In 1945, actress Li Xianglan was sentenced to be shot for rape, and before her execution, she revealed the secret: I am not Chinese. War is relentless, plundering lives and destroying humanity. In that turbulent era, the Japanese invaders not only ravaged China by force, but also carefully fabricated lies and laid ideological cobwebs. The sweet smiling faces and moving melodies have become the "sugar-coated cannonballs" for them to promote the concept of slavery.
At the center of this "cannonball" is a mysterious actress - Li Xianglan. She was born and raised in China, but she hides the secret of her Japanese roots. Her demeanor is so graceful that she has touched thousands of lovers, and her singing voice is tactful and emotional. But all this is just a gorgeous cloak for accomplices to cover up their crimes. Under this mask, what is the inside story of the earth-shattering ghosts and gods?
Li Xianglan, a well-known artist at home and abroad, has such a confusing origin. She was born in an obscure town in the northeastern region of old China, where her father, Fumio Yamaguchi, was a notorious spy of the South Manchuria Railway Company, the vanguard of Japanese imperialism. The company was a bridgehead for Japanese aggression in China, sending spies like Fumio Yamaguchi to smear China through economic and cultural means, long before the invasion by force.
In order to build momentum in Chinese society, Fumio Yamaguchi recognized his daughter as a Chinese and raised her, allowing her to receive a Chinese-style education and learn Chinese Chinese culture. Even the Chinese name "Li Xianglan" on her daughter was deliberately done by her father. In order to create the authenticity of his daughter's "Chinese identity", Fumio Yamaguchi even recruited several powerful people as "godfathers", including the notorious pro-Japanese traitor Li Jichun.
Wrapped in these lies, Li Xianglan has always considered herself a Chinese girl since she was a child. It wasn't until she set foot on the soil of her "motherland" Japan for the first time when she was older that she suddenly realized that she was actually Japanese. At that time, the Japanese ridiculed her for wearing traditional Chinese clothes and rebuked this "disguised" Chinese style. Since then, Li Xianglan has begun a psychological battle between heaven and man.
On the one hand, she grew up in China and has a deep affection for this land full of gunpowder; On the other hand, the Japanese blood in her bones makes it impossible for her to completely reject the Japanese thinking. It is this kind of identity troubles that created her future drama path of opposing and unifying and rationalizing the atrocities of the Japanese army in her film and television career.
Although Li Xianglan was once shocked and saddened by the massacre of Chinese civilians by the Japanese army, she soon began to learn to turn a blind eye to it. The key to this stems from her acceptance of the "supremacy" of Japanese jurisprudence in China. She agreed with the slander of the Japanese side against the Japanese "armed forces" and "people", and regarded them as criminals and was punished as a matter of course. At this point, she and her biological father Fumio Yamaguchi and the pro-Japanese "godfathers" are on the same path.
Under the influence of such thoughts, Li Xianglan was recruited by the film and television company "Manchurian Film Association" in the Japanese occupation zone and started her acting career. This film and television company, funded by the Japanese puppet regime and the aggressor agencies, exists specifically to create "sweet poison".
They cost a lot of money, imported advanced equipment, and vowed to make the enslavement propaganda of entertainment to the extreme. Under this evil calculation, Li Xianglan used her demagogic eyes and mesmerizing voice to become the carrier and spokesperson of this "poison".
In film and television works, she may play an infatuated woman who suffers for Japanese devils; or play the role of a naïve girl who is highly supportive of the Japanese puppet regime; Or become intellectuals to exonerate and praise the atrocities of the Japanese army. Every character is imperceptibly permeated with the ideology of the Japanese fascists.
Her beautiful and moving appearance was deliberately rendered by the Japanese puppet authorities as a model of "China's new woman". So on the screen, it is so enviable; And under the screen, her true face is heartbreaking. She is nothing less than a "living bomb" that walks calmly and silently, covering up the evil nature of the inner with a gorgeous appearance.
In the war-torn years, Li Xianglan used film and television works to let the audience who did not know the truth rationalize the atrocities of the Japanese army and suppress the just cause of the anti-Japanese forces. With her smiling face and tactful singing voice, she paralyzed the people and blindly followed the deceptive propaganda of the Japanese puppet regime.
It is undeniable that Li Xianglan was indeed all the rage in the film and television industry back then and won countless admirers. But these fans and followers, I'm afraid it's hard to imagine that the idol they miss in their hearts is such a hideous inside and ugly soul. She used her glamorous appearance to cover up her despicable origin, paralyzed the audience's sanity with her beautiful singing voice, and made great convenience for the crimes of the Japanese army. #头条首发大赛#