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The river is murmuring, moisturizing in all directions. At 8 o'clock in the evening on June 29th, the sixth phase of the large-scale cultural program "Poetry and Painting China: Rivers and Eternal Flows" produced by China Central Radio and Television will be broadcast simultaneously on CCTV comprehensive channel, CCTV and CCTV network.
Wu Weishan, vice chairman of the Chinese Artists Association and director of the National Art Museum of China, Kang Zhen, professor and doctoral supervisor of Beijing Normal University, and other experts will walk into the four paintings of "Qingjiang Spring Dawn" scroll, "Fishing Pleasure Picture", "Jiangxiang Agricultural Drawing" volume, and "River Journey First Snow Picture" volume together with He Bing, Gong Linna, Fu Longfei and Wang Silong, to explore the cultural code behind the river and perceive the cultural heritage shared by water veins and poetry and painting.
The poems and paintings are used in the south of the Yangtze River to interpret the feelings of fishing and pleasure
Jiangnan is the painter's emerald light smoke, the poet's tender water town, and the place that makes the world dream. In this episode, we will go to Jiangnan together, immerse ourselves in the poetry and paintings of famous artists, and trace the footprints of the changes of Chinese civilization.
In the rich water town in the busy fishing season, the dancer Wang Silong danced and walked into the volume of "Fishing Pleasure". He plays the hexagonal role alone, interpreting the different fishermen in the painting, or casting nets to catch fish, or bending down to catch shrimp, vividly restoring the "fishing fun" scene of the water town in the south of the Yangtze River.
In the riverside fishing village with the first snow in winter, actor He Bing incarnated as the painter Zhao Gan and walked into the volume of "The First Snow on the River". With the help of CG special effects technology, the fishermen and travelers walking in the snow in the painting seem to "move", and a "documentary" describing the life of ancient fishermen slowly unfolds.
The music sings the original ecology of the rivers and sings the beauty of nature
As an aesthetic element that highlights the charm in the paintings, and a literary image that is repeatedly sung in the poems, the "river" carries the story that has been passed down through the ages.
On the embankment of the riverside in the bright spring, Gong Linna and the Tujia group "Tujia Xiqi Brother" sang the song "A Weir in Front of the Door", depicting the clear water and green mountains with melodious singing, praising the spring scenery with folk music, and reproducing the interesting river scenery on both sides of the river in the axis of "Qingjiang Spring Dawn".
In the fields of Jiangxiang in late spring and early summer, singer Fu Longfei used poetry as a medium to paint the volume of "Jiangxiang Agricultural Drawing". Fu Longfei came to Suqian, Jiangsu, the "City of Water", accompanied by the dance of the local intangible cultural heritage "Hongze Lake Fishing Drum", singing the pastoral interest of Wang Wei's pen.
For the members of the "Poetry and Painting Handicraft Class", the image of "river" also has a different meaning under the interpretation of the new era and new perspective. Yuan Diling and Peng Jiayuan used AI technology to debug and produce AI paintings and video works, achieving a strong combination of classical poetry and painting and advanced technology, and giving traditional culture the color of science and technology.
At 8 o'clock this Saturday night, the sixth episode of "Poetry and Painting China: Rivers and Eternal Flows" will be broadcast on CCTV comprehensive channel, so stay tuned!
▌Source: CCTV news client
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