Chen Yuzhong Baiwen "Favorite Hot Sausage Man"
This seal method is particularly eye-catching, "favorite hot sausage" four character strokes are numerous, arranged in two lines, airtight, "people" two strokes, but exclusive one line, strong contrast. This seal has three sides of the edge, saying that it "served the ancestors of the ancestors in the middle of the village when he was young, saw the writings and seal carvings, and stole the heart well" (Chen Yuzhong's grandfather Chen Wangmo No. Chen Yuzhong's side paragraph has the meaning of Sui and Tang Xiaokai, gentle and gorgeous, and good at making long paragraphs, Huang Yi said to himself: "Gai Yu's style is not a teacher, all based on wrist strength, after ten years, you can accumulate thousands of words, and do not think that it is bitter." "The seeker often asks for a long paragraph, and the fine beauty of the side paragraph can be confirmed by this seal.
Chen Yuzhong Baiwen "Articles have gods and ways"
The content of this seal is the first sentence of Du Fu's long poem "Su Duan, Xue Fu Feast Jian Xue Hua Drunken Song", Ding Jing once engraved a 13 mm square small seal, the content is also this sentence, Chen Yuzhong said in the side paragraph: "Xi Dingju tried to make the first sentence of this poem for Wang Cane Tian, which has been worn away by people and cannot be seen, and yu Xiang Tibetan resident seal has it." Chen Yuzhong's seal was engraved for Zhao Zhichen as a model for study, when Chen Yuzhong was thirty-six years old, while Zhao Zhichen was only seventeen.
The wonderful thing about this seal is that the slash treatment of the word "jiao" makes the chapter law vivid in a regular and orderly manner, giving people a refreshing feeling. Chen Yuzhong's seal engraving is restrained and subtle with a knife, and the strokes are well-proportioned but not losing their vigor, and his works have both the ancient clumsiness of Ding Jing, the simplicity of Xi Gang, and the essence of Huang Yi. Chen Yuzhong said to himself in this printed edge paragraph: "Although Yu cannot enter the realm like a layman, the word neat is enough to deserve it." It can be seen that he is still quite conceited about his own style.
Chen Hongshou Zhuwen "Jianglang Mountain Pavilion"
Jianglang Mountain is located in Shimen Town, Jiangshan City, Zhejiang Province, Jiaqing seven years (1802) autumn, Chen Hongshou from the south of Beijing, guest residence in Yangzhou Kangshan Caotang for a few days, saw the master hide a fist stone, just similar to the shape of Jianglang Mountain, the owner also happened to be surnamed Jiang, so with the "Jianglang Mountain Pavilion" name of its reading office, the master asked Chen Hongshou to carve "Jianglang" white text seal and this seal, is chen Hongshou thirty-five years old.
The printing surface of this seal is slightly narrow and long, the strokes of the characters "Jiang" and "Mountain" are sparse, and the strokes of the words "Lang" and "Guan" are dense, and the author adopts two treatment methods, one is to make a turn in the middle of the "Jiang" character "Gong" Department, and the other is to connect the "Guan" character treasure cover with the side of the food, reducing the province by one vertical. That is to say, the few increase and the number of the many decreases, so that the rules tend to be coordinated. Chen Hongshou used a knife to be sharp and spicy, starting from the pen and turning points like cutting iron, sharp and sharp, like charging into the front, imposing.
Chen Hongshou Baiwen "Spirit Flower Immortal Hall"
This seal is now in the Shanghai Museum, which was made by Chen Hongshou to bid farewell to his friend Zhang Dayong, and the side money yun: "Yuanchun will be in Yuzhong, engrave this farewell, Jiaqing Jiazi September 25th, Man Sheng and remember." "It was Chen Hongshou who was thirty-five years old. This seal is densely packed and has a full white layout. Manbai wen is easy to appear bloated and boneless, this seal is mighty, through short cuts to make the lines twist, the strokes are strongly undulating, showing the heroic atmosphere, such as the wind suddenly lifting, the ostrich flies, it seems very calm and painful. Chen Hongshou's swing of the knife is large, which vividly reflects the characteristics of the Zhejiang school, and Wednesday Xie inscribed his "Seed Yushan Pavilion Seal Spectrum" Yun: "Mansheng is good at book titles, and seal engraving is especially capable." With a knife as with a pen, the knife is sharp. Writing stone is like writing paper, and stone is better than paper. "Chen Hongshouzhi's seal is more than the law, like a cloud of thunder stirring, showing his vigorous talent."
