In life, we hate the short triviality of parents, but when we put this triviality in film and television dramas, we gradually find another side of the charm in it: warmth. And all this has been vividly displayed in the Japanese drama "My Story Is Long".
Thirty-one-year-old nibbling old people on the shore, since the failure of the business six years ago, he has been unemployed at home to nibble old, and lives with his mother Fang Zhi, who runs a coffee shop, in his hometown. The married strong woman's sister Ayako just wanted to renovate the house, and with her weak former musician husband Koji and her junior high school daughter Haruhae, who refused to go to school for some reason, they returned to their hometown to live together for three months and started the daily life of the five people.
It seems that the ordinary plot begins, but because the shore is full of a long-tongued man with high self-esteem and invincibility, he is in direct confrontation with his strong and confident sister Ayako, who never accepts the opinions of others. The gentle mother and the weak brother-in-law are struggling to survive in the cracks, coupled with a fast-talking adolescent niece who indiscriminately puts cold arrows on the side, the family dialogue is full of bullets, and the daily verbal battle around the dinner table has become the biggest attraction of the play.
Shigeki Kaneko, a screenwriter known for his "marriage proposal battle", uses his witty and sharp dialogue to promote the plot and the hearts of the characters without a trace, achieving an ordinary and extraordinary warm family comedy.
This play can be used as a textbook for screenwriter dialogue. If Yuji Sakamoto's dialogue is a classic of fiction and reality, then Shigeki Kaneko is a real boxer, and the scene that is so real that the eyes cannot be opened should have happened in every family with siblings.
The sisters and brothers can fight over anything trivial, high-grade beef to do sukiyaki or roast meat, who went to sweep the grave and who did not go, who threw the popsicle sticks wrong garbage sorting and other sesame garlic skin small things, can quarrel simply waste talent. Such a fight mouth is the practice they have spent many years together, there is a basis for living together to quarrel like this, and after the quarrel, the cloud breeze continues to eat, the more noisy feelings the better. The whole drama is such a daily small thing, eating, drinking, drinking, chatting and arguing, slowly stacking and promoting the story of the whole family.
Man once had a dream, but after the failure of the orthodox coffee shop to start a business, he could not lift his energy, although he did not stay nostalgic and did not know what to do, the family more than he ate a bite is not bad, just like this day counts a day.
Mother Fang Zhi suddenly lost her pillar after the death of her father, and she was also very spiritually dependent on Man, although she knew that she should call Man to cheer up a little, but in fact, she still wanted her child to stay at home. Sister Ayako has a strong style and is the only one who insists on pushing Man forward, but in fact, because of her strength, she and her husband and children are estranged.
After his brother-in-law Koji got married, he gave up his favorite music, worked as an office worker who was not suitable for him, and had a low status at home, and his stepdaughter Harukai, who was once very close, gradually drifted away after entering puberty. Chunhai, who is born in the middle school, is like every adolescent child, worried about love and the way out.
The place where the five people were originally stuck, in the three months of eating and drinking tea conversation, loosened little by little, gently and slowly, found the possible direction, and finally everyone lost and gained, but finally began to turn in a new direction. Man once said
"Just like the sweeping robot, no matter how far away you run, there is a hometown, and only then can you come back to fill the battery."
Although the moment of speaking is a crooked reason, it is indeed this inclusive, warm and noisy hometown, so that everyone has taken a new step after filling up and energizing. In this way, in the trivial daily life, savor the true character of 5 people.
Speaking of the protagonist Kishibe Man, if it weren't for Ikuta Doujin, he would really want to pinch him.
Playing with the mouth and cheeky skin is invincible in the world, worthy of the name of the cannon, black can be said to be white, dead can be said to be alive, all kinds of arguments for the sake of fighting, when the audience looks wonderful, but if there is such a brother or child can really live to death, it is too much to empathize with the mother's helpless mood of "I can do anything, please don't argue".
