"Imperial Pen, Stone Canal Treasure"
Shu Shi is a "book student"
Among the emperors of the past, emperor Qianlong of the Qing Dynasty, in the inheritance of his grandfather and father, worked hard to govern and set the world, whether it was territory, population, national strength, etc., can be said to have reached the historical peak of China's feudal dynasty.
He also said to himself, "Now ming is enough to receive it, and he is the first full person in the ages, which is unprecedented in three generations, and it is tantamount to looking at Yao Shun." As one of the most long-lived emperors, he can be called "the most blessed emperor of the ages."
Qianlong (1711-1799)
In addition to governing the government, Qianlong also took "book and scroll art" as the main thing, which was rare among the ancient and modern emperors.
He has the temperament of a scholar, poet, artist, and connoisseur, and is extremely diligent in poetry, music, calligraphy, painting, music, etc., and his achievements are profound, and he should not be conceded to most literati. This is not a false praise, if he is not the Son of Heaven, with his literary qualities, he should also be able to rank among the "Hanlin".
As he said, "Since I was a child in the palace of reading, I have been preaching and reciting for twenty years, and I have not dropped out of school, but I have also been a scholar." "That is, to know that its depressed book is full of anger.
And "The rest of his life began to read in nine years, and at the age of ten he studied literature, and this year he was twenty years old, during which he was engaged in the four books and five classics, the Outline of Sexual Theory, the University Derivation, the Ancient Literature Yuanjian, and other books, talking about the third, taking care of the quality of Lu Zhizhi, taking the words of the sages of the day, treating his body and mind internally, and those who gained with their body and mind, those who took measures in the text, all of them were not caught." It can also be seen that Qianlong Tianzi is both intelligent and has a wide range of hunting and reading texts.
In addition, Qianlong's study of literature is not blindly conservative and does not become ancient, but it is also quite obedient to the fashion and works hard. For example, the French National Library has its "Imperial Cheng Minzheng Rebuilding guanyin temple record" (no. 12096), which questions the Ming Dynasty scholar Cheng Minzheng's "Reconstruction of Guanyin Temple", and makes a revised article, which is included in the "Old Examination of the Old Wen examination under the King's Day" volume 95.
▲ Qianlong "Imperial Cheng Minzheng Rebuilding Guanyin Temple"
Qianlong's "Imperial Pen Fu Yu Guo Biography"
In addition, Qianlong's "Imperial Pen Fu Yu Guo Biography" is also his emphasis on historical evidence, the so-called "gaishi, the letter, so passed on to all generations, the precepts of the law", it is expected that he must have something in mind, so "the record is untrue, although the correct history cannot be avoided."
This imperial pen examination article, which will appear in the 2021 spring auction of Beijing Zhongmao Shengjia, can be described as the epitome of the academic examination of the Qianjia period, and monopolized the literary world, and "there is something good on the top, and the next will be very good", which is also a witness to the important period of prosperity and development of historiography in this period. At the same time, Qianlong's handwritten ink has been passed down from generation to generation, and this volume is even more extensive, especially precious.
The Qianlong Emperor (1711-1799) Yu Guo, the imperial penman, sent a biography of Yu Guo
Hand-rolled Ink Palace Made Buddha Yellow Depiction Golden Dragon Pattern Wax Letter
Quote: 33×85cm
This frame: 33×84.5cm
Inscription: Imperial Pen Fu Yu Guo Biography Binding.
Quote: The same text is correct and false. Seal: Qianlong Imperial Pen (White)
Style: Wu Shu (1778) leap June Shanghuan, Imperial Pen.
