The first large-scale revolutionary cultural group in modern Chinese history, in 1909, Chen Qubing, Gao Xu and Liu Yazi, members of the League Association, were founded in the Zhang Gong Ancestral Hall of Tiger Hill in Suzhou. With the purpose of studying literature and advocating integrity, Nansheng carries forward patriotic enthusiasm and expands the traditional culture of the Chinese nation, and sometimes has a good reputation for """.
As the last batch of scholars in the traditional sense of China, Nanshe people love China's excellent culture, advocate reviving the national soul and promoting the national essence, not only in news, education, drama and science, but also in art, literature, music, sports and other aspects, and they also actively absorb advanced Western culture, which has effectively promoted the development of modern culture.
At its peak, there were as many as 1,000 members of the Southern Society.
In the political circles, there are Chen Qimei, Huang Xing, Yu Youren, Liu Yazi, Chen Qubing, Song Jiaoren, Liao Zhongkai, He Xiangning, etc.;
In the literary and artistic circles, there are Gao Xu, Wu Mei, Huang Binhong, Shen Yinmo, Cao Juren, Liu Bannong, Fan Yanqiao, Lu Xun, Bao Tianxiao, Mao Dun, Zhou Xiaojuan, Ouyang Yuqian, Su Manshu, Li Shu and the same;
In the press and publishing circles, there were Yao Shizi, Lin Baishui, Cai Shou, Hu Puan, Shao Pioping, Cheng Sheme, and so on, and nearly 200 people became the chief writers or writers of revolutionary newspapers and periodicals before and after the Xinhai Revolution.
And among them, there are not a few who are good at calligraphy and painting, you may wish to list the next master.............
Yu Youren (1879-1964)
Han nationality, Shaanxi Sanyuan people, ancestral home in Jingyang Doukou Yu Village, modern Chinese politician, educator, calligrapher. Originally named Boxun, the word is attractive, and later named "alluring" homonym "right ren"; Don't sign "Troubled Heart" and "Hairy Weng", and call himself "Old Man Taiping" in his later years.
Yu Youren was a member of the League Association in his early years, served as a senior official in the National Government for many years, and was also one of the founders of modern and modern Chinese higher education, a modern Chinese calligrapher, and known as the "contemporary grass saint", "modern calligraphy saint", and one of the four great calligraphers of the Republic of China.
Yu Youren refined calligraphy, especially good at cursive writing, and is known as the "contemporary grass saint".
Li Shutong (1880-1942)
Also known as Li Xishuang, Li An, Li Liang, musical name Wen Tao, young name Chengqi, scientific name Guanghou, character Xishuang, alias gargle.
Li Shutong is a famous musician, art educator, calligrapher, theater activist, and one of the pioneers of Chinese drama. After returning from studying in Japan, he served as a teacher and editor, and later became a monk, with the legal name Hongyi, the late old man Wanqing, and was later revered as Master Hongyi.
Li Shutong is a very famous calligrapher, and all the books are completed, based on kaishu, and all the cursive books are accomplished.
Shen Yinmo (1883-1971)
Originally named Shen Shi, Jun Mo, in the character, the number Qiu Ming, Kuanggua, Jun Mo, alias Ghost Guzi, Zhai name Qiuming Room, Kuanggua An, ancestral home in Huzhou, Zhejiang, born in 1883 in Hanyin, Shaanxi. Famous scholar, poet, calligrapher, educator. In the early years of the Republic of China, the book world was known as "Southern Shen Beiyu (Yu Youren)".
Shen Yinmo made great contributions to the development of calligraphy in his life, was good at the "two kings" calligraphy style, spared no effort to promote calligraphy education, calligraphy works are loved by people, and are respected by posterity as the enlightener and pioneer of modern theology.
Huang Binhong (1865-1955)
Originally from Xiao County, Huizhou, Anhui Province, born in Jinhua, Zhejiang, and grew up in Tandu Village, Xiao County, his hometown. A modern and modern painter, he is good at painting landscapes and is a generation of grandmasters of landscape painting.
Huang Binhong's calligraphy is widely collected, from Zhongdingbei Stele to Tang, Song, Yuan, Ming, and Qing dynasties. The style of writing is ancient, calm, robust, and has a clear and strong taste, which is seamlessly integrated with its Chinese painting works. The writing is natural, seemingly careless, but also contains bone power. Seal books are very distinctive: I like to write seals in semi-dry scorched ink, especially large seals. The pen is slow, the strokes are thick and thin, and there is a faint and ancient taste, full of gold and stone.
Xiao Xu (1876-1958)
The original name is Lin, the character Zhongfu, a piece of 盅福, the number 朕盦, alias 蜕黯, 朕安, 朕闇, Shuan, Metamorphosis, etc., don't sign Xinsongan, Ben Wu Jushi, etc. A native of Changshu, Jiangsu, he is a modern scholar and calligrapher.
