A hundred years of glory, years like a song. On the occasion of the 103rd anniversary of the founding of the Communist Party of China, the media jointly held the "Centennial Glory Ode to Hanmo" calligraphy and painting exhibition, paying tribute to the glorious history of the party and praising the party's great achievements. This exhibition brings together the masterpieces of many artists, who express their feelings with pen and ink, paint dreams with colors, and jointly write their deep affection and good wishes for the party. Let's enjoy this visual feast, feel the charm of art, and celebrate the centenary of the party!
Liu Fengxian is a famous Chinese artist. Born in 1942. Since childhood, he has been an art teacher for many years, under the guidance of Master Huang Zhou, he has studied painting theory and techniques for decades, practiced hard, mainly flowers and birds, and is especially good at painting plum and longevity peach. Because of the all-round development of poetry, calligraphy and painting, she has the reputation of "Oriental Talented Woman". She is a well-known female painter at home and abroad.
Ms. Liu Fengxian has served as Honorary President, Honorary President, Honorary Curator, Vice President, Academician, Consultant, Researcher, Visiting Professor, Public Welfare Ambassador, Art Envoy, and Director of more than 40 art organizations. He is the only well-known national gift painter named after the "Sino-US Brand Conference" held in the United Nations. She has held many solo exhibitions at home and abroad, participated in dozens of national and international painting and calligraphy exhibitions, and won many awards, including the Grand Prize, Gold Award, Silver Award, Second Prize, Excellence Award, Special Honor Award, Special Contribution Award, Meritorious Award, and Best Creation Award. He has won more than 100 awards and honors, such as the gold medal of the World Peace Art Competition organized by the United Nations, the gold medal of the China-South Korea Friendship Pen Club, the gold medal of the Cross-Strait Calligraphy and Painting Competition, and the special prize, the excellence award, and more than 100 awards and honors. For his outstanding achievements, he has been awarded the titles of "National Treasure Artist", "Top Ten Gold Medal Artists Who Influence the World", "World Wind Vane Artist", "Collector's Artist", "Collector's Artist", "National Soft Gold Artist", "Contemporary Collector's Artist", "Master of Calligraphy and Painting", "Oriental Talented Woman", "New Leader in Contemporary Calligraphy and Painting", "Master of Chinese Contemporary Calligraphy and Painting", "Outstanding People's Artist" and so on. His works have been included in more than 200 collections and dictionaries, such as "Who's Who in the World", "A Generation of Famous Artists", "Famous Calligraphers and Painters of the Twentieth Century", "Dictionary of Famous Professors of Chinese Calligraphy and Painting", "History of Chinese Art", "Centennial of Chinese Art Education Yearbook", "Comprehensive Volume of Chinese Modern and Modern Famous Calligraphy and Painting Classics", "Treasures of the Art of the Republic", "China's Nine Palace-level Artists", "Chinese Contemporary Calligraphy and Painting Masters", "Chinese Powerful Painters", "Masters of Plum Painting", "Artists in the Chinese Art Circle", "Famous Artists in the Art World", etc. He is the author of "Liu Fengxian's Calligraphy and Painting Art", "Liu Fengxian's Painting Collection", "Liu Fengxian's Chinese Painting Appreciation", "Calligraphy and Painting Artist Liu Fengxian's Gift to the 100th Anniversary of the Founding of the Communist Party of China", "Shengru-Chinese Painting Masterpiece Liu Fengxian's Art Collection", "Famous Calligraphy and Painting Artist Liu Fengxian's Chinese Painting Album" {CD), "Chinese Cultural Masters Thematic Stamps", "Liu Fengxian's Poems", "Liu Fengxian's Poetry and Songs, Aphorisms", and the novella "Dream Chaser's Study", etc. His works are favored and collected by national leaders, business circles, art circles, museums, friends at home and abroad, and the majority of calligraphy and painting lovers. Because of both virtue and art, he has become an artist who is popular and loved by the people.
The plum blossoms in Liu Fengxian's pen are vivid, the ink is natural, the frost is proud of the snow, the momentum is magnificent, the branches are clear, and the vigor is rugged. Shou peach, full and round, lush branches and leaves, both form and spirit, lifelike, exclusive creation, can be called a must. These two types of her paintings are bold and indulgent, the ink is fresh and elegant, chic and dripping, overflowing with cold fragrance, containing full juice, graceful lines, thick branches, and her other works are also quite skillful, because of this, people are often called 'heroines among women'.
Liu Fengxian's creations are based on the ancients rather than the ancients, inheriting and not copying, but firmly grasping a certain connection between animals and plants in nature and people's lives, thoughts and emotions to give them a strengthened expression. Focus on the dot painting and description of spirit, soul and rhyme, and pay attention to the expression of beauty and goodness. The vitality of flowers and birds and their different characteristics are conveyed with "moving the essence", emphasizing its pleasant role of "seizing the creation and moving the spirit of reverie". Through the creation of flower and bird paintings, he expresses his own interests, sentiments and spiritual life, expresses his inner thoughts and pursuits, and sends his feelings to things.
Ink is the main element in traditional Chinese painting and calligraphy, thick, heavy, light, clear and coke, for the five colors of ink, the perfect combination of ink and color is the supreme realm that every painter strives for. However, the use of ink is the flesh and skin of the art of painting, and the strength of the pen is the style and charm of the painting. Liu Fengxian combined his own aesthetic taste with bold innovation, and constantly experimented, so that the shape, bone method, texture, light and darkness and modal charm in his works gradually formed his own style. Majestic and small and delicate, strong and spicy but natural and fresh, this is exactly the portrayal of her paintings.
Liu Fengxian's creation, the intention is to save the pen first, the painting is full of intention, bold and unassuming, the artistic conception is far-reaching and tranquil and fresh, and its plum blossoms are as bright as the morning glow or white as the snow; Shou peach or delicate or delicate fragrance, bursts of dark fragrance as if jumping out of the paper, rushing to the face, cleverly dye the natural spirituality in the painting, as if calling out the deep echo of China's thousand-year-old cultural heritage, interpreting the profound connotation of the ancient art of the Chinese nation.
Liu Fengxian's works, due to the use of poetry into painting, calligraphy into painting, and learning into painting, can be closely combined in the creation of lyricism and bone method with pen and line operation.
The poems and words in the paintings often represent the voice of the owner of the work. A good poem can show the author's connotation and learning. A good poem can also play the role of the finishing touch. The poems in Liu Fengxian's works are cleverly arranged, with the world in mind, in the composition, highlighting the main body, emphasizing the contrast between the virtual and the real in the layout and echoing the expectation, and writing the poetry inscriptions that give full play to the meaning of painting with calligraphy in harmony with the style of painting in the appropriate position, supplemented by seals, becoming a comprehensive calligraphy and painting artwork based on painting, leaving a blank space of sparse, dense, gathering and scattering; Flowers, fruits, birds, and leaves are soft and flexible,
The hairy and astringent texture on the edge of Lao Gan all show the ingenuity of his works.