Seals: Qian (Zhu), Long (White), Xuejing Qiangu (White), Wufu Wudaitang Ancient Rare Tianzi Treasure (Zhu), Eight Signs of Immortality (Zhu), Leshoutang (Zhu), Emperor Taishang's Treasure (Zhu), Hanwei Scriptures (Zhu), Yunxiasi (Zhu), Shiqu Baoji's Collection (Zhu), Half-Tataqin Book (White), Iemido Soshin (White)
Interpretation: "Fu Yu Guo Biography"
In the four libraries of the four libraries recently, Yuan Haojing 's Book of the Continuation of the Later Han Dynasty" and the "Biography of the Fuyu Kingdom" whose officials have the names of Maga and Niujia, are surprised that their birth is not classical, and they are suspected of having made mistakes, because they ordered the officials to overhaul it. He said that the "Book of later Han" and the "Three Kingdoms Wei Zhi" of fu Yu chuan's texts, so he lamented that Fan Weizong and Chen Shou's disciples did not know the dialect, were delusional, doubted the descendants, and regretted that Hao Jing was lost in the choice. Its legend goes: The kingdom is known as six animal officials, including maga, oxen, pig, and dog, and the multitude of other lords, and the enemies of the tao, the self-fighting of the multitudes, and the burden of food and clothing in the lower households. According to history, if Fu Yu is good at raising livestock, then the animal husbandry will be prosperous, and each official will be the master. In present-day Mongolia, the official of the sheep is called: Henizi. And the nuns, the sheep also. Horse Rider: Moriz. Mori, Ma also. The Camel Hunter: Tetsuki. The special one, the camel also. All are in the name of their ministry because of what they shepherd. One of the two of the most powerful officials. Whoever is a remnant of the zhifu must have been a man who knew the language of the remnants of the husband at that time. The translation of Sima and Si Niu is Ma Jia and Niu Jia, and thus Ma Jia and Niu Jia, just as the Zhou Li has sheep people and dog people, and Han has dog ears. If it must be degraded by the six animal famous officials, then what is the name of the bird that Tan Zi has given to the bird official of the Shao Hao clan as a bird master? Wei Zong's generation not only blackmailed the family, but also asked for what they said but could not, but it was a strong word, and it was not worth a gimmick. It is always up to the Jin and Song dynasties to obstruct the reasoning of the outside world, and to all transliterations, so if the Yue people regard the fat and barren Qin people, they will rely on their ears and food to pass on the knowledge, and even borrow evil words and ugly words, and wantonly slander their private interests, which can be despised. Moreover, Emperor Weizong plotted against Emperor Yikang of Pengcheng, and Chen Shousoumi made a good legend for others, and none of them were enough to take, so what was the basis for his words! The Book of the Later Han Dynasty and the Chronicle of the Three Kingdoms have been published for a long time, and the old text is difficult to make easier, because it was ordered to be changed to home in the Book of the Later Han Dynasty, and it was as absurd as right.
Description:
1. "Examination of the Origin of Manchuria in The King's Republic", Volume I, Forty-second Year of The Qianlong Dynasty (1777), inscribed by Wu Yingdian.
2. "King Ding Shengjing Tongzhi Volume", volume 10, Forty-four years of Qianlong in the Qing Dynasty (1779), Qing carved version.
3. "The Second Collection of Imperial Texts", volume 25, Qianlong Fifty-first Year of the Qing Dynasty (1786), Qing engraving.
4. "Shiqu Baodi Continuation", Ningshou Gongzang VI, Qianlong Fifty-eight Years (1793), Qing Codex.
5. Records of the Changbai Hui (Qing), edited by Zhang Fengtai, pp. 118-120, Jilin Wenshi Publishing House, 1987.
6. "The Archives of the Qing Palace Internal Affairs Office", vol. 41, p. 805, Qianlong Forty-three Years (1778) Each Work was made to do work Qing Archives Ruyiguan, People's Publishing House, 2005.
This hand-rolled paper material is "Palace Buddha Yellow Depiction Golden Dragon Pattern Wax Note", depicting gold hand-painted dragon Tengxiang cloud pattern, double dragon play beads, clouds and mist, the view of grace and luxury, magnificent, very royal style.
Qianlong Imperial Pen Fu Yu Guo Biography Bound, Partial
The first book, "Tongwen Zheng false", four characters horizontally arranged, from right to left, with a round and thick pen, the structure is comfortable and magnificent, the line is smooth, the style of writing is luxurious and elegant, there is no restraint, there is a flowing posture, and it is appropriate to know that what it has learned is the right vein of the book, and it is appropriate to be legal.
Qianlong Imperial PenMan Yu Guo Chuan Ding, introduction
The seal of the "Qianlong Imperial Pen" in the middle of the introduction shows the majesty of the solemn king. Refer to the "Qingqianlong Baoxue", and the seals are contrasted.
Qianlong Imperial PenMan Yu Guo Chuan Ding, Quote the First Seal "Qianlong Royal Pen"
"Qingqianlong Baoxue"
This "Qianlong Royal Pen" seal, the Qianlong Emperor once inscribed the four characters "Xuetang Yuyun" at the beginning of su Shi's "Huangzhou Cold Food Poems" (collected by the National Palace Museum in Taipei), and after covering it, placed it in the Sanxi Hall for treasure.
