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Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

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In Sasha's online entries, the most relevant is the self-made comedy "Need for Women" starring her, which has become an established impression of her release with a light-hearted and funny style. When it comes to Salsa, the audience will think of "funny responsibility" and "source of happiness". In addition, the talented North Film Students, actresses, experienced program hosts and interviewers, these different labels are mixed together, together becoming the prefix of Yu Sasha.

Rich and diverse identities are an affirmation of ability, but the situation of being stuck in a bottleneck and rarely having new works is even more troublesome. "There are no new works to continue to move forward," Yu Sasha admitted, "the audience's perception of me will be more strange, are you a host, actor, or variety show guest?" ”

This bottleneck of "not being able to find a point of force" has lasted for three or four years. This time, we talked to Yu Sasha about the state of mind during the bottleneck period and the tortuous journey of a "waist" actress trying to break the game.

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

<h1 class="pgc-h-arrow-right" > from host to e-commerce anchor</h1>

"I collapsed before I could go." Back in "Struggle! Before the anchor's live broadcast room burst into tears because she only sold six boxes of tissues, Yu Sasha experienced an emotional collapse. Earlier, in order to prepare for the recording of the program, she deliberately contacted the intermediary platform in Hangzhou to take sales training courses. "The telephone class lasted for an hour, four people told me, gave me a lot of tables, and there were almost a dozen or twenty branches in one question. After I finished it, I was depressed and didn't understand it at all. ”

The anxiety of being ill-prepared continued, "knocked down before it started." Until I saw "Struggle! The choreographer of the "Anchor" program group, this tense mood has only eased slightly. "The choreographer told me that the part with the goods will not be presented too much, or it is mainly a reality show. In addition, I came to this show to see what the problem was in the live broadcast of my previous overturned car. ”

In recent years, the live broadcast industry is gaining momentum, and anchors in different fields rely on various platforms to participate in the melee, which can be described as each showing its own magic. No matter how the market of the extended layout changes, and how the style of the anchors changes, there is one required skill that is the default - expression ability.

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

Yu Shasha graduated from the Beijing Film Academy and has been filming for many years, and also has rich experience in hosting and interviewing. As an atmosphere player, as soon as she touches it, you can perceive the affinity of her body, and there is no aggression in the temperament, but the unique spicy and straightforward of Shandong girls. We asked her what kind of consideration she had in the first place to participate in Struggle! Anchor's? Yu Sasha immediately blurted out, "I want to be more red." With a series of laughter, the lively conversation was clearly arranged.

It is reasonable to say that Yu Sasha, who is a host, has an advantage in the competition of the e-commerce anchor industry, but in fact, from pre-preparation to recording, she has experienced a rather difficult stage.

Fight! In the first issue of "Anchor", Yu Sasha did not have many shots and spoke very little, which was very different from her rich qualifications for many years of hosting. "I've always felt like twitter, this style used to be fine, but now it's thirty miles away, and when people reach the age of establishment, they have to count." The concerns of ageing made Yu Sasha not find her position in the show for the first time, and when she wanted to catch up with the rhythm of the large troops, she had missed the right opportunity. "The whole person is shrunk in the slit. Like the host before, the opening is not good, and the rhythm behind must be chaotic. ”

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

This show also does not lack the atmosphere to bear, and there are a lot of lip-syncers. She is also afraid of making mistakes, and if she wants to do a good job too well, she will hold it very tightly, and the whole person will be completely tense. Later, Yu Sasha entered a vicious circle: "Every time I go back to the hotel, I cry, crying for more than an hour." ”

When eliminated, she summed up the experience with the words "crush" and "reinvent." "Of course, I hated myself at the beginning, why I have been debuting for more than ten years, or so weak." I will constantly reflect and blame myself. But after all, people can't always be immersed in emotions, or they have to come out, communicate, and solve problems. So, this show really helped me grow a lot, and people have to have a process of reconciliation with themselves. ”

And Yu Sasha in "Struggle! The encounter in "Anchor" is, to some extent, also the current situation she faces as an actress in the current industry environment. Age, characteristics, and positioning are not only the dilemmas that e-commerce anchors are trapped in, but also the dilemma of a "waist" actress.