Zhao Zhichen Zhu Wen "Supplement luojia room"
This seal was made in the nineteenth year of Jiaqing (1814) and was engraved with great care for Zhao Zhichen's own use. The "Supplementary Luojia Room" canonizes the Treasure Accumulation Sutra, "for example, the Supplementary Luojia Tree, wherever it is solved, there are auspicious texts in the middle table." Zhao Zhichen said that his room is called "Supplementary Luojia Room", which means auspicious.
This seal method, seal method, and knife method are extremely exquisite, such as the "Luo" character twisted silk next to the book as a "township" shape, the "Jia" character goes to the bottom of the simple to make a fold, with simplicity and complexity, the handling is extremely clever. The word "room" is made of pentagons plus two small short lines on the upper part, which is also interesting. In the chapter, the four characters are not evenly printed, but there are subtle variations. This seal has four sides, two sides of which record the origin of his name, and the other two sides are inscribed with a lishu and his own writing "Supplementing the Luojia Room Diagram into Three Perfections". The knife used in this seal is not as fierce and spicy as Chen Hongshou, and there is another kind of Qingjin yuanya beauty in Yu Gangjian's handsome beauty.
Zhao Zhichen Baiwen "Han Wa Dang Yan Zhai"
This seal was made in the winter of the twenty-second year of Jiaqing (1817), when Zhao Zhichen flipped through the Chinese seal in the friend's questioning canal zhai and imitated the Fang Urgent Seal. A few years later, when he Yuanxi, a collector of hangzhou collectors, saw this seal and thought that it matched the plaque of the "Twelve Han Wazhai" of the Huangyi Book he had hidden, he begged for this seal for the use of the study room. Zhao Zhichen's seal is a middle-aged masterpiece, taking the Fa Han hurriedly, so the knife is less restrained, and the lines are condensed and free. A dense set of vertical lines in the lower part of the word "Zhai" has a subtle meaning, and the crack at the bottom right of the word "Yan" increases the charm of ancient clumsiness. Zhao Zhichen said in the side paragraph: "It is easy to imitate the seal in a hurry, and the seal is particularly difficult", which shows that he has spent a lot of thought on this seal method. This seal method is natural, there is no usual carved traces of the seal, and the whole print is seen in the spirit of the free and clumsy, so that the square folded straight lines are full of dynamic and three-dimensional sense.
Qian Song Zhuwen "went on horse to kill thieves and wrote books"
This print was engraved by Chen Tao in 1858. Chen Tao, a native of Xiuning, Anhui Province, was born in the army, and Qian Song carved and printed it in this language, which should be a praise for his literary and martial arts. Qian Song's knife, with a cutting belt, light and shallow to take the momentum, rich ups and downs, three-dimensional sense is very strong, so the lines are more ancient and thick, rich in charm. Qian Song once said: "There are cut knives and punching knives in seals, and there are all kinds of methods, but if you do things with pens, you should not be a layman." "Qian Song's carved face is rich and diverse, and the artistic conception is extremely ancient. This seal is engraved in a compact manner and filled with true qi. The strokes of the words "up" and "down" are minimalist and spatially processed into a flat shape. Although this seal adopts an airtight layout, it is dense and not congested.
The "Eight Families of Xiling" headed by Ding Jing are the core figures of the Zhejiang sect, but not all of them. There are also some Indians who have also learned from the Zhejiang school and achieved achievements, such as Hu Zhen, Zhang Yanchang, Dong Xun, Tu Zhuo, Jiang Zun, Chung Yijing and so on.
Hu Zhen Fuchun Daling is the chief
Hu Zhen Jinshi has been around for many years
Hu Zhen (1817-1862), also known as Bo Fear and No Fear, was a native of Fuyang, Zhejiang Province. He claimed to be the first in calligraphy and the second in seal carving, and his travels to Hangcheng, when zhao Zhichen, who was famous at that time, were difficult to enter his eyes, and after seeing Qian Song's prints at the age of twenty-seven or eight, he was greatly impressed and willing to perform the disciple ceremony. The two often interacted, and Qian Song sealed more than a hundred parties for him. Since then, Hu Zhen has used a knife to be sharp and sharp, quite a clean and rigid atmosphere. Representative works such as "Fuchun Daling Long" and "Golden Stone Long Year" and so on.
Zhang Yanchang "Wing Zhi"
Zhang Yanchang (1738-1814), Zi Qiantang, Wenyu, Yiwenyu, Beizhu Jinsushan, etc., Haiyan, Zhejiang. Zhang Yanchang was a disciple of Ding Jing, and when he was a teenager, he carried two large pumpkins of more than ten pounds to worship Ding Jing as a teacher, which is still passed down as a good story of Yinlin. He is the author of "Jinshi Qi", "Fei BaiLu", "Stone Drum Interpretation", "Qiantang Seal", etc. On the basis of inheriting the style of the Master, the seal carving is quite extensive, and it has a special interest, and it has been printed with "Feibai Book", and the representative works include "Wing Zhi" and "Chang Pu Jian".