▲Qianlong inscription Su Shi's "Huangzhou Cold Food Poem" volume (Collection of national palace museum in Taipei)
The rest of the "Qian (Zhu), Long (White), Xuejing Qiangu (White), Wufu Wudaitang Ancient Rare Tianzi Treasure (Zhu), Eight Zheng Qi Nian Treasure (Zhu), LeshouTang (Zhu), Treasure of the Taishang Emperor (Zhu), Hanwei Scriptures (Zhu), Yunxiasi (Zhu), Shiqu Baoji (Zhu), Half-Tataqin Book (White), and Ji Shi Duoshuo xin (white)" are also the same, which can be compared with the "Qing Qianlong Baoxue" and the "Seal of the Imperial Seal of the Qing Dynasty in the Palace Museum".
Qianlong Imperial PenMan Yu Guo passed on the falsehood, and part of it was printed
Qianlong's book "Fu Yu Guo Chuan Ding Feng" is that the content is that he is suspicious of the official names of the country's "Ma Jia and Niu Jia", and after re-examining it, he believes that it should be "Ma Jia and Niu Jia", and the "Book of later Han" and "Chronicle of the Three Kingdoms" have been published for a long time, and the old text is difficult to make easier, so he specially ordered the "Book of The Continuation of the Later Han" to change "Jia" to "Home".
The history of Fuyu State is a long time away from the time of Emperor Gaozong of the Qing Dynasty, and the "six famous officials" in the main history have also been conclusive for a long time, and it is extremely difficult for Qianlong to break through the barriers, to study according to the evidence, and to express his own opinions.
The Fuyu Kingdom, also known as the Buyeo State, was the Buyeo state of buyeo from the 2nd century BC to 494 AD, and was the first Buyeo state in the northern part of the Korean Peninsula and in present-day northeastern China. The Book of the Later Han Dynasty, vol. 85, "The Biography of Dongyi Lie" says: "Fu Yu Guo, in the north of Xuanyu Thousand Miles." It is bordered by Goguryeo to the south, Rulou to the east, Xianbei to the west, and weak water to the north. The place is two thousand miles, and the original land is also. ”
Buyeo country, geographical location
The buyeo throne was inherited in a hereditary manner, and there were maga, oxga, pigga, and dogga who were in charge of the four debuts, and the families were equivalent to tribal chiefs. Buyeo is mainly based on agriculture and animal husbandry, "good at raising livestock" and "famous horses", and six livestock are an important part of property, so this indicates the size of power. The author also privately believes that perhaps the name of his official position is purely derived from the original totem worship and cannot be examined for the time being.
Liu Hongfeng's "Examination theOry of the Official System of the Fuyu State" also has relevant evidence, and will not be repeated.
During the Qianjia period, the study of evidence dominated the academic community.
Due to cultural repression policies, including measures such as the prohibition of associations and lectures, the issuance of book bans, and the large-scale burning and destruction of books. In this case, the early Qing Dynasty's style of study, which was full of anxiety and patriotic passion, led to the enterprising, exploration, and application of the ideological circles was replaced by the study of focusing on the examination of writing, phonology, and exegesis.
So Qianlong's "Imperial Pen Fu Yu Guo Biography" is known as "Wu Shu (1778) Leap June Shanghuan, Imperial Pen." "The Imperial Book of Knowledge was forty-three years after Qianlong. At that time, it was already a long-term stable and prosperous cultural prosperity, and before that, Qianlong also ordered the compilation of the "Four Libraries Complete Book", the "Yongle Classic", the Wuyingdian Inscription and other large-scale classics, in order to advocate the study of evidence and recruit students, and stabilize the rule.
In addition, Qianlong flaunted "Wenzhi Martial Arts", and the classics circulated by the representatives of scripture and historiography can be described as voluminous, and because of their long age and lack of effective methods of copying and preservation, the texts themselves already have errors in the content of the text, and they urgently need to be corrected and sorted out, so they also "practice what they preach", and the imperial works "Imperial Pen Fu Yu Guo Chuan Ding" and "Imperial Cheng Minzheng Re-repaired the Guanyin Temple", etc., peeping at his Confucian governance, if not the emperor, is also a reading human nature.
In fact, Qianlong has always prided himself on being a "scholar", and his calligraphy is also continuously in the pool, and his achievements are quite profound. From the Qianlong calligraphy collected by the Palace Museum on both sides of the strait, it can be seen that he often studied the inkblots of Yan Zhenqing, Su Shi, Mi Fu, Zhao Mengfu, Dong Qichang, Erwang and other calligraphers.
