Chinese TV dramas have always been one of the cultural industries that have received widespread attention, and the recently released Xianxia drama "Shen Yin" has sparked heated discussions among the audience.
As soon as the male protagonist appeared, he was criticized as a "fig leaf" for internal entertainment, and the plot was old-fashioned, the special effects were simple, and the appearance problem became the focus of the audience's complaints.
This controversy has sparked thinking about the quality and production level of contemporary TV dramas, as well as the aesthetic needs of audiences.
First of all, the audience questioned the appearance and image of the male protagonist in "Shen Yin", calling it a "fig leaf" for internal entertainment.
This expression is obviously the audience's dissatisfaction with the image of the character and the casting of the actors. In today's society, the audience's aesthetic concept is becoming more and more diversified and personalized, and the requirements for the appearance and image of actors are becoming more and more stringent.
If a male protagonist of a Xianxia drama cannot meet the audience's expectations for appearance, it is easy to become the focus of criticism from the audience and affect the reputation of the entire series.
Secondly, the audience questioned the quality of "Shen Yin", thinking that the script was old-fashioned and the special effects were simple.
This is also a common problem that many TV dramas have been criticized by the audience in recent years. The innovation of the script and the sophistication of the special effects are directly related to the viewing experience of a TV series. If the script is old-fashioned and the storyline is not new, it is difficult for the audience to be attracted, and the poor special effects make the audience feel the decline of the production level, which is particularly important for a Xianxia drama, because good special effects can not only improve the viewing experience, but also make the Xianxia world more three-dimensional and real.
However, the evaluation of TV series should not only stop at the appearance and production level.
The controversy over "Shen Yin" has also triggered people's thinking about the creation of contemporary TV dramas and the needs of audiences. On the one hand, the audience's aesthetic concept is indeed constantly changing, but this does not mean that only appearance is enough, as an actor, it is more necessary to have solid acting skills and a deep understanding of the role.
Focusing too much on appearance may lead to the neglect of the performance aspect of film and television works.
On the other hand, the creation of TV dramas needs more innovation and breakthroughs, and cannot follow the clichéd plot and plot.
The audience's pursuit of novelty is reasonable, so screenwriters and directors need to think more about how to incorporate new elements on the basis of traditional Xianxia dramas to make the series more modern. In addition, the audience's aesthetic level also needs to be gradually cultivated, not only for the pursuit of appearance, but also to pay attention to the connotation and depth of the work.
As a cultural industry, TV dramas should not only cater to the aesthetic needs of the audience, but also inject more cultural values and thinking into their creation.
As a part of traditional Chinese culture, Xianxia drama can allow the audience to better understand and feel the charm of traditional Chinese culture through careful production and profound storyline.
Therefore, screenwriters and directors need to pay more attention to the expression of cultural connotation in their creation, so that TV dramas are not only a way of entertainment, but also a medium to convey culture and shape spiritual outlook.
In general, the audience's evaluation of TV dramas is multifaceted, from appearance, production level to script innovation are all important factors that affect the audience's feelings.
In terms of the creation of TV dramas, it is necessary to pay attention to the inheritance and development of traditional culture while constantly pursuing freshness. Only in such a balance can TV dramas truly meet the needs of the audience and lead the cultural trend.