The film "Type I Origins" is unique in that it uses a semi-sci-fi love story to explore with us the contradictory relationships that exist between reason and sensibility, religion and science, and between men and women.
Let's start with the two lines of science fiction and love to understand the plot separately:
<h1>Love Line:</h1>
Gray (Michael Pitt) and Sophie (Astrid Burgess Frisbe) are a couple who are in love, but Gray, a scientist who aspires to prove that the eyes are evolved, and Sophie, a model who believes in mysticism, have many differences in values, such as:
When Sophie and Gray first met, they said that they were familiar with Gray, and Gray immediately reacted that he did not believe this set;
Sophie introduces Gray to an animal called a pheasant that can feel all the time in the blink of an eye, and Gray is startled;
Sophie says that the white peacock is a soul scattered in the world, and Gray says that it is just an ordinary peacock that lacks pigment in the cell;
Sophie said that at St. Anne's Cemetery there is a famous statue of the "Angel of Rebirth", whose eyes have souls,
Gray said that the "angel of rebirth" with eyes was made by P-graph software;
Sophie says that it is unlucky to wear a wedding ring before the official marriage, and Gray says that she does not care about auspiciousness;
Sophie said that Gray's scientific experiment in setting the eyes of earthworms was that human beings thought of themselves as Gods and had to pay a price.
Gray says scientists only believe in facts and evidence...
It turns out that wearing a wedding ring before marriage may be really unlucky, Gray and Sophie in an elevator accident, Sophie failed to get out of the elevator in time, was smashed by the falling elevator half of her body and died. Her death has also left Gray in the shadows, unable to let go.
<h1>Sci-fi line:</h1>
First, the scientific significance of the eye
Gray once said that the eyes are the basis for religious people who refuse to acknowledge the theory of evolution, and they see the eyes as proof of the existence of the creator of wisdom (God). Gray's scientific experiment is to end this debate with data from every stage of evolution.
He and his assistants even experimented with earthworms that had no vision and no sense of light, and had to artificially create eyes for them.
And this scientific experiment with the eye is the main source of gray's conflict with Sophie. Sophie believes that Gray created the eye for the earthworm as a God and paid the price. Gray felt that Sophie did not understand the importance of facts and evidence, and had been living in a fairy tale world, treating herself like a child. The two quarreled bitterly about this, and until Sophie's death, there was no settlement on the matter.
Second, there is a memory association in the same iris
A few years after Sophie's death, Gray married an assistant and had a child. During an iris scan, Gray accidentally found that his son's iris was consistent with that of another deceased man, Paul, which was statistically impossible. After a series of studies, Gray and his assistants concluded that there may be a memory connection between the same iris, which is exaggerated in the movie as two people with the same iris, possibly a relationship between past and present lives.
In the final part of the film, Gray tries to use the iris of the deceased Sophie to find a matching value, and actually finds an Indian girl. In tests with Indian girls, Gray found that girls, like Sophie, have special memories of white peacocks, rebirth angels, pheasants, and their own (Sophie's) photographs. Especially when the two were riding the elevator together, the Indian girl suddenly threw herself into Gray's arms, showing a very scared and frightened look, which echoed Sophie's tragic death in the elevator room again.
Looking at the entire film, the movie Shark feels that the director's intention is still very obvious. He gave a conservative affirmation of the occult represented by religion, sensibility, and women, and a conservative negation of the pragmatism represented by science, reason, and men. It is concluded that Paul is the past life of Gray's son, and the Indian girl is the answer to Sophie's present life. It's a fun and unique movie.
At the end of this question and answer, I would like to tell you that the heroine of "Type I Origins", Astrid Bergs Friesbe, may be because her legs are too long and beautiful, and almost half of the movies she starred in could not live with her legs. Like what:
In "Pirates of the Caribbean 4", the legs become fish tails, and she plays the most pure mermaid;
The model in "Beginners in Love" whose legs were seriously injured in a car accident;
And today's beautiful fiancée, the lower part of "Type I Origins" whose entirely truncated body...
Michael Pitt, the male protagonist of "Type I Origins", may be familiar to everyone:
The white-clad teenager who kills people without blinking in "Fun Games";
The American literary and artistic youth who drunkenly dreamed of death with the French sisters and brothers in "Dreaming of Paris";
And, of course, there's The Big Villain Springfield In Detective Chinatown 2.
In the casting of the villain, it is still necessary to exaggerate the taste of director Chen Sicheng.
The reality is too boring
The movie is interesting
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