Liang Shizheng once praised that "the emperor is sexually righteous, learns the history of the warehouse, and explores the subtleties of the eight laws in the leisure of ten thousand opportunities." Baohan's hanging, Yunzhang Xiacai, Fengyi Dragon Teng, the synthesis of hundreds of clans and their achievements, chasing the two kings and obtaining their essence. He also tasted it meticulously, studied it thoroughly, and worked clumsily and authentically in various households, like the light of a mirror, and it was incomparable. Look up to the Holy Heavenly Son, good and diligent, Jiahui to learn, Zhen Tao's heart of all the worlds, and have nothing to do. ”
Tongshan Zhang Boying commented on Qianlong calligraphy: "Scholars often see the authentic works of the ancients, and they have the intention of using their pens, and the next pen is from different customs. The Inner House was rich, and Emperor Gaozong was also gifted and talented, and he was especially diligent. The emperors of the Qing Dynasty all wrote books, and Emperor Gaozong had the deepest strength. The dawn of the year is more and more ancient, and there is a wonderful idea of not exceeding the rules from the heart. It is also contained in the Compendium of the Jingsheng Jai Fa Ti.
This hand-scrolled book is written, the cloth is evenly proportioned, the end is beautiful, the knot is also rigorous, and it is also quite the calligraphy of the ancients, and at the same time, it is sandwiched with a little cursive writing, with the atmosphere of the book, it can be known that it is not a day's work.
According to Kao, Qianlong loved calligraphy all his life, and there was no shortage of famous posts from the past. For example, "Qing Ti when lin quick snow", "Linsuo Jingyue Yi Ti", "Linhuai Su self-narrative post", "Linyan Zhenqing, Liu Gongquan, Yu Shinan, Chu Suiliang Four Family Posts", "Linli Yong Fahua Temple Stele", "Linyang Condensed Style Leek Flower Post", "Linzhao Mengfu Cursive Writing", "Lindong Qichang Dead Tree Endowment" and so on.
The so-called practice can make skill, decades of work, so it is part of the brushwork of the cluster saints, and it is not just in the dot painting waves, but also its own appearance, with a luxurious and elegant style.
However, although his historical legal books are "all looked at and exhausted", since his youth, he has maintained the style of writing such as "beautiful and soft" and "black and square", and has not seen major changes in the following decades. If it is a volume, it is smooth and flowing, and the ups and downs are not very obvious.
Because there is no shortage of Calligraphy ghostwriting in Qianlong, when he was old, he also ordered Dong Yu to ghostwrite, but this volume of "Imperial Pen Fu Yu Guo Zhuan Jie" volume, the whole volume of small characters and the first line of calligraphy style are very much in line with its typical appearance, should come from his own handwriting, which is extremely rare.
Qianlong Imperial PenMan Yu Guo Chuan Order, Bao Shou
It is a roll head, which is a brocade of lotus ruyi flowers, with elegant ornamentation to protect the scrolls. Gold paper inscription, italics Gongshu "Imperial Pen Fu Fu Yu Guo Chuan Ding", with the signature of the cultural relics store, known to have been the old collection of the cultural relics store.
Qianlong Imperial Pen Fu Yu Guo Chuan Ding, inscription
Qianlong's "Imperial Pen Fu Yu Guo Biography" is a rich and arduous book, which is even more rare.
This volume is also written in volume 1 of the "Examination of the Origins of Manchuria", the forty-second year of the Qianlong Qing Dynasty (1777), and it can be known that the volume is a copy of the book in the forty-third year of Qianlong (1778), and the article was written in 1777 or earlier.
▲ "King Ding Manchuria Origin Flow Examination" Volume I, Qianlong Forty-second Year of the Qing Dynasty (1777), Wu Yingdian Inscribed.
▲ "King Ding Shengjing Tongzhi Volume" Volume 10, Qing Qianlong Forty-four Years (1779), Qing Carved Edition.
▲ "Imperial System Of Literature II" volume 25, Qianlong Fifty-first Year of the Qing Dynasty (1786), Qing carved version.
▲ "Shiqu Baodi Continuation", Ningshou Palace Collection VI, Qianlong Fifty-eighth Year (1793), Qing Codex.
According to the "General Collection of Archives of the Internal Affairs Office of the Qing Palace", vol. 41, page 805, Qianlong Forty-three Years (1778) each work was made to do work Qing Archives RuyiGuan contained: "On the tenth day of the first month, Lang Zhongbaocheng was detained in the Inner Kai, and on The 21st of June, the leader Dong Wujing handed over to the Imperial Penman Yu Guo to order a blackmail paper, with a horizontal word, a will, and a framed hand scroll, admiring this."
This coincides with the time and form of the Imperial Pen 's "Wu Shu (1778) Leap June Shanghuan, Imperial Pen".
▲ "Qing Palace Internal Affairs Office Archives Collection", vol. 41, page 805, Qianlong Forty-three Years (1778) each work to do work Qing Archives Ruyiguan, People's Publishing House, 2005.
