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Tong Zhuo's comeback road
Recently, there was a scene on the WeChat live broadcast platform where a man recommended a toothpaste set after singing "Velvet Flower", this man is the singer and actor Tong Zhuo who fell into a public opinion storm four years ago because he exposed college entrance examination fraud. Tong Zhuo's comeback has attracted widespread attention, and his live broadcast has also sparked heated discussions among the public.
The turmoil of the past
Tong Zhuo once fell into a public opinion storm because he exposed fraud in the college entrance examination. This incident had a great impact on his acting career, causing his acting career to come to a complete halt. However, Tong Zhuo did not give up because of this, but chose to carry out live broadcast on WeChat Channels to bring goods and find his stage again.
An attempt to bring goods through live streaming
Tong Zhuo launched a live broadcast on the WeChat video account, which has lasted for a year and a half. In a four-hour live broadcast, his toothpaste set attracted 18,000 views, with a cumulative reward of more than 7,000 yuan. This achievement is undoubtedly a huge success for a former bad artist.
Public reaction
However, public reactions to Tong Zhuo's comeback have been mixed. Some viewers expressed their support, believing that Tong Zhuo had already paid the price for his mistakes and that he should be given a chance to get back on his feet. However, some viewers questioned his comeback method, believing that his comeback through live streaming would damage the social atmosphere.
Experts' opinion
Experts pointed out that the live broadcast of bad artists through social media platforms may be a "comeback in disguise". Although this comeback method seems to have nothing to do with acting career, it is actually still using its influence for commercial activities. Experts stressed that social media platforms need to take corresponding responsibilities in preventing the comeback of bad artists and strengthen the supervision of live broadcast content.
Social Media Regulatory Responsibilities
As an important channel for information dissemination, social media platforms have an unshirkable responsibility to prevent the comeback of bad artists. Platforms need to strengthen the review of live broadcast content to ensure that the live broadcast content is healthy and positive, and to avoid bad artists from making a disguised comeback through live streaming and other means.
Measures for the management of industry self-discipline
In addition to the regulatory responsibilities of social media platforms, industry self-discipline is also an important means to prevent the comeback of bad artists. Relevant industry associations should formulate strict measures for the management of industry self-discipline, restricting and restraining artists with bad deeds, and ensuring the healthy development of the industry.
Notice of online audio-visual program management
In addition, the relevant state departments have also issued the "Notice on the Management of Online Audiovisual Programs" to regulate the content and dissemination of online audiovisual programs. The notice provides a legal basis for social media platforms to regulate, helping to strengthen the prevention of the comeback of bad artists.
Thoughts on Tong Zhuo's comeback
Tong Zhuo's comeback has triggered our thinking about the comeback of bad artists. On the one hand, we should give those who have made mistakes a chance to mend their ways and give them a chance to get back on their feet. On the other hand, we also need to strengthen the supervision of the comeback of bad artists to prevent them from regaining influence through improper means.
epilogue
Tong Zhuo's comeback is full of controversy, but it also provides us with an opportunity to reflect. How can we ensure the healthy development of society while giving opportunities to those who make mistakes? This is a question worth pondering for each of us.
Feature content
Through the above analysis, we can see that Tong Zhuo's comeback is not only an individual event, but also a social phenomenon. It reflects our ambivalence in the face of the comeback of bad artists, and also exposes the inadequacy of social media regulation and industry self-regulation. What should we think of Tong Zhuo's comeback? How can we ensure the healthy development of society while giving opportunities to those who make mistakes? These questions deserve our in-depth consideration.
disclaimer
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