Qu Yuan (340 BC – 278 BC) was a poet and politician of the State of Chu during the Warring States period. He was born in about 340 BC in danyang( present-day Zigui, Hubei) in the Chu state.
In 278 BC, the Qin general Bai Qi attacked the Chu capital Ying (present-day Jiangling, Hubei), Qu Yuan was filled with grief and indignation, and Huaishi sank himself into the Miluo River and martyred himself.
His major works include "Leaving the Troubles", "Nine Songs", "Nine Chapters", "Heavenly Questions" and so on. His Chu Ci was the source of Chinese romantic literature, and together with the Book of Poetry, it was called "Wind and Turmoil", which had a profound impact on the poetry of later generations.
The road is long and the road is long, and I will seek up and down. (Qu Yuan, LiSao)
Meng Haoran (689-740), known as Hao, the character Haoran, was a native of Xiangyang, Xiangzhou (now Xiangyang, Hubei), known as Meng Xiangyang. Because he had never entered the army, he was also known as a Monsanto, and was a famous landscape pastoral poet of the Tang Dynasty.
Meng Haoran was born as a prosperous Tang Dynasty, and in his early years he had the ambition to use the world, and after his career was difficult and painfully disappointed, he was still able to respect himself, not kitsch the world, and lived as a hermit for life. He once lived in seclusion on Lumen Mountain. At the age of 40, You Chang'an, Ying Jinshi was not the first. He once studied poetry in Taixue, moved the public secretary, and was convinced by it. In the 25th year of the new century, Zhang Jiuling attracted the shogunate and later lived in seclusion. Most of Meng's poems are short stories of five words, mostly writing about the landscape and the idyllic and reclusive Yixing, as well as the mood of the bondage. Although there are not cynicisms, it belongs more to the self-expression of the poet.
Parrot Island sends Wang Jiuzhijiang to the left
The Yellow Crane Tower on the Xideng River, the Parrot Island in the River. The continent winds around the blue stream,
Mandarin ducks fill the beachheads. The beachhead is long and the sand is long, and the golden sand is shining brightly.
The boatman leads the brocade cable, and the raccoon woman knots the robe. The moon is full of reeds and flowers,
The wind rises and smells of Du Ruoxiang. Junxing cai cai mo forget.
Du Fu (712-770), zimei, was originally from Xiangyang. Grandson of the early Tang Dynasty poet Du Zhenyan. The great realist poet of the Tang Dynasty, together with Li Bai, was called "Li Du". Because the poems often call themselves Shaoling Yelao, and also served as a member of the inspection and proofreading department, so the world is called Du Shaoling, Du Gongbu, his poems are good at choosing social themes of universal significance, reflecting the corruption of politics at that time, to a certain extent expressing the wishes of the people, many of his excellent works show the historical process of the Tang Dynasty from the prosperous era of the Kaiyuan Dynasty to the decline of division, because it is called "poetry history". The poetic style is somber and frustrated, and the language is refined and conveyed, which has a great influence on future generations of poets.
Jiang Han
Jiang Hansi returned to the guests, and Qiankun was a corrupt Confucian.
The clouds are far apart, and the moon is lonely forever.
The sunset is still strong, and the autumn wind is sick.
Old horses in ancient times do not have to take long distances.
This poem was composed by Du Fu when he was fifty-seven years old. In the first month of the third year of the Gregorian calendar (768), Du Fu left Kuizhou and traveled to Jiangling and Gong'an in Hubei Province. At this time, Du Fu had experienced hardships, and there was no hope of returning to the north, and his life was increasingly embarrassing. Du Fu's long-term wandering and uncertainty made Du Fu feel a lot of emotions, so he wrote this poem.
Lu Yu (c. 733 – c. 804), courtesy name Hongxian, was a native of Jingling,Fuzhou (present-day Tianmen, Hubei) during the Tang Dynasty, also known as "Imperial History of Chashan". Tang Dynasty tea scientists, known as "tea immortals", revered as "tea saints", worshiped as "tea gods".
Sexually witty, he is in good friendship with the female poet Li Jilan and the poet monk. Lu Yu was a lifelong tea lover, proficient in tea ceremony, in the early years of the Tang Dynasty (760 AD), Lu Yu lived in seclusion in Cangxi (present-day Huzhou, Zhejiang), and wrote three volumes of the "Tea Classic", which discussed the properties, quality, origin, planting, harvesting, cooking, and utensils of tea. It became the world's first tea monograph. The Quan Tang Wen contains the Autobiography of Lu Yu. He wrote three volumes of "Talking". He has a strong interest in tea and has long been engaged in research, is familiar with tea cultivation, breeding and processing techniques, and is good at tea tasting. He ushered in an era of tea and made outstanding contributions to the development of the world tea industry. He was also very good at writing poetry, but not much of his poetry survives.
Six envy songs
Do not envy the golden silk, do not envy the white jade cup.
Do not envy the dynasty into the province, do not envy the twilight into Taiwan.
Thousands of envious of the West River water, once came down to Jinling City.
Zhang Ji (born and died unknown), courtesy name Yisun, was a Han Chinese from Xiangzhou, Hubei (present-day Xiangyang, Hubei). Poet of the Tang Dynasty. His poems are cheerful and exciting, not sculpted, deeper than xing, and both rational and rational, which have a great influence on future generations. But unfortunately, less than 50 songs have survived. His most famous poem is "Maple Bridge Night Berth".
Maple Bridge Night Berth
The moon is falling and the sky is full of frost,
Jiang Feng fishing fire to sleep.
Hanshan Temple outside Gusu City,
Midnight bell to the passenger ship.
Zhang Ji has handed down very few works, including one volume of Quan Tang poems, but only one "Fengqiao Night Berth" has left its name for thousands of years, and "Hanshan Temple" has also been blessed by him, becoming a well-known tourist attraction near and far.
The Three Yuans (also known as the Three Yuans) refers to the three essayist brothers surnamed Yuan in the late Ming Dynasty, namely Yuan Zongdao, Yuan Hongdao, and Yuan Zhongdao. Because Sanyuan was a native of Chang'anli, Jingzhou Gong'an County (present-day Gong'an County, Jingzhou, Hubei Province, China), his literary genre was known as the "Gong'an Faction" or "Gong'an Style".
They put forward the concept of literary development that "the world has changed, and the literature is also the result", and also put forward the "theory of sexual spirit", requiring that the works be "lyrical and informal", and can directly express the chest and do not sculpt. With a fresh and lively brush, their prose has opened up a new field of essays in our country. In the field of poetry and prose in the late Ming Dynasty, the "public security faction" was the most powerful.
Three songs at the Temple of Heaven
Xianyuan peach blossoms are fragrant, and I once looked at neon clothes in the sky. Liu Lang grew old and lost his style, and idly asked for his voice too often.
Bi Weng is ruthless, and it is impossible to agree with the millennium. It is not possible to live in heaven and suffer, and in ancient times, many things were students.
The empty altar is deep and pure, and the bald hairpin crowns the old teacher. Copper and gold coated in autumn grass, now it is not like Sejong's time.
Say it or not, Hubei has produced so many emperors and kings, and these places as capitals Speak out and don't believe it, Hubei has produced so many prime ministers, one of whom commemorated him with a festival