Yun Shouping (1633~ 1690), Qing Dynasty painter, first name Ge, character Shouping, character line, also character Zheng shu, number Nantian, Baiyun Foreign History, Yunxi Foreign History, etc. Jiangsu Wujin people. The Changzhou school was founded as the "crown of a generation" in the Qing Dynasty. In his early years, he learned to paint landscapes from his uncle Yun Xiang (a landscape painter of the late Ming Dynasty), taking Wang Meng, Huang Gongwang, and Ni Zhan from the Fayuan Dynasty, and going back to Dong Yuan and JuRan. After middle age, he turned to painting flowers and birds and insects. He drew creative experience from the works of Shen Zhou, Sun Long and others in the Ming Dynasty, and then referred to the literature of painting history to create a boneless flower painting method that "imitated Xu Chongsi of the Northern Song Dynasty". It is characterized by a dashing and elegant brush directly dipped in color to make a painting, paying attention to the shape, but not satisfied with the shape, and has the mood and charm of the literati painting. His landscape paintings also have high achievements, winning with charm and interest, and are collectively known as the "Six Houses of the Qing Dynasty" together with the Four Kings and Wu Li in the early Qing Dynasty. He was also good at poetry and calligraphy, and his poems were known as the "Crown of the Six Yi of The Tombs". Calligraphy is mainly learned by Chu Suiliang, known as "Yun Body". He also made great achievements in painting theory, and later generations compiled a book "Nantian Painting Trek".
Yun Shouping was the most famous flower and bird painter in the early Qing Dynasty. His paintings are mostly sketchy, and he is known as "sketching decent"; More with Xu Chongsi as the sect, he also took the strengths of each family and greatly developed boneless painting. The flowers painted are rarely outlined, colored and rendered in ink, with subtle brushes, neatly painted, bright and concise, and full of fun. Yun Shouping's artistic creation has his own original artistic insights, and he declared in "Nantian Painting": "When laymen talk about painting, it is easy to set colors, and it is extremely difficult to render." He also said: "The Song Fa portrays without change, because of the portrayal, the magic is in the reference and there is no obstacle, and the practitioners regard it as qi and two, and the world is confused..." This is to say that the Song painting is neat and tidy, the yuan painting is freehand, and the two should be referred to each other in order to be wonderful. He also said, "One water in ten days, one stone in five days, the principle of creation." Quiet to deep... Painting especially must be in the ancient law, vertical and horizontal arbitrariness to be able to shed the time path, shampoo new fun also."
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