden Marbles Vortex Stone" and many other poems gushed out, out of control. After all, the sea and the sky cannot be taken away, and the intoxication is entrusted to the marbles (pebbles) on the shore, "I hold this stone to return, and there is the East Sea in the sleeve" "Placed in the basin, the sun and the mountains and the sea."

In the Mid-Autumn Festival of the Eighth Year of yuan (1093), eight years after leaving Dengzhou, Su Shi gladly wrote a pen and lamented the former Dengzhou in the "Twelve Stones of beihai": "Shangsheng Shizhi, grass and trees are strange, many unknown people, and many beautiful stones, colorful, or golden." "Blurted out" True Immortal House also! ”。

Su Gong himself admired his perseverance and excitement of "taking the North Sea and placing it in the South China Sea", just imagine what kind of nostalgia should this be " only to frown, but to the heart"? Su Shi, who thought that he had broken through the red dust, accidentally fell into the ocean of objects, and his soul always left a place to shake hands with the past Dengzhou Haitian. So obsessively, the poems continued, however, the words and lines seemed to be stolen by a momentary trance, and Zao Si was betrayed by persistence.

The famous Qing Mohao of the past and the present is enchanted by a sea and the sky, and the soul-snatching wonderland of mountains and seas melts the hearts of every person who has come to the temple, forgetting me and indulging in it, snubbing the poetry of the heart, and even snubbing the Penglai Pavilion at his feet, which is also one of the factors that have been chanting the poetry of the sea and the sky for thousands of years, taking into account the few chapters of The Penglai Pavilion? Without the cultural cultivation of Penglai Pavilion, it is also a sea of sky, and the sun is also a sea of colors. It is even more regrettable that many good sentences and beautiful texts are hidden in the high pavilion and no one knows, and they cannot sail the wenhai of the national classics.

The spirit of the earth is bound to be a masterpiece, and Ni Yuanlu of the Ming Dynasty said: "Ninety thousand blue skies, climb the ladder to get the way; three thousand blue seas, break the waves and ride the wind." "The blue waves stride, the clouds and han are within reach, and the mighty qi of the heavens and the earth is nothing less than the immortal medicine introduction, and the fairyland on earth that one party can touch is naturally full of gods and immortals." For more than a thousand years, The Penglai indigenous gods and immortals have stood on the beach, with their backs to the sea and the sky, holding a long cigarette bag and laughing at The Land Selling Heaven selling the sea to sell culture, and once "sold" for thousands of years, it is still there.