Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Zhang Zhaoming
（1897-1976）
His original name was Zhang Daqi
No. Yiyi, a native of Wuhan
Former Principal of Wuchang Art College,
Chairman of Wuhan Branch of China Artists Association,
Deputy to the Third People's Congress of Hubei Province
Zhang Zhaoming has been engaged in aesthetic education for nearly 40 years, and his contribution to the cause of modern Chinese art is not only the creation of a large number of Chinese paintings, but also the cultivation of many successor talents.
Zhang Zhaoming is a pioneer in modern and contemporary art education in China. He graduated from Peking Art College in 1923. He studied under Wang Mengbai, Chen Shizeng, and Yao Mang's father. His flower and bird painting creation is influenced by Yun Nantian's painting style, he is good at sketching and freehand, and does not seek work but sees work in pen and ink. After the age of seventy, he changed from small to large freehand, and the painting style changed. His flower and bird painting temperament is calm and elegant, the pen and ink are deep and mellow, the style is plain and innocent, and the true meaning of ink freehand art enjoys a high reputation in the art world.
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
This old educator only painted flowers and birds in his life, why did he only take "freehand flowers and birds"? For this question, he once responded, "Because of the pursuit of elegance, freehand flowers and birds are the easiest to show pen and ink interest; another reason is that in the old society, to eat and work, amateurs can only engage in simple things, do not take up time." ”
Zhang Zhaoming's short answer revealed the "easy and simple" way he recognized. Moreover, the casual answer of "not taking up time" just reflects the educator's profound academic concept and pragmatic spirit.
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
In 1960, Zhang Zhaoming created the flower and bird painting "Rape Flower Fragrance" for the Great Hall of the People, which made hubei flower and bird painting attract national attention. In his body, there is the profound knowledge of traditional Chinese literati, as well as the enthusiasm and innovative spirit of intellectuals in the new era, which have injected infinite vitality into his flower and bird painting creation.
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
After years of accumulation and precipitation, Zhang Zhaoming's painting style changed greatly in his later years, from small freehand to reduced brush stroke and large freehand, and the ink intention was played vividly on rice paper.
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
During this period, his representative themes include loquat, morning glory, Ling Xiao, orchid bamboo, etc., the pen and ink are smooth but fresh and elegant, and the subtle and simple are full of fun, not deliberately impetuous, which is really rare.
Zhang Zhaoming's flower and bird paintings are appreciated
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
Reducing the brush strokes of freehand flowers and birds, implicitly showing fun, not deliberately impetuous, is really rare!
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