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

<h1 class= "pgc-h-arrow-right" >from phoenix to "waist actor"</h1>

"Head" is a stock term that denotes the highest part of the long-term trend line of the stock price. Later, in the inventory of the showbiz industry, the term "waist actor" evolved, referring to those actors who are not top-notch, have no fame flow and commercial endorsement. Just like Sasha's positioning of herself in the show - "there is no own traffic, no others are red, and it is not a bean type." When the first episode of the show was recorded, Yang Tianzhen and Yu Shasha were rude when talking about her performance in the show: "Your problem lies in homogenization, compared with other contestants, your personality is not clear enough, and there are no other characteristics." Yu Sasha also realized that her homogenization tendency was more serious, lack of memory points and recognition, coupled with the increase of age, and gradually lost competitiveness. It was her bottleneck.

"You're remembered for the past, and it's very sad that nothing new can move you forward, even a small step." I always watch others walking forward, but I stop where I am. She paused, "Including the outline of this interview, I read it, and the work mentioned is still "Lady Need", but it has been four or five years since I was at that time." I really feel powerless. ”

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

Yu Sasha starred in "Need for a Lady"

Trapped in the status quo but unable to change, it is a situation where yu Sasha, who is now 35 years old, feels powerless.

Time back in 2006, only 21-year-old Yu Sasha participated in the music talent show "Sogou Girl", and successfully debuted as the runner-up in the country. At that time, the news page of Sohu Entertainment was full of reports of "civilian ducklings turning into phoenixes". Because she wore a bright yellow dress during the competition, she was delicate and shy, and the whole person carried an ugly duckling-like simplicity and innocence. Coupled with Yu Sasha's coming from a working family, with an ordinary family, a simple personality, and a beautiful and pure appearance, such a girl won the runner-up, and many elements came together in one place, so that for a long time after that, there was a discussion of "ugly ducklings turning into phoenixes".

Can escape from the fate of "graduation is unemployment" at that time, do not have to run around in the situation of no company and no platform to hand over resumes, this level of "becoming a phoenix", of course, is the side of fate and gifts. But Yu Sasha, who is envied by yan, has also opened another sense of "tortuous nirvana" on a new life path.

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

The first step is to learn to be a host and learn to interview. If you skip the middle of more than ten years, directly look at Sasha's resume - bright and bright, embellished with heavy fruits - hosted a number of popular variety shows, interviewed all well-known domestic artists and well-known film and TV drama crews, and interviewed Chow Sing-chi, Schwarzenegger, Lee Min-ho and other international first-line and highly popular artists. The results she has achieved in her hosting and interviewing career are in a number and height that is difficult for many industry peers to match.

She mentioned that some of her habits in preparing interviews are simple details, such as picking an actor, if the other party's drama is broadcast to 20 episodes, then no matter what method is used, she will watch the 20 episodes and then prepare the outline, and when asking questions, she can also talk about the performance points. "In this way, the other person will feel that they are fully respected, rather than being asked questions in a routine way." Compared with ordinary reporters and hosts, Yu Sasha understands the mood of an actor better and gives the other party the greatest respect within the scope of her ability.

Yu Sasha, who is not respectful and thoughtful, also has her own considerations. "In the previous interview with half of the entertainment industry, I would go out of my way to tell the producers and directors of every film crew that I was actually an actor. Everyone was laughing, but I'll talk about it next time. I want to awaken everyone to a sense of my identity as an actor. In my heart, acting is still the first. ”

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

Two years ago, "Forensic Qin Ming 2" was launched, and Yu Sasha said in an interview at the time: "Hosting is my job, and acting is my profession." If I had to choose one or the other, I would answer without hesitation to be an actor. This "without hesitation" has been properly preserved by Yu Sasha in more than ten years of ups and downs. She tried more different things to nurture her own acting dreams. However, time passed, and that dream inevitably fell into the bottleneck of fate. Yu Sasha was still standing at the intersection, waiting for a turning point.

There must be countless bitterness in the process that only you understand. However, the tempering that time has brought to Sasha has become more and more prominent, and she will still cry. "Definitely vent your emotions. But will accept themselves as they are, and will not give up on themselves. "The cheerfulness of the Shandong people on her body is very porcelain, and when it comes to the unsatisfactory career, there is no shyness, and she shares it with everyone with a big grin." It's okay, I now cherish every job opportunity, the interview will talk a lot, is to express something through various platforms, so that more people can see me. ”

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

<h1 class="pgc-h-arrow-right" > relief for people in the bureau</h1>

"After I graduated from school, I acted in drama for five years, and then I realized that there must be a tragic element behind comedy. It's not that it's tragic at its core, and it's not so absolute, but it does have a tragic component. "The perception of the performance allows Yu Sasha to touch her joys and sorrows more realistically, and through various expressions, she amplifies them one by one and exerts her due value."