Soon after the book, Qianlong led the officers and men of the Eight Banners to start with the Beijing Division and began a third eastern tour of Shengjing, honoring the ancestors and the Gurudwara Tombs to show filial piety. Kangqian's prosperity is rare in history.
In the other hand scroll, the "Five Blessings and Five Dynasties Hall Ancient Rare Heavenly Treasure (Zhu), the Treasure of the Eight Expeditions (Zhu), the Treasure of the Taishang Emperor (Zhu)", etc., can be seen that in his later years and after his abdication, Qianlong also exhibited and read this sutra, quite self-satisfied, and can also know his self-appreciation of true disposition.
And "the flavor of the scriptures (Zhu), Yunxiasi (Zhu), the book of the half-tatami (white), the study of mirrors (white)", etc., are behind the Qianlong Emperor's Tianzi's dignity, the literati idle students are also interested.
In recent years, Qianlong's imperial pen calligraphy has been particularly favored by collectors, and its price is also very high, and such a volume can not only glimpse the style of examination at that time, but also obtain the wonderful masterpiece of calligraphy, and at the same time, the bibliography is numerous, and the "Qing Palace Internal Affairs Office Archives Collection" can also be examined, which can be described as rare.
Instead, in the volume, Qianlong examines the "FuYu Kingdom" in detail, and can be called the "Hanlin Emperor".
Spring dawn at Su Causeway
Qianlong Imperial Inscription, Jiao Bingzhen Painting
This time, the 2021 spring auction of Zhongmao Shengjia, there are also "Qianlong Royal Title, Jiao Bingzhen Painting "Su Di Chunxiao" Album", "Zhao Bingchong Kai Book Imperial System "Endowed with Friends Wind and Rain Poems" volume" or written in the "Imperial Poetry Collection", or written in the "Shiqu Baodi Third Edition".
Painting by Jiao Bingzhen (Qing Kangxi Qianlong).
Qianlong Emperor (1711-1799) Imperial Title
Ink on Paper Album (1 open)
24×24cm×29 1/2×9 1/2in×2 Approx. 0.5 ft. (each)
Title: Painting by Chen Jiao Bingzhen Gong. (Qianlong to the question) through the Qiantang Record of the Great Su, take the endless time to meet me. The long causeway has been passed down through the ages, and Ken let Yiguang excel at this lake.
Seals: Chen (Zhu), Bingzhen (Zhu), Yin Yong Chunfeng Li (Zhu), Le Wanmin Zhi Le (White) (see the Palace Museum, "Seal Of the Empress of the Qing Dynasty, Qianlong Volume I", p. 85)
Jianzang Seals: Treasures of the Qianlong Imperial Archives (Zhu), Shiqu Baoji (Zhu), Shiqu Dingjian (Zhu), Baoji Recompile (White), Chunhuaxuan (Zhu), Qianlong Chenhan (White), Master of Xintian (Zhu) (see The Palace Museum, "Seal Of the Imperial Seal of the Qing Dynasty, Qianlong Volumes I and II", pp. 28 and 51, "Seal of the Qing Dynasty Empress Seal , Qianlong Volume I and II", pp. 116), Chunhuaxuan Book Treasure (White), Junhu Changwu (Zhu), Yunhu Qiulin Treasure (Zhu)
Bibliography: The Second Collection of Imperial Poetry, Vol. 25, Qianlong Fourteenth Year of the Qing Dynasty (1749), Wuyingdian Inscription.
Description: As the old collection of Li Yudi, a famous collector in the Qing Dynasty, this was later the old collection of the famous modern painter Qin Zhongwen, which was obtained from his family in the 1990s.
1. Li Yudi (清), also known as Zhenmu (真木), also known as Junhu Lake, Yunhu Lake, 畇瓠, and Yunju, called himself the Master of the Rainbow Moon. Yan's residence was known as Chuanjian Hall (傳鉴堂), also known as The Pavilion of The Fallen Guan ,a native of Beitong Prefecture (北通州, in present-day Tong County, Hebei). Young books and paintings. Self-proclamation: Every time you are at large in the ancient house, discussing Yu Laocheng, tasting the three secrets of Jing Qili, Zeng Xiejun, and Monk Mingji, as well as what you see on weekdays, the compilation of "Ou Bao Luo Room Calligraphy and Painting Examination", which began in the fourth year of Tongzhi (1865) and ended in the twenty-third year of Guangxu (1897).
