Li Bingjia - Doctoral student in management, doctoral supervisor of the Business School of Chinese Min University. Research Fellow, School of Government and Management, Peking University. Professor of the University of the Elderly, Ministry of Culture and Tourism. He is currently the vice president of the China Wisdom Engineering Research Association of the Ministry of Education, and an advisor to the Chinese Association for Friendship with Foreign Countries. Vice Chairman of the Chinese Calligraphers and Painters Association. Executive President of China Celebrity Artists Federation, President of Beijing Celebrity Gastronomy Health Care Association, Director of Century League of Gastronomic Culture Exchange Center, Art Consultant of China Television Association, Consultant of China List Book Association. Consultant of China Yanhuang Culture Yan Culture Promotion Association. Chairman of Calligraphy and Painting International Trading Platform Co., Ltd.
All the books have become Han Mo Qi Gong Green Green Gold Dan Qing Shen Yun
——Remembering the famous calligrapher and painter Li Bingjia
Although calligraphy and painting are of the same origin, there are not many calligraphers and painters who have achieved the same level of merit. The famous calligrapher and painter Li Bingjia's predecessor, since childhood, began the journey of artistic cultivation from Xiwen, and cultivated calligraphy with the method of literati to brew Danqing, grinding more and less, becoming a calligraphy and painting masterpiece that has become an accomplished calligraphy and painting in both worlds. The cultivation of calligraphy and painting is of the same level, the achievements are extraordinary, and both disciplines are exquisite, which can be described as the art of calligraphy and painting at present, and the future generations are models.
Li Bingjia practiced calligraphy, explored the source of calligraphy, and searched for the ancient history of calligraphy, and had a very good ability to teach ancients. He greatly recognized the peak of the art of calligraphy in Qin Seal Han Li, in Tang Kai, in Erwang, in Zhang Xu, in HuaiSu. In order to obtain the fa of success in all the books, his calligraphy cultivation and study of the true grass seal are not missing, and he has obtained the Fa, become authentic, the main path is authentic, and the beauty is considerable. The line of writing is ethereal, cursive is arbitrary, the ancient rhyme of the book, and the Han style is seen again.
The most valuable thing is that Li Bingjia is even more refined in the cultivation of Wei Bei, from the beginning to the present, he has specialized in Wei Bei for decades, and has become an expert in the book industry who is well versed in the original quality of Wei Bei and the achievements of restoration. He used the upright italic shape of the Wei Monument and the tenacity of the axe chisel to constantly cultivate the epigraphic temperament of calligraphy, so that his calligraphy stood majestically next to the essence of the thesis, and the calligraphy was tough and majestic, strong and soft, and the strength penetrated the back of the paper, which was pleasing to the eye. In particular, the knot body is in the right, the rules are rigorous, and the ten beautiful people live. The achievement of cultivation is precisely what the master of epigraphy Kang Youwei said: a scholar who becomes a stele can obtain the true essence of calligraphy, and the true calligrapher also. Li Pingjia relied on the power of wei monuments at the top of the mountain to forge a new peak, which became a good achievement and a good story in the calligraphy world.
Looking at Li Bingjia's Weibei beautiful book from afar, it is just like a rock carved wall, shaped like a dragon's trace, like a thunderbolt, and the powerful pen and ink control ability stems from the profound understanding and zhuoyi tempering of the stele. Practice produces real work, and a big hand is bound to be a solid practice school. It is precisely the cultivation efforts of Linchi Dyeing Pinghu and the accumulation of bald pens into mountains that li Bingjia calligraphy has the lofty skill of restoring ancient quality and continuing ancient rhyme.
If you don't cultivate, you won't achieve success, and without wisdom, you won't be able to achieve everyone. Li Bingjia, who is interested in the double cultivation of epigraphy and theology, not only writes old rhyme calligraphy according to the stele, but also creates miracles with wisdom, his calligrapher is ancient and not stuck to the ancient, the old rhyme contains new quality, and he is good at using the era of calligraphy and song, and is also good at writing and ink lyricism. The new wind of pen and ink covers the old work, and a new atmosphere. Skill, wisdom, feelings, books with words, ink with lyricism, the perfect unity of calligraphy and ideological themes, so that Li Bingjia calligraphy is not only a model of practice, but also the banner of the spiritual commander.
At the same time as practicing calligraphy, Li Bingjia's Danqing creation was also beautiful. His paintings, all the subjects can be done, professional standards, can not be repeated. Among them, he also likes the landscape giant, has a genius, and loves landscapes. He painted the rhyme of the two Song Dynasties of the Mountain Water Source Method, which is a literati style, and also integrates the Southern Sect and the Northern Sect, collecting two long colors and inks, and the qi rhymes into the best.
Look at the Pingyuan landscape is endless, the far-reaching landscape into the Taoyuan, the high-distance landscape momentum is touching the sky, the composition of the work is already skilled fundamental, and then the work of the pen is the mainstay, the freehand is supplemented, the essence of the two techniques, free scheduling, rendering of the divine ink, the formation of the green landscape is full of vitality, the golden landscape is a brilliant.
Li Bingjia's landscape paintings are the original restoration of the nature of the teacher's method, and it is also the continuous composition of the master's painting spectrum, and it is also the broad-mindedness of the self-spiritual value of the teacher's law. The picture quality embraces the painting environment, and the painting method and the painting are the same height, which makes his landscape paintings have great artistic value and are also rich in decorative and strong decorative effects. A green landscape hanging in the elegant room is naturally the source of confucianism. A golden landscape hanging in the hall is definitely a love implication of feng shui and beauty.
His landscape is strangely beautiful, surging and quiet, and has both lofty artistic value and pleasing decorative effects, which is an important reason why Li Bingjia's landscape has continuously risen in the market value of calligraphy and painting artworks, and the fame of merit has been accumulated into the sun and the moon.
All the books have become Han Mo Qi Gong, green, gold, dan, green, blue. Calligraphy and painting become everyone, and the heart is the master. On the road of calligraphy and painting cultivation, Li Bingjia's predecessors took the cultivation of art as a supplementary road, took the cultivation of moral character as the main merit, and established a high degree of merit in art, all by virtue of their high moral standing. Refining culture, widely reading famous artists, virtue and art, calligraphy and painting, everyone's style is inevitable!
(Calligraphy and painting critic Yang Zhenming/Wen)