Dong Xun "Leisurely Sees Nanshan"
Dong Xun (1740 - about 1809), the character Qiquan, the number of Xiaochi, also known as Nianchao, was a native of Shaoxing, Zhejiang. Dong Xun had great admiration for Ding Jing, and once said in his "Tatsuno Zaiyin Sayings": "Hangzhou Ding Bu is blunt Ding Hui Qin, Han, Song and Yuan, participate in snow fishing, repair can use a knife, become a family of its own, and its morale is beyond people's reach." "Its printing reveals a light and elegant atmosphere in the ancient clumsiness, and the edges of the book have a new meaning." Representative works include "Leisurely Seeing Nanshan" and "Yiyun Monk" (Luo Ping's nickname) and so on.
Tu Zhuo "Borrowed Ru to Idle for Decades"
Tu Zhuo (1781-1828), also known as Meng Zhao, Qin Wu, and the old man of qiantang (now Hangzhou), Zhejiang. In the thirteenth year of Jiaqing (1808), he was elected as a Shujishi of Hanlin Yuan. Tu Zhuo was diligent and diligent from an early age, eager to learn poetry, poetry style is refreshing and free, and he is also bypassed by calligraphy and painting, gold stone, seal carving, and his achievements are all profound. There is a "Collection of Poems of Cheng Tang" passed down. His seal engravers Chen Hongshou, Xi Gang, etc., have a flexible layout, and their representative works include "Borrowing Ru to Idle for Decades" and "Zi Shou".
Jiang Zun "don't mess with it"
Jiang Zun (1818-1908), also known as Zun Sheng, was a native of Qiantang (now Hangzhou), Zhejiang. Gong Seal Carving, a disciple of Zhao Zhichen. The "Re-continuation of the Biography of the Indians" commented: "There are many people in Zhejiang who can engrave the seal, and those who can pass on the idle clothes and bowls, but Jiang Zun is only one person." "Late residence in Wuzhong, at the age of ninety-one. Its seal carvings are handsome and beautiful, and its representative works include "hiding in the clumsy place" and "not provoking the cup".
Chung Yi Jing "Seal of Sun Lao'e, Master of the Banana Green Pavilion"
Zhong Yijing (1866-1916), also spelled Yuesheng, also spelled 矞申, was a native of Qiantang (present-day Hangzhou), Zhejiang. Less fond of gold stones, calligraphy "Tianfa Divine Tablet", vigorous and vigorous. Zhao Zhichen, Chen Yuzhong, and Zhao Zhiqian, who carved the seal, were pushed as giants at that time. Died at the age of fifty-one. There are "Seal Engraving Covenants" and "Chung Kai Shen Yin Cun" and so on. Representative works of seal engraving include "The Seal of Sun Lao'e, the Owner of the Banana Green Pavilion", "Zhang Yin Chun Yan Sun Changsheng Anle" and so on.
After the "Zhejiang School" modified and "printed" the seal book with writing meaning, the printing strokes were decomposed into a number of hard fold combinations, and the "long foot seal" after "reshaping" not only had the Zhejiang school printing style, but also retained the writing characteristics of the seal book. Its appearance can be seen as a supplement to the Zhejiang printing system, which is mainly based on imitation seals. This type of printing is considered by the history of printing studies to be a sign of the Zhejiang school of printing, and it is also referred to as one of the signs of the Zhejiang school's progress towards stylization (Tang Yinfang, "Analysis of the Classic Printing Techniques of the Zhejiang School", 78 pages, Chongqing Publishing House, 2006). The zhejiang faction's rest was after Qian Song. In fact, Qian Song had already broken through the barrier of the Zhejiang Faction's Fang Pen Cutting Knife. But even after this genre subsided, its influence was still firmly dominated by the altar of seals. At the end of the Qing Dynasty and the beginning of the People's Republic, the Xiling Printing Society, which was established in Hangzhou, was a printing group that mainly inherited the tradition of the Zhejiang school, and even a generation of master Wu Changshuo Zhiyin also drew a lot of nutrition from the Zhejiang school in the early days, which fully proved the great significance of Ding Jingshen's founding of the Zhejiang school. (Chen Zhenlian, "General Theory of Seal Engraving Art", 140 pages, Shanghai Calligraphy and Painting Publishing House, 2017)
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