2. Qin Zhongwen (1896-1974), a native of Zunhua County, Hebei Province, was a modern and contemporary Chinese painter, art historian, art educator, famous landscape painter and member of the China Artists Association. The "Four Kings" of the early Qing Dynasty, the patriarchal law of landscape painting, traced back to the four families of the Yuan Dynasty, is also good at ink and bamboo, and also fine in calligraphy. Before liberation, he taught at the Art College of Peking University, the Jinghua Academy of Fine Arts, and the Beiping National Art College, and wrote the book "History of Chinese Painting". After liberation, he served as a painter and committee member of the Beijing Academy of Painting. He has published an anthology of Qin Zhongwen's works.
The Kangxi and Qianlong Emperors sang about the beauty of the West Lake. Especially in Qianlong, only the "Ten Views of the West Lake" has five stacks of its old rhymes, and dozens of poems.
The "Ten Views of the West Lake" are divided into Spring Dawn of Su Causeway, Twin Peaks Interspersed Clouds, Willow Wave Singing Warblers, Flower Harbor Fish Watching, Quyuan Wind and Lotus, Pinghu Autumn Moon, Nanping Xiao Bell, Three Pools Printing Moon, Lei Feng Xizhao, broken bridge remnants of snow, all of which are beautiful.
In addition, the royal gardens Yuanmingyuan and Chengde Summer Resort also ordered the imitation of the West Lake to send the emperor to youxing. The ten scenery in the "Yuanmingyuan" are named after the "Ten Views of the West Lake", and the word has not changed, and the Qianlong Emperor has also written plaques for them one by one.
Because the king loved it, and the scenery of the lake and mountains was very beautiful, there was no shortage of court painters who painted the "West Lake Victory". Such as Wang Yuanqi, Dong Bangda, Qian Weicheng, Jiao Bingzhen, etc., or parade documentaries, or Feng Shu drawn, and so on.
Qianlong Imperial Title, Jiao Bingzhen Painting "Spring Dawn of Su Causeway" album, partial
This Jiao Bingzhen composed "Spring Dawn of Su Causeway", the model is "Chen Jiao Bingzhen Gong Painting", the willow trees become smoke, covering the lake, the spring breeze is swaying, and the lake light is rippling. The reflection of the long causeway, the pavilion muhui, the artistic conception is very quiet. Just like the poetry cloud, "the tree fireworks are foggy around the embankment, and the pavilion is half obscured."
During the Kangxi Dynasty, Jiao Bingzhen served as the Five Officials of the Qin Heavenly Supervisor, good at painting things, and enshrined in the inner court. At that time, many missionaries were also good at painting, especially "religious paintings". Jiao Bingzhen was also a disciple of the Catholic missionary John Tang, who was also immersed in Western painting.
The "Picture Catalogue of the National Dynasty" is recorded: "Guarding the spiritual platform with chastity, knowing the calculations, and obtaining the huisi, taking the Western law and restoring it." The Holy Ancestor's Prize is its Danqing, and it is rewarding its rational number also. ”
This work "Spring Dawn at Su Causeway" can be seen in both Chinese ink painting and Western painting methods. For example, the large area of the picture is left blank, the mountain stone dyeing, the tree pavilion bridge arrangement and the lake water outline, etc., are traditional landscape techniques, while the pavilion structure, the layout of the pavilions and pavilions, the layout near and far, etc., are similar to the perspective method, and the embankment is divided into "Haixi law", yin and yang to the back, and the three-dimensional sense and depth are obtained.
Qianlong imperial poem, inscribed yun "through the Qiantang record of the Great Su, take the endless time of my." The long causeway has been passed down through the ages, and Ken let Yiguang excel at this lake. "To this day, there are still royal monuments next to the West Lake, which are divided into Kangxi and Qianlong Imperial Inscriptions.
Left: Kangxi Imperial Title, Right: Qianlong Imperial Title
Qianlong imperial poem, the first sentence "Through the Guard of Qiantang Ji Dasu", of which "Dasu" is Su Shi. "Tong Shou Qiantang" quotes the preface to Su Shi's "BeiTianzhu Guanyin Poem": "Yu Xi Tong guarded Qiantang and moved Jiaoxi." ”
The second sentence, "Take the endless to meet me", in which "take the endless" says that Su Shi's "Former Chibi Fu" "the color of the eye encounter, the take is uninhibited, and the use is inexhaustible." It is the endless treasure of the Creator."
The last sentence is "Ken let Yiguang be good at this lake", "Yiguang" is Xi Shi. His real name is Shi Yiguang, because his family lives in the west of Zhuji Rama Village, so he is named Xi Shi. West Lake is also known as "West Lake".
The whole poem quotes the scriptures, which shows that Qianlong's literary style has something commendable.
