Biography of a calligrapher
Li Fang, pen name Mohai Aoyou, male, Han ethnicity, born in February 1957, Linzhang, Hebei, member of the Communist Party of China, university culture, engineer. He is now a national first-class calligrapher, a national first-class artist, a member of the Chinese Calligraphy and Painting Association, an academician of the Beijing Huaxia Lanting Calligraphy and Painting Academy, a member of the Handan Book Association, a director of the Guye Branch of the Chinese Academy of Chinese Studies, calligraphy and painting, and a director of the Zhongyuan Guizang Calligraphy and Painting Academy.
Since childhood, he has loved calligraphy, especially lishu, calligraphy, and cursive calligraphy, and after decades of study and exploration, his calligraphy has a certain degree of achievement, and he has participated in national, provincial, municipal and county painting exhibitions and won awards many times.
Books are wonderful and have a way of being noble and your heart is complete
——Remembering the famous calligrapher Li Fang
I like to wander in the calligrapher Mr. Li Fang's work system, because his calligraphy works have both the charm of the sky and the charm of huifeng and chang, which is very suitable for viewing, and can also be read repeatedly, always the more you look at it, the more you have a taste. As an intellectual representing contemporary Confucianism and elegance, Li Fang's calligraphy has a rare atmosphere of books, and his pen and pen are written in a meticulous manner, which can arouse the aesthetic beauty of calligraphy lines. Therefore, his works are professionally influential and aesthetically attractive, which is the result of natural progress, and the traditional calligraphy dragon vein is this quality and this attribute!
Judging from the breadth of calligraphy practice, Li Fang paid great attention to learning more stele posts, and there were many ways to take the Fa that was knowledgeable and excellent, and all the Fa Posts of the past generations were studied with heart, and they read through the essence of Linjing in order to achieve the form of a god. There is no shortage of ancient style and elegance, and it can also be made to follow the spirit of the times. On the whole, this is the new power that calligraphy can borrow from the past to open up the present, with the existence of this power, Li Fang's calligraphy will not have the tacky style of a craftsman in the context of taking the Fa Shanggu, but there will be a divine spirit. For example, the calligraphy is written in the right weather, the law is rigorous, and it is a golden book!
Lishu is one of the books that Mr. Li Fang has studied intensively, and in studying Lishu, he not only pays attention to the practice of the Fa, but also has a responsibility for leadership. Why? Because contemporary Lishu has the problem of being marginalized in inheritance and creation, many people's Lishu is far away from the spirit of the stele, and also lacks the rich and multi-god of line shaping, so the Lishu written is either rough or has become a thousand-word print. Li Fanglishu walked the Cao Quan, ceremonial instrument elegant style, very concerned about the shaping of the line of interest, a wave of three twists and turns, a vertical hidden front, stretched and contracted not to be exciting, the Eastern Han Dynasty Lishu official weather performance is very in place, and at the same time the literary lishu rhyme is also brewed very sufficiently. Left sweep right pick, silkworm head swallowtail, like a foot line, like a snake permeable water, such a flexible Lishu creation lishu li to become the contemporary lishu borrowing ancient and modern leader!
The core of the creation of the book comes from the heart of the Orchid Pavilion Order. He has great admiration for the calligraphy of the Second King, and he also has a firm belief in Linchi. The Erwang Book System spares no effort, and it is quite transparent for many mysteries that can be unlocked with a pen. A volley, full of momentum, sideways into the middle, natural nature. It is not written vigorously, and it is stretched gracefully. The image of xingshu, when it is the literati singing the style and elegance of the landscape, Jin Yun comes to the face, Song Yi is handy, so that his xingshu creation can fully integrate the heavens, places, and opportunities, so that every xingshu work is branded with the label of literati calligraphy free of nature!
Books are wonderful, and the law is noble. Of course, when I turn to his cursive works, there are a variety of changes that change from stroke to stroke, and there are also changes that are particularly frustrated by a single stroke. He is well versed in cursive writing as the true meaning of line art, and is very concerned about the shaping of lines, which are as horizontal as the clouds, like long live and withered, and are determined to make new and uncertain, and the ancient thin and half inkless! In the expression of cursive waving, make a lyrical confession with a book. Pen and heart, ink and affection, calligraphy is wonderful, everyone's handwriting is true!
Famous calligraphy and painting critic Shi Feng
March 31, 2022 Book at Lan Yi Zhai
Appreciation of works