The focal length of the GF500mmF5.6 R LM OIS WR is equivalent to 396mm in the 35mm format, making it the perfect lens for wildlife photography, and we would like to introduce you to the lens performance and image quality you care about through wildlife photography.
1. Very light ultra-telephoto lens
GFX (large format) lenses have a sensor area about 1.7 times larger than that of full-frame cameras, and the larger the sensor, the larger the mount diameter, so all lenses on the market are large-diameter lenses. We were mentally prepared for the weight of the 500mm super telephoto lens when using it, but the GF500mmF5.6 R LM OIS WR weighs a whopping 1,375g.
Mobility is important when photographing wildlife. There are many situations where you need to be agile, such as following the agile movements of wild animals, constantly changing speed and direction and making small movements, and sometimes being able to stay ahead.
The center of gravity of the GF500mmF5.6 R LM OIS WR is designed on the mount side, so it feels lighter than it actually is when attached to the camera body. In addition, because the front end of the lens is light, the lens can be quickly swung to match the movements of wild animals, and the control when shooting is very smooth.
GF500mmF5.6 R LM OIS WR is hard to imagine as a large-aperture super telephoto lens for GFX (large format), and its lightweight and compact form factor shows overwhelming mobility even in the field of wildlife photography, and it can be shot flexibly Now it is possible to shoot.
Second, overwhelming resolution
The GF500mmF5.6 R LM OIS WR requires resolution. Since the "image" is captured through the lens through a sensor that is about 1.7 times larger than that of a full-frame camera, a higher lens performance than a Fujinon lens is required.
摄影器材：FUJIFILM GFX100S II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO1250 F5.6 1/160 AF-C 单手持拍摄
The squirrel dexterously puts moss nesting material in its mouth and rolls it into shape. The high resolution of the GF500mmF5.6 R LM OIS WR allows you to capture countless scattered soil particles and wood particles emitted by moss with a sense of realism that makes you feel like you're watching a video.
摄影器材：FUJIFILM GFX100 II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO320 F5.6 1/150 AF-S 单手持拍摄
Red fox mothers who have raised their children, due to their busy lives, their hardships are clearly visible in their coats at this time of year. The GF500mmF5.6 R LM OIS WR realistically expresses the texture of hair details, and its thin depth of field also makes it possible to express a melted background bokeh.
摄影器材：FUJIFILM GFX100S II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO1000 F5.6 1/250 AF-S 单手持拍摄
Beautiful bokeh shot with GF500mmF5.6 R LM OIS WR has a smooth perspective and strongly renders the subject in close-up.
3. High image quality that does not decrease even if cropped
The images captured with the GF500mmF5.6 R LM OIS WR large-aperture super-telephoto lens, combined with the overwhelming 100 million pixels of the GFX100 II and GFX100S II used this time, cause the image to become rough even after cropping, and maintain delicate and clear image quality.
摄影器材：FUJIFILM GFX100 II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO800 F5.6 1/1100 AF-S 单手持拍摄
The focal length of the GF500mmF5.6 R LM OIS WR is equivalent to 396mm in the 35mm format. In this scene, the distance from the camera to Koyoshi is about 20 meters. When shooting subjects and landscapes, the sense of distance is appropriate, but there may be some people who want to take larger photos. Since you can't get close to the subject, try cropping the captured image.
Try trimming the area inside the red box of the raw data above, with a staggering 88% retouching rate, we want you to take a look at these stunning cropped images and realize how amazing they are.
摄影器材：FUJIFILM GFX100 II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO800 F5.6 1/1100 AF-S 单次手持拍摄约 88% 被裁剪
Fourth, it can render details even in low light
Even in low-light conditions such as dusk or dusk, the GF500mmF5.6 R LM OIS WR's high resolution delivers solid detail.
摄影器材：FUJIFILM GFX100S II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO2000 F5.6 1/20 AF-S。 单手持拍摄
Thanks to the high optical performance of the GF500mmF5.6 R LM OIS WR, images can be captured clearly even in dark environments. High-precision autofocus provided by a linear motor and subject-detection autofocus on the latest GFX100S II make wildlife photography much easier.
5. Powerful image stabilization mechanism Level 6.0
Compact and lightweight, the GF500mmF5.6 R LM OIS WR features powerful 6.0 levels of image stabilization to capture ferocious wildlife even in the GFX (large format) range used.
摄影器材：FUJIFILM GFX100 II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO320 F5.6 1/850 AF-C。 区域手持拍摄
GF500mmF5.6 R LM OIS WR The powerful image stabilization mechanism can be quickly used for handheld shooting of jumping hunting red foxes. The light weight of the lens itself makes it possible to shoot handheld even with such a super telephoto lens, which is a great advantage in the field.
摄影器材：FUJIFILM GFX100 II + GF500mmF5.6 R LM OIS WR 摄影环境：ISO3200 F5.6 1/50 AF-C。 区域手持拍摄
GF500mmF5.6 R LM OIS WR 的图像稳定机制对于拍摄奔跑的红狐时非常有效。
6. Precautions for shallow depth of field
The GF500mmF5.6 R LM OIS WR is a large-format super-telephoto lens, so even if you use the same F5.6 aperture value as the XF lens of the X series, you need to be careful because the thickness of the lens will vary in emphasis. Even if the F-number is the same, the larger the sensor size, the shallower the depth of field.
[1] Focus on the tip of the nose
[2] Focus on the eyes
[1] and [2] are images taken under the same conditions of chipmunks carrying building materials.
In clip [1], the focus is on the subject's nose. In the clip [2], the subject's eyes are in focus, and the distance from the tip of the chipmunk's nose to the eye is only about 2 cm. #头条创作挑战赛#