▲ The second volume of the "Imperial Poetry Collection", volume 25, the fourteenth year of the Qianlong Dynasty (1749), the engraving of Wuying Hall.
It is a volume of poems written in the "Imperial Poetry Collection", which was originally the old collection of the famous collector Li Yudi in the Qing Dynasty, and later handed over by the famous modern painter Qin Zhongwen. Some of the seals can refer to the Palace Museum's compilation of the "Seal Of the Empress of the Qing Dynasty, Qianlong Volumes I and II".
Zhao Bingchong's imperial book "Endowed with Friends Wind and Rain Poems" volume
Zhao Bingchong (Qing) Kaishu Imperial System "Endowed with Friends Wind and Rain Poems" volume
Ochre plum wax letter hand-rolled
Quote: 25×67cm9 7/8×26 3/8in
This frame: 25×65cm9 7/8×25 5/8in
Inscription: 25×95cm9 7/8×37 3/8in
Inscription: Imperial System Endowed with Friends Wind and Rain Poetry.
Introduction: Yun Zhang Gung Zai.
Knowledge: Jiaqing Gengshen (1800) Midsummer Imperial System.
Jianzang Seals: Shiqu Baodi (Zhu Wen), Baodi Iii (Zhu Wen), Jiaqing Imperial Treasure (Zhu Wen), Jiaqing Appreciation (Bai Wen), Sanxitang Jingjian Seal (Zhu Wen), Yi Zi Zi (Bai Wen) (see the Palace Museum, "Seal Of the Imperial Seal of the Qing Dynasty, Jiaqing Volume I", pp. 122, 36, 88, "Seal of the Imperial Seal of the Qing Dynasty, Jiaqing Volume II", p. 120), Mingde ( Zhu Wen), Lady Miao Sujun of Yunnan Collection of Calligraphy and Painting ( Zhu Wen)
Inscription:1. The vast number of gods traveled to Yu, and Yunfeng's skin was steaming. Good wind party succession, this rain is better than the friends. Booing the Eight-Way Association, Zi Han is in one breath. Light intercourse Ping cha- and Atsuzawa Gui long condensation. Xi Xi sounded accordingly, and the rope celebrated. The knot is Lan Huipan, and the pregnant jade pearl increases. Mu Ruo is friendly with The Contract, and the Oily Son raises the sign. Fan Chun Shu washes the nails, and the song is sung. Minister Dong Gonghe". Seal: Chenchen (朱), Jingshu (White)
2. Yunben mountain out, raw by the vast steaming. The rain occupies the rope again, and the wind helps the friends. Hu Bo sounded accordingly, and Hiss Ni was self-reliant. The intimate relationship is still sloppy, and the shade is not condensed. Learn to be endowed with one heart, and be kind and good. Summer smoke is appreciated, and autumn is enhanced. The song is happy for the subjects, and the book is auspicious. Xuanshi Fang Qin Kai, Shi Ruo Xie LongXing. The courtier Zhu Jue gonghe. Seal: Chen (朱), Jue (朱)
3. The ancestors of the Weitian group, steaming in one breath and big clouds. The rain is the mother of all, and the wind is the gentleman's friend. He is called a master and a noble one, and he is to be a member of the clan. Sister Of the Moon, Brother Yin, Nong Gong Ding Woman Condensation. Ze is still Sun Keyan, and the father of the mountain can inherit. Good star people cut, angry mother Ji Bo Zeng. The thief blew and scattered, and he was overjoyed. Rui Fu Bao Dry Elephant, Lanlinger Chuangxing. Minister Peng Yuanrui Gonghe. Seal: Chen (Zhu), Yuanrui (Zhu)
4. Wind and rain and sweet test, skin cloud touch stone steaming. The divine power is unpredictable, and the metaphor is very friendless. Booing heavy response, breeding a breath of support. Trace the end of the apple, refine the liquid grass heart condensation. Will Bo Ji Xing Xie, Yi Male Kan Shui Cheng. Fu Shao was overwhelmed, and Ren Yangze Fang zeng. Khan man group of immortal friends, stretching hundreds of zi signs. Chang Period Fu Qingyi, Jia Rui Wei Xing. Chendai Qu Heng Gonghe. Seal: Chen (Zhu), Qu Heng (Zhu)
5. The layer of the hammer rises and steames. For Lin Fu to breed children, he helped his friends. The Bo Ji should be responded to first, and the singing yin crane has a basis. God is soothing, and the breath is condensed. Yu Sang Geng Qinghe, Shi Ganyin Gu Cheng. He looked at the mountains and shadows, and the spiritual sect traced back to the source. Dao and Han Sanye, Gongyuan got a sign. Qing Ning adjusted the curtain deed, and the wind and rain cooperated with Yunxing. The ministers Zhao Bingchong and Feng Shujing. Seal: Chen Zhao Bingchong (white), Pen Dip Enyu (Zhu)
Publication: 1. Anthology of Ancient Chinese Calligraphy and Paintings (III) of the Song, Yuan, Ming, and Qing Dynasties, p. 71, edited by Poly Art Museum, 2010.