"Especially in the face of this year's epidemic, comedy or some other decompression themes will be more meaningful and more accepted by the market." In the shock shuffle of human events, Yu Sasha reflected a lot, and also digested some of the anxieties of the past. The moment everyone stops, there is more time to listen to the inner voice. "I still want to act and never give up."

When Yu Sasha was in elementary school, her father often told her that people should put all their joys and sorrows in their pockets. But her true personality is two-sided, with a stable and happy working personality, responsible for enlivening the atmosphere, "not seeing the cold field." "There's another non-working personality, very sensitive." Love to cry, will think a lot, think very carefully. When you don't shoot a scene and don't have a work, you will feel that you are hollowed out, and the internal friction is very large. "So Yu Sasha really wants to act. Before that, she had a drama tour of more than a hundred times across the country, "the acting was very cool and enjoyable, it was a role that let the audience breathe with you and share the fate." The supply of the performance stage is very powerful. ”

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

To experience that kind of happiness from the role creation performance is equivalent to giving yourself full affection, and there will be a process of self-dissection to experience the world. From this point of view, Yu Sasha's bottleneck is like a window, penetrating into the multi-faceted luster of another world.

Yu Sasha told us that the filming of "Need for a Lady" was to rely on herself and Dapeng to "brush her face" and "brush her face to return human feelings", so she invited so many friends in the circle to help shoot. "In fact, I was originally very thin-skinned, and I was not embarrassed to add contact information, and I was even more embarrassed to ask for help, and I really didn't want to trouble others."

But many times, people have to rely on some of their own reluctant ways to develop their careers. This comedy is done season by season, and Yu Sasha also realizes in her own pull and torment, "The friends who really stay around have experienced some things." Like Cai Jie and Hua Jie (Song Jia), I don't have much contact usually, but I have to help and take it once, and I am actually extremely grateful in my heart. "Go for The Struggle! Anchors" also have many friends who call to greet and express encouragement. The high level of love and care from around her also helped her build more confidence in her career.

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

She remembered that the first time she watched live broadcasts selling goods, it was a live broadcast of a big sister who did Japanese purchasing. At that time, there were regulations within the live broadcast platform that only a few free broadcasts would have a good rating and priority push. Yu Sasha went to chat with the big sister when she had time, "There were few people in her live broadcast room, I talked with her, and a chat was for an hour or two." She loves the feeling of being needed, and in her opinion, live streaming is another form of companionship. "I can buy things, and I can have some heart-to-heart companionship." Pretty good. ”

Later, Yu Sasha broadcast live by herself, did not make up and hair, and faced the sky. "I've seen a lot of comments that say it's like talking to our neighbor there." This is also what she likes to see, "The volume is important, but I hope that when everyone is with each other, they are comfortable with each other." "The experience of live broadcasting is undoubtedly an experience, and like the performance, it gives her a sense of accomplishment, makes her realize part of her own value, and in the communication between people, the virtuous circle of emotion."

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

The so-called breaking of the bottleneck does not have to be popular, or in line with the universal sense of fame, those inspirations and feelings from the heart, but also an important part of reconciliation with oneself and life. Letting go of herself at the right time and allowing more space to supply the precipitation is a valuable experience that Yu Sasha gained in the bottleneck of the dilemma. "Whether it's being a host, acting in a comedy, or being an e-commerce anchor who only sells six boxes of tissues, that's all about me, and I accept everything I look like." Even if there are a lot of collapses, tears, and sharp points, "the self that was re-established after the break shows that I have not given up on myself, and I am still walking on this road."

Yu Sasha, who is circling around in so many identities and jobs, is intertwined with sweetness and bitterness, "it is also really difficult to see life, the difficulty of professional perseverance, these are very realistic things, which must be faced in this industry." It's true that I'm not in my best state now, but I'm always positive inside. Even though the road ahead is uncertain, she is still patiently waiting for her own break.

Written by | Gu Xiang

— THE END —

Interview with Sasha | The "small thing" of the bottleneck from the host to the e-commerce anchor from the phoenix to the "waist actor" in the bureau of relief

Editor-in-Chief | Sima

Video Production | Both

Commercial Director | Gao Songxin

Layout and content operation | Intern Li Sijia

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