Xiao Xuan was a scholar of the family, a well-versed history, and had the reputation of "the first scholar in Jiangnan" during the Republic of China. The style of writing is thick and handsome, all four bodies are fine, You Gong seal book, can integrate large and small seals into one, the line is rich and heavy, and there is a forest wind; Proficient in calligraphy, it is said that learning books must pass primary school. He received many disciples in his life, and the famous writers Deng Sanmu, Weng Minyun, and Sha Mangong were all from his disciples.
Xie Wuliang (1884-1964)
Sichuan Happy to People. The original name was Meng, the character Dacheng, the number Xifan, later renamed Shen, the word Wumei, don't sign the an. Famous scholar, poet and calligrapher in modern times. Young children undertake court training, learn ancient Chinese dictionaries, and poetry endowments. The inscription is harmonious, childish, and majestic. In terms of academics, poetry, and calligraphy, he is allowed to be a generation.
Ma Sulun (1885—1970)
Mr. Ma Xulun, the character Yichu, the first word Yichu, the number Shiwen, Hanxiang, the late old man of Shiwu. Born on April 27, 1885 in Hangzhou, Zhejiang. When he was a teenager, he entered Hangzhou Yangzheng Shushu School, studied under Mr. Chen Kai-shek, read "Huangjie" and "Mingyi to be interviewed", and then studied "Law and Yi", "Theory of Civil Covenant", "Theory of Heavenly Speech" and other works, which were not roped by Confucianism. Gifted and energetic, he was hired as a junior teacher with excellent grades in school. Later, he was expelled from school for upholding justice and speaking out for his classmates. After leaving school, he studied his own, devoted himself to the six teachings, scripture and history, rhyme, and new learning, and was profound, and was recommended by a friend to serve as the editor of the Commercial Press "Oriental Magazine", the editor-in-chief of the "New World Journal", the chief editor of the "Political and Art Bulletin", the main writer, etc. Later, he taught at Guangzhou Dialect School, Zhejiang First Normal School, Peking University and other schools. From then on, he devoted his life to education until his death in Beijing on May 4, 1970.
Dunnya (1883—1954)
Originally named Pu, later renamed Banzai, Erzhan (Ya), don't sign the old man Fengding, a native of Dongguan, Guangdong, because of the Tang Lvqitaiqin and the handscroll of the Jinshi monk's "Jingqitai Qin Song", he called his room "Lvqi Garden" and signed himself "Lvqitai Lord". Its room name still includes Deng Zhai and so on. For the famous Confucian Deng Lianxiang (Rong Jing Tai Shi, a generation of famous Confucian, Jing Primary School, rich collection. The fourth son, born in Jiangxi. At the age of eight, he learned to write seal books, and also studied primary school and seal carving. In 1905, he went east to Japan to study art. Shizong Gong Dingxi is also in charge of the Guangdong branch of the Nanshe. After returning to China, he helped Pan Dawei establish the Alliance Association and the first organ publication in China, "Current Affairs Pictorial", and was active in Yilin, enjoying a reputation in the north and south, and making friends with famous domestic artists. After returning to Guangdong, I saw Huang Mufu (Shiling) seal carving, which was extremely admired, and he concentrated on governing the seal. There is a saying: "Whoever is a god after Huaining Yin, only Yishan Collection." Cloth white geometry into the three ambiguities, rushing to the knife and dancing thousands of enemy soldiers. "Sha Estate Seal" Yun: "Erya's private Shuyi Mountain, it is beautiful and wonderful, and it is new from time to time." "Erya Shihuang, so can "come up with new ideas", not exclusively the family, his own "between Anhui and Yi" seal, the meaning is very clear, and he is proficient in the source of writing, tortoise beetle book, ancient seal pottery text, knife cloth power version, and even Western Xia, Tibetan, Sanskrit script, all taken into the print, naturally ancient, just as it discusses the so-called "upper chasing armor and golden stone, next to the terracotta tile, three generations of the same custom, Indian people so transmitted." "Big tricks are as clumsy as clumsy, elementary school must pass first, the common man is illiterate, and catching a knife is not a hero."
Settled in Hong Kong in 1921 and until his death, he is arguably the most important local seal engraver of calligraphy and painting. He is skilled in poetry, calligraphy and painting, and seal carving, especially calligraphy and seal carving. His calligraphy was influenced by Bao Shichen's epigraphy in his early years, close to the style of the northern stele, and his seal carving was rooted in his profound calligraphy and philology. In his early years, he was Zong Deng Shiru, then specialized in Huang Mufu, and later involved in ancient seals and Han seals. In his later years, he was printed with the inscription of the Six Dynasties, and the seal style was beautiful and idyllic, strong and timeless. After Erya's death, the Lingnan Yishan faction became a masterpiece, and there was no one who was outstanding. He is the author of "Lvqiyuan Poems", "Deng Zhai Seal", "Seal Engraving Eryan", "Yin Yuan", "The Origin of Yin Studies and Guangdong Indians".