2. "The Essence of Yiyuan Collection", page 69, Guangling Book Club, 2012.
Bibliography: "Shiqu Baodi Three Editions" YangxinDian Collection V, Jiaqing Twenty-first Year (1816), Qing Codex.
Exhibition: "Song, Yuan, Ming, qing, and qing dynasties and a great exhibition of ancient Chinese calligraphy and painting (III)", sponsored by Liaoning Provincial Museum, Shandong Provincial Museum, Poly Art Museum, Poly Art Museum, May 2011.
Description: Qing Miao Jiahui Old Collection.
Miao Jiahui (late Qing Dynasty), zi su jun, Kunming people. In the middle of Guangxu (1875-1908), empress dowager Cixi was looking for a ghostwriter woman because of Empress Dowager Cixi's affection, and Miao wrote for her. He also exempted him from bowing down, rewarded him with three kinds of clothing, and offered two hundred gold in the month, so he was enshrined in the Fuchang Hall. Since cixi rewarded the chancellor's flower fan shaft and other things, all of which are Jiahui's handwriting. The offerings and traumatic productivity are all bought by people and gold. Because Miao was often accompanied by Empress Dowager Cixi, this scroll should have been given to Miao by Cixi.
During the Jiaqing period, the Qianjia literary style was still continued, and the Jiaqing Emperor also followed his ancestral literary ink and was good at poetry and calligraphy.
It is the beginning of the volume "YunZhang Geng Zai", with the inscription: Imperial System Endowed with Youfengzi Rain Poem. Knowledge: Jiaqing Gengshen Midsummer Imperial System. According to the content of the poem, it should be the meaning of praying for the wind and rain to be smooth, and the meaning of Guotai and people's peace. Among them, "Jiaqing Gengshen Midsummer" is the fifth month of the lunar calendar in 1800.
Zhao Bingchong (Qing) Kaishu Imperial System "Endowed with Friends Wind and Rain Poems" volume, partial
At the beginning of the year, the White Lotus Sect revolted, several battles were successful, and the general of the Qing army, Zhu Zhaodou, was killed. For a time, the imperial court was in internal trouble, the political situation was becoming more and more dangerous, and the Qing government also declined from prosperity to decline. Jiaqing's poem can be seen in his hope for the country to be long-term and the people to live and work in peace and contentment.
Zhao Bingchong is a humble man, a native of Shanghai. In the forty-seventh year of Qianlong (1782), Qin Zhi was raised to a man, and the right attendant of the official household department. Its liberal arts are good and ancient, and the essence of the book, the truth, grass, affiliation, and the seal, are the crown of the moment. He is good at painting plums, orchids, bamboo and chrysanthemums. Intensive study of the Science of The Golden Stone.
Zhao Bingchong's calligraphy is very good, and the Palace Museum has his "Eight Auspicious Sutras of Buddha Sayings", and his calligraphy and paintings are included in the scope of the people's republic of China's cultural relics export restrictions.
According to the "Draft History of the Qing Dynasty", when the Qianlong Emperor was taking refuge in the Heat River, Zhao Bingchong presented his work of "true, grass, subordinate, seal, plum, chrysanthemum, bamboo, and chrysanthemum", and Qianlong looked at it, and even praised it, and said, "This is Zhao Bingchongye of the book and painting of the potential study? "Immediately urge it, and allow the prisoner to hang the bead into the straight, and give it to the person." This can also be seen zhao Bingchong's calligraphy and paintings are excellent.
It is in the volume, the Jiaqing imperial poems use vermilion wax notes, which are extremely gorgeous. It was formerly a bibliography of the "Shiqu Baodi Three Compilations and Yangxin Hall", and at the end of the volume there is "Yunnan Lady Miao Sujun Treasure Calligraphy and Painting Seal", which is known as Miao Jiahui's old collection. In the late Qing Dynasty, Miao Jiahui was summoned to the inner court and ghostwrote for Cixi, and this volume is suspected to be the giver of Cixi.
▲ "Shiqu Baodi Three Editions" Yangxindian Collection V, Jiaqing Twenty-one Years (1816), Qing Codex.
Due to space limitations, there are other good productions, and so on.