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In the changing situation of the entertainment industry, Zhou Yiwei's remarks are like a boulder thrown into a calm lake, stirring up thousands of waves.
Initially, the crew invited him and Gao Weiguang to participate in the exciting-sounding "East Evil and West Poison".
Zhou Yiwei recalled in the interview, his eyes still flashing with anticipation, and he described the script as "amazing", as if it was a mysterious key to start a legendary journey.
The routine behind the "stunning" script
The wheel of fate always seems to love to play tricks on people, and when Zhou Yiwei found out that they still needed to shoot series such as "Iron Blood Dan Heart", he felt a sense of being tricked.
It's as if what I was expecting was a gorgeous feast, but it turned out that I was only a supporting role, and the position of the protagonist was left to the newcomer.
This kind of drop, like falling from the clouds to the bottom, made him feel lost.
Here, I have to say that this kind of "routine" is not uncommon in the entertainment industry.
Many actors have been in a similar situation, expecting to take on the next role, only to find that during the filming process it was far from what was originally envisioned.
For example, in a previous costume drama, many senior actors were promoted as the main characters, but when it was actually broadcast, there were very few scenes, and they completely became the foil for newcomers.
This can't help but make people sigh, the water in the entertainment industry is so deep!
The original broadcast order was to follow the stories of the older generation to the stories of the new generation, which was reasonable and allowed the audience to gradually enter the magnificent martial arts world.
But when it was actually broadcast, "Iron Blood Pill Heart" was placed in the first article.
This change undoubtedly disrupted the audience's rhythm of chasing dramas, and also laid hidden dangers for the reputation of subsequent works.
The Waterloo of "Iron Heart".
This drama was supposed to be brilliant, but it was defeated on the battlefield of word-of-mouth and data.
Criticized by everyone as a soulless assembly line work, it is like a PPT display that has been put together in a hurry, with nothing on the surface and empty inside.
The cohesion of the plot is soft and weak, like beads with broken threads, scattered all over the place, and it is difficult to string them together into a complete and wonderful story chain.
The sense of atmosphere between the characters is as thin as the fog of the early morning, fleeting, and it is difficult to leave a deep impression.
Let's talk about the pair of Huang Rong and Guo Jing first.
In the imagination of the original book, their story should be like a passionate symphony, gripping and immersive.
But in this drama, the audience was disappointed and did not feel the expected strong emotional impact.
Huang Rong, a strange woman who should be witty, intelligent and righteous, can't help but shake her head and sigh in the play.
Her defense of Yang Kang and her slander of Yang Kang in front of Guo Jing made her character image thin and one-sided in an instant.
Where is the smart and playful Huang Rong in our minds!
It's like a pearl that was originally bright, covered with thick dust and lost its original brilliance.
For example, in the original book, Huang Rong can skillfully deal with all kinds of complex situations, and use her wisdom to resolve crises again and again.
But in this drama, when she dealt with her relationship with Yang Kang, she seemed so childish and had no demeanor.
This is like a martial arts master, who suddenly loses his internal strength, and only has his fists and legs left, which makes people look angry and anxious.
Look at Yang Kang again, the fate of this child is really tragic and embarrassing.
At the age of 18, when he was in the prime of his youth, he learned of his shocking true background.
At the age of 19, the flower of life has not yet had time to fully bloom before it has withered.
At the last moment of his life, he failed to see his beloved Mu Nianci for the last time, and he didn't even know that he already had a son.
How can such an ending not be heartbreaking?
Yang Kang's death is portrayed as extremely tragic.
Those so-called decent people treated him coldly, without the slightest pity and sympathy.
Even Huang Rong did not show the slightest tolerance and understanding.
In the last moments of his life, there was only indifference and ruthlessness around him, and there was no trace of warmth to speak of.
It's like being ruthlessly abandoned in the ice and snow in the cold winter moon, lonely, desperate, and cold, swallowing up his last hope little by little.
Let's think about it, Yang Kang's life is actually full of helplessness and struggle.
He hovers between good and evil, trying to find his belonging.
Maybe he made the wrong choice, but at the end of his life, couldn't he get a shred of forgiveness?
Having said that, is the failure of this drama just because of the problem of plot and character building? Did the producer really understand the essence of the original work during the filming process?
Did the director give the right guidance when directing the actors' performances? When the screenwriter adapted the script, did he fully take into account the audience's expectations and feelings?
Looking back on the past martial arts dramas, those successful works all have compact plots, plump characters and profound emotional expressions.
For example, the classic "The Legend of the Condor Heroes", Huang Rihua's version of Guo Jing and Weng Meiling's version of Huang Rong, still make the audience unforgettable.
The love between them, as well as the entanglements with other characters, are handled just right and immersive.
And "Iron Blood Pill Heart" is obviously a failure in this regard.
The continuation of the tragedy and the expectations for the future
"Jin Yong's Martial Arts World: Iron Blood Pill Heart" ushered in the finale, which did not bring much satisfaction and relief to the audience.
The ending of Mu Nianci and Yang Kang is still a tragedy, which makes people cry.
Yang Kang's life is full of contradictions and struggles.
He was regarded as a parent by his adoptive father, Wanyan Honglie, and had deep feelings for Wanyan Honglie, so he was unwilling to kill him.
But he was forced to avenge his father's murder, and finally chose to give up in a dilemma, resulting in his own poison death.
Such an ending makes us wonder, what is justice? What is Affection? Yang Kang's choice, is it helpless or cowardly? In this complex Jianghu, everyone has their own position and helplessness.
Although the performance of "Iron Blood Heart" is not good, we still expect the follow-up works to turn the tide and save the reputation of this series.
After all, Mr. Jin Yong's martial arts world is so colorful, with countless wonderful stories waiting for us to discover and present.
I hope that the producers can learn from the lessons and create works that can truly move the audience.
Just like the previous "Heaven and Dragon Slayer", although it also encountered some doubts at the beginning, it finally won the recognition of the audience with its wonderful plot and excellent actors' performances.
I believe that as long as the producer is attentive, he will be able to make Jin Yong's martial arts world shine again on the screen.
Let's wait and see!
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