Sumanshu (1884~1918)
Modern writer, poet, translator, one of the four monks of the Southern Society. A native of Xiangshan, Guangdong (present-day Zhuhai, Guangdong). Originally named Jian, Zigu, scientific name Yuanying (also known as Xuan Ying), French name Bojing, French number Manshu, pen name Yin Chan, Su Xiang.
Yanagi (1887—1958)
Liu Yazi (1887-1958), a native of Beijue Town, Wujiang District, Suzhou City, Jiangsu Province, was born in the middle section of Dasheng Village. Founded and presided over the Southern Society. He was the secretary of the Presidential Office of Sun Yat-sen, a member of the Central Supervisory Committee of the Chinese Kuomintang, and the director of the Shanghai Tongzhi Museum. After the "April 12" coup, he was wanted and fled to Japan. In 1928, he returned to China and carried out anti-Chiang activities. During the Anti-Japanese War, he engaged in anti-Japanese democratic activities with Soong Ching-ling and He Xiangning, and served as a standing member of the Central Committee of the Revolutionary Committee of the Chinese Kuomintang and chairman of the Supervisory Committee, a standing director of the Central Committee of the Three People's Principles Comrades' Federation, and a member of the Central Executive Committee of the China Democratic League. In 1949, he attended the first plenary session of the Chinese People's Political Consultative Conference. After the founding of the People's Republic of China, Liu Yazi served as a member of the Central People's Government and the Standing Committee of the National People's Congress.
Xiao Xian (1902—1997)
Xiao Xian (1902-1997), the most famous female calligrapher in contemporary China, character Zhiqiu, trumpet pavilion, master of the pillow piano room, from Guiyang City, Guizhou Province, father Xiao Tieshan is a follower of Dr. Sun Yat-sen, and a famous member of the Nanshe Society, Gong Shiwen, good at calligraphy and painting; Xiao Xian undertook court training at a young age, and was famous in the township for her good writing at a young age; In 1964, she was absorbed as a librarian of Jiangsu Museum of Culture and History, and in 1981, the Nanjing Federation of Literature and History of Jiangsu Province held a book fair for her at the Jiangsu Art Museum, which lasted for a month, this book fair fully showed her artistic level and style, and was one of the largest, longest and largest book fairs in Jiangsu Province since the founding of the People's Republic of China; In 1984, he was transferred to Jiangsu Art Museum and specialized in creation; died of illness in 1997 at the age of 95; Guiyang Cuiwei Pavilion has an exhibition hall for Xiao Xian's works.
Yellow Festival (1873-1935)
Written as Huang Chunxi, Pei Wen, Huang Shishi, and the owner of the building, he was a native of Shunde in the late Qing Dynasty and a disciple of Jian Chaoliang. In his early years, he founded the "National Essence Student Newspaper" with Deng Shi, advocating the anti-Manchu revolution with poetry. In 1908, he participated in the founding of the Southern Society. After the Xinhai Revolution, he served as a professor at Peking University and Tsinghua University. Noh poetry, books. There are "Poetry Banknotes of the Pavilion", "Three Mountains Poems", "Essays on the Old Man" and so on.
Huang Kan (1886-1935)
Zi Jigang, the number of Yun Ling, self-proclaimed guard of the household. A native of Hubei Province, he was born in Chengdu, Sichuan. Huang Kan was a big disciple of Zhang Taiyan, and Huang Kan spared no effort in the study of the meaning system, etymology, and etymology, creating a new era in the study of hermeneutics. In the fields of classics, philosophy, and history, Huang Kan has deep attainments and is sincerely a generation of masters of Chinese studies. He is the author of "General Theory of the Three-Body Problem", "Sound Category", "Wen Xin Diao Long Zai", "Erya Zhengming Commentary", "Rizhi School Record" and so on. Although Huang Kan is a scholar, he can see that his calligraphy has undergone strict training and is extraordinary. Huang Kanxing's writing is like a long body and strong pen, and he is known for his profound tradition and elegance. The pen and ink are thin and clean, the knots are rigorous, the penmanship is skillful, and the penmanship is correct and informal. His deeds are thanks to Ou and Zhao, and he has worked the hardest. The seal writing body is close to Li Yangbing's slender strokes, regular and symmetrical, ancient and cute, and known for its showiness. His affiliation books are mostly Han subordinates, and also absorb the penmanship of Yi Bingshou, who is thin and simple, and his body is square and round.
Nanshe calligraphy is worthy of its name, which one of them do you like the most?