Who would have thought that there were so many versions of Huang Rong in the past, only this year's "Jin Yong's Martial Arts World: Iron and Blood Dan Heart" was taken seriously and literally "Huang Rong".
- Yellow Rong'er.
The tenth-level sandstorm filter lined Huang Rong like a newly unearthed pottery doll, and she was afraid that she would choke on her mouth full of sand when she shouted "Brother Jing".
Look at the male protagonist, I can't open my eyes.
You must know that in the famous scenes where Huang Rong changed women's clothes in the past, which one was not a stunning appearance?
The 83-year-old Weng Meiling version is very bright and pretty
Of course, it is difficult to shoot Huang Rong well, and it is even more difficult to play Huang Rong well.
This Jin Yong's most popular female character, the pretty, clever, and evil "little demon girl" is too classic, and Zhuyu is in front, so as soon as the new version comes out, the audience is always more curious than expected.
The new version of Huang Rong is played by the post-00s Xiaohua Bao Shangen, with a bright appearance and a face full of collagen, which is in line with Huang Rong's state as a girl who just appeared.
However, as soon as she opened her mouth, the wind that acted with her mouth still blew on her, and it was still a parallelogram mouth.
Pretty Huang Rong actually evolved into "Huang Rong with a warped mouth"?
I still remember that in the early days of Bao Shangen, he debuted under the name of "Mu Tingting".
Now it seems that the gap between the two is probably separated by a ghost horse girl track.
is also an actress who has played a ghost horse girl, Mu Tingting back then relied on the pear blossoms to bring rain in the last second, and suddenly rewarded you with the role of Liu Xing who was fighting in the next second, and became the top class of station B.
The Peacock Feather of the Seven Weapons
On the contrary, it is a pity that the current new generation of Xiaohua has made this track narrower and narrower.
But I still have to admit -
The actresses in your circle who can control the ghost horse girl seem to have broken the generation.
Taking apart the "Ghost Horse Girl", first of all, the girlishness alone has gradually disappeared from today's screen.
The girlishness is not directly reflected in the appearance, but refers to the woman who has not yet completed socialization, a state similar to a child.
But now Xiaohua's understanding of this is at most only an introductory skill: imitating (their imagined) children.
It's like many viewers who have been poisoned by AI acting skills began to praise Sister Ju's fragmented little expressions.
Han Lingsha in "Fairy Sword 4" is also a ghost horse girl, but which teenage girl have you ever seen say witticisms like this?
Using more than ten years of idol-level expression management to imitate children, it is really a bit "learned to use it indiscriminately".
This is not called smart, at most it is "moving, but not working".
At first glance, the facial features are indeed moving, but each expression reveals a delicate sense of design.
Wu Zhenyu's spicy comment: Sneaky and has a strong sense of stealing.
Ju imitation is still too abstract in the end, and the other extreme realistic imitation can be called disfiguring acting.
As the name suggests, it is to call all the facial features of the actor regardless of the image, and it is often used to imitate a child's temper.
It's like Yang Chaoyue's small mouth and neck stalk, which explains what it means to scold people with his face.
Obviously, her demeanor is also imitating the child's anger, but it gives people the impression of being unreasonable, and she can still be noisy by her eyes when she turns off the sound.
The likability of the character was stunned by her to only be happy.
You must know that the essence of girlishness is not a childish image, but a steaming childishness.
Therefore, the ghost horse girl should act likable and cute, and the appearance of the actor is only a plus, firstly, it is necessary to weaken the design traces of adulthood, and secondly, in order to present it artistically, it is also necessary to release the childishness of her body in a targeted manner, so that people can feel cute in everything they do.
Zhong Ling, played by He Meitian in the 97 version of "Dragon Babu", has a delicate baby face with a childish spirit, but those childish eyes, expressions and movements also need to be controlled.
Whether it is the coquettishness when the tsundere is angry, or the innocent laughter that teases others, every move reveals the child's heart.
In addition, the girlish feeling naturally contains subtle and hidden girlish thoughts.
It's like Duan Yu taking off her embroidered shoes, Zhong Ling bowed her head and smiled shyly, and the spring heart of an adolescent girl was all written on her face.
On the other hand, the current ghost horse girl, even if she is a little flower with the title of a sweet girl, she has to rely on exaggerated expressions and movements to perform cutely (of course, whether she can act or not is another matter.) ）
It doesn't matter if the charm doesn't fit the situation, anyway, he pouts and blinks, and he can't wait to use it all.
We all know that children express their emotions very directly, regardless of the occasion and do not look at people's faces, only adult actors who imitate children are coquettish and cute, will have this deliberate sense of please.
On the other hand, the ghost horse girl we have seen before can hardly see any traces of socialization, and the so-called agility is just a performance of the restless childlike heart that does what you want and is full of curiosity about the world.