He is extremely self-centered, but intelligent and understands people's hearts, and can accomplish anything in a good mood. The whole family can't convince Chun Hai to go to school, or prevent Chun Hai from taking a break from school to become a voice actor, and Man Fundamental can easily do it. But as soon as he provoked his faults, he could say anything, even if he went to the interview, the other party slightly looked down on the family squatting, he got up on the spot to wash people's faces, and a mouth said that people cried and wanted to resign on the spot.
Full's change is extremely slow, the first episode sells the coffee props placed for six years, the second episode no longer stays up late until the morning to make coffee and resumes normal work, the third episode points out that dad is most worried about before leaving is full, the fourth episode reconfirms that he does not stay in the coffee shop, the fifth and sixth episodes go to the road to eat soft rice in the female boss's house and begin to think in a new direction "try what they don't hate", the seventh episode is hard to aspire to be the man behind the woman but he was beaten in the face, as if he returned to the original point but the mentality has been different, and the road ahead of episode eighty-nine has appeared!
It's like he can't make a girlfriend and hates "blind dates are too unnatural", Starfish points out "like an adult who clings to the memories of his first love in elementary school", but even Lai Lai Xuan has begun to send out, does Man really want to stay the same?
At the end of the tenth episode, when I want to go to the interview, I must first get a preventive injection ,"It is my mother who wants me to go to the interview, not me", and the family finally takes a small but difficult step that seems to others.
The script is very meticulous, the actors are just right, Ikuta Douzhen's performance is not handsome at all, sometimes motorcycles are sometimes heartwarming, and the characters are vivid and three-dimensional.
The sister performed by Eiko Koike is also vivid, every sibling competition is wonderful to the extreme, infinite white eyes and tit-for-tat high-speed returns, exactly like a real brother and sister, the only weakness of her strong is Haruhi, usually with Man do not give in to each other, only with Chun Hai's problems have to bow to Man.
The only one who can mediate the siblings' quarrel is the mother Fang Zhi. Although she is very dependent on her son, but in fact, there are many suitors, it seems that after the son leaves home, there will be many people rushing to give her a route of witches (the other witch is Gao Pinglu, but he is too mysterious to discuss here).
Yasuda's acting skills have always been very stable, this time is no exception, Koji has little income and is a stepfather, the status at home is super low, Haruhae boiled porridge for Koji to eat and moved him to a no, even if he knows that Haruhi is only doing this for one less person to share crabs, there is still no temper gentleness to treat her, so low and down-to-earth finally slightly touched the difficult adolescent girl. After Koji and Mango have been drinking and talking many times, Koji also rethinks his current situation, and finally Ayako has a good discussion of the way to balance interests and livelihood.
The two most intimate scenes of the play: Harukai End Porridge to Mitsuji, Man and Harukai and Mitsuji sing crooked songs together, both have Mitsuji, completely taking the warm route of warm men.
Finally, Chun Hai, at the beginning of the appearance of the appearance is not outstanding, but in the middle of a vote acting school the whole glowing, after watching it, I think Kiyohara Goye is simply too cute, worthy of the new generation of new stars starring at the age of 16, completely playing a clear brain and straight mouth awkward girl, singing is also super good!
Chun Hai always silently listened to the adults quarrel and then suddenly interjected and put cold arrows, no matter who was caught by her, she did not make a mistake, and Man repeatedly complained about her "which side is on the end", every time Man wanted to persuade her, he would be hit by her straight ball, fighting to completely inherit the wind of Naimu, and the only thing that went straight through her heart was "food".
In the first episode, Ayako successfully uses Sukiyaki to attract Harukai, and decides to live in her hometown because Harukai says that her grandmother cooks rice very deliciously, and later reveals that Ayako and Koji are bribed by high-grade teppanyaki, and it is too funny for Harumi to turn her face for a second. The paradoxical combination of twist and bluntness is simply youthful to shine. The round ended with Goye's lovely singing voice.