Xiaoyu played by Shu Chang in "Baolian Lantern", the innocent little fox amazed many people's childhood.
And Bai Xue's little fairy in "Little Fish and Flowers".
In "The Unruly Princess", Zhang Nara's Situ Jing.
and in "The Complete Biography of the Eight Immortals", Jia Qing's dragon girl is colorful.
Despite their own brutality and willfulness, their carefree is precisely the projection of our childhood ideals, and we can only wish they could do it.
Because these happy and disgusting ghost horse girls are just young in terms of age, but they do not seem to be low in wisdom at all, but purify the innocence and self of the characters, even if you look at it now, it is fascinating.
But now the ghost horse girl ...... Forget it, the audience's hanging childlike innocence is still dead after all.
Of course, a girlish feeling that is too childish is easy to appear low-minded, and you have to perform a ghost horse to add a sense of wit.
Huang Rong is synonymous with the ghost horse girl.
It's a pity that the new version of Huang Rong not only lacks a lively and enthusiastic girlish feeling, as if she is not interested in the world outside Peach Blossom Island, but also not "evil" enough.
Bao Shangen wanted to perform Huang Rong's evil spirit, but she used a trick at the lowest student level-
Crooked mouth smiled evilly.
Playing a clever girl is also a "fairy girl", and she uses Wei Ying's verbose noodle skills so perfectly.
Regarding how to play the eccentric (babbling) heroine, Sister Ju, who doesn't know how many cars have overturned on this track, obviously has more say.
Acting with a clever plan, he lives like a villain who is suffocating.
acted as a wit, and those who didn't know thought it was a ghost.
I know you're trying to play a witty girl, but sorry, it doesn't look very smart.
The difference between a ghost horse girl and a wise girl is also difficult in the control of her eyes.
The problem with Bao Shang's version of Huang Rong is not that she is not smart enough, but her eyes are less innocent and delicate.
In the part where she was playing Mu Nianci, Huang Rong sat down and stared at her with her eyes straight into her without saying a word, and with the signature evil smile, it was even more terrifying.
Obviously, the lower half of his face was smiling, but there was not the slightest smile in his eyes, and the evil spirit directly turned into evil spirit.
This is a ghost horse girl jealous, more like a female school bully who has a crush on school grass and blocks people in the back alley after school.
Let's compare the 94 Zhu Yin version of Huang Rong.
Here Huang Rong didn't have any bad intentions to tease Mu Nianci, but she was driven by her playful nature and jealousy, so she couldn't help but play some childish nature.
It's not that it is completely according to the previous version, but the problem is that you can see the same acting skills of the heroine on the market today in the new version of Huang Rong, but you just can't see Huang Rong's character.
To put it bluntly, the ghost horse feeling is just a character, the key is changeable and unpredictable, both interesting and difficult to estimate, naturally attractive to people, but difficult for people to resist.
is more divine, such as Princess Taiping played by Zhou Xun, who has a sense of animal that is similar to an elf.
is more evil, such as Li Qihong's version of "Little East Evil" Guo Xiang, who looks sweet and innocent, with a sincere face, but his eyes are clever and mysterious.
What's even weirder is Weng Meiling's version of Huang Rong. She is playful by nature, but her cunning has different variations in the face of different people, and her personality is mysterious and unpredictable, but she can eat everyone, which is also the beauty of Huang Rong.
With the old child Hong Qigong, her cunning is the childlike innocence of playing with this year-old playmate.
In the face of his father Huang Laoxi, he was both afraid of his father's majesty and pampered and arrogant, and used a clever energy that knew that he was willful but coquettish would always be useful.
And the honest and honest Brother Jing is her toy, and she teases him every day, and at the same time does not lose the shy and delicate of a girl, and the emotions that come and go freely often make him unpredictable and fascinated.
What is valuable is that Weng Meiling has changed extremely smoothly to the strange and evil changes on Huang Rong's body, but in fact, this kind of agility that overflows the screen is not only brought by acting skills.
still remembers that a few years ago, Li Wenhan played Wei Xiaobao in "I Am an Actor", and when he appeared, he couldn't wait to play the eccentric with his whole face.
At that time, Zhang Songwen commented that this kind of drama is very layered, and you can't lose the plot or character.
This also means that playing a ghost horse girl requires a higher level, not just a character of the character.
Nowadays, in the online appreciation of acting skills, anyone who is not paralyzed can boast "smart", but in fact, the real agility can give the character flesh and soul, and make the audience fall in love with the character.
Therefore, the more advanced acting method no longer pursues the actor to "like" the role, but on the basis of the role setting, the actor relies on his own understanding to shape the role.
It's still Weng Meiling's version of Huang Rong. Although it was complained about the plot change, Weng Meiling's version of Huang Rong can be called a classic, filling many people's imagination of the original Huang Rong.
Weng Meiling is indeed "like" Huang Rong.
Like Huang Rong, who doesn't play cards according to the routine, Weng Meiling also won the audition by surprise.
In 82, "The Legend of the Condor Heroes" was openly casting, and only she appeared in a costume and turned over the heel fight, claiming to be Huang Rong, standing out from more than 3,000 interviewers, and was designated by Jin Yong as the 83rd version of Huang Rong.
When Weng Meiling first went to the UK to study, the teacher suggested that she be demoted because she was the first Chinese in the school, but she fought hard and would rather not read than be looked down upon, and finally proved herself with excellent results.
She is also playful, and is based on an undertone of innocence and kindness. During the filming of "Shooting the Condor", her eye was accidentally injured by an artist, and when she saw that people were in a hurry, she also comforted people in turn, joking that she opened a double eyelid for free.
There are some petty tsunderes and petty willfulness on emotional issues, and they crave attention.
watched her off-screen interview, and her smile was no different from her interpretation of Huang Rong.
Although Weng Meiling's personality overlaps with Huang Rong, the aura of this character cannot be completely attributed to "likeness", and there is also a spiritual fit.
The smart Huang Rong on the screen is not the result of Weng Meiling's way of thinking and her understanding as an actor.
It's just that this aura is to some extent catalyzed by the times she grew up.
When she was 7 years old, her father died, and later her mother went abroad to remarry, and she had to send someone to the fence because of the formalities, and went to boarding school abroad for another 7 years...... The life of exile since she was a child made her extremely insecure in her heart, and her ex-boyfriend revealed that she had committed suicide twice, but it is a pity that there is a deep sad background behind such affection and sex, and the price of being able to perform that degree of freedom and self is not small.
And now Xiaohua is relatively precocious, and knows how to complete socialization early in a more realistic and self-interested way, although it is difficult to perform the most critical self-innocence and brilliant color of the ghost horse girl, but to a certain extent, this is a kind of progress of the times, and the death of characters like the ghost horse girl seems to be inevitable.
It's a pity that, aside from objective reasons, the disconnection of the ghost horse girl is also the result of the actor's personal choice.
A few years ago, this batch of new generation of small flowers was also praised for its agility, Zhao Lusi's Chen Qianqian, Yu Shuxin's Cai Minmin, Ju Jingyi's Han Yunxi......
"The Rumored Chen Qianqian" filmed in the early days of her debut
"Shen Yin", which was complained about last year's milk fart sound, the smart girly feeling disappeared
It's a pity that this cleverness has degenerated later.
There are even signs of deterioration.
The sand sculpture girl is like being filled with creamer, the lines begin to become sticky, and Xiao Zuojing has become a cute drama spirit all the time...... What's even more magical is that these characters are gradually solidified, and they are also actively adopted by the actors as their own labels outside the play.
Then reintegrate into the work, and fall into a vicious circle.
The trailer of the upcoming work "Eternal Night Star".
But in fact, for actors who have understanding and awe of the role, Reiki will not be limited by appearance and temperament, nor will it disappear with the change of role and age.
Li Qihong played Guo Xiang at the age of 26, and 26-year-old Ariel Lin can also play the two completely different personalities of "stupid" Xiangqin and Qiao Huang Rong at the same time.
These two characters are very popular, but few people know that Ariel Lin's version of "Shooting the Condor" and "Evil Kiss 2" in 08 were filmed during the same period.
And Ye Tong, a girl with a thousand faces, has a temperament that can be both delicate and bookish, and can also have thousands of styles, but few people associate her with a ghost horse girl, but they don't know that this is also her acting comfort zone.
Back then, because the second lady Yue Ying, who was dressed as a man in "Blue Sea Love Sky", was too smart and cute, she was played Xu Xian and Xu Shilin in the photo.
In the movie version of "Smiling Proud Jianghu", she played the delicate and willful little sister Yue Lingshan next to Ling Hu Chong, and interpreted her contradictory temperament of ecstasy and anger as soon as she saw her senior brother, and she was extremely soft.
At the age of 31, she also played the "demon girl" Zhao Min, who is both righteous and evil, in "Heaven and Dragon Slayer", proving that the cunning of a girl can also coexist with heroism.
But the impact of the disappearance of aura on a star is negligible, because no one cares whether a product has a soul or not, but only whether it has value.
In the past, we could always see the actors' personalities feeding back the works and complementing the characters.
Now the personality and traits of the actor himself not only cannot be integrated into the role, but also are coerced and eaten by the solidified labels and personalities.
The traffic is making hemp, maybe this is pie in the sky for celebrities.
But it can just be a dream trap for the actors.