Feng Yansi was born in the third year of Tianfu in the late Tang Dynasty (903) and died in the first year of Jianlong in the Northern Song Dynasty (960).
Ouyang Xiu was born in the fourth year of Jingde in the Northern Song Dynasty (1007) and died in the fifth year of Xining (1072). The two of them are more than 100 years apart and have no intersection, but Ouyang Xiu is deeply in love with Feng Yanji's words.
Liu Xizai, a native of the Qing Dynasty, said in "Art Overview": "Feng Yansi's words, Yan Tongshu has his handsomeness, and Ouyang Yongshu (Ouyang Xiu) has his deepness."
This evaluation hit the nail on the head, and Feng Yansi's style of words was often seen in Ouyang Xiu's early lyrics, and he was obviously deeply influenced by it.
Feng Yansi wrote many well-known poems, including one poem called "Magpie Stepping on Branches. The courtyard is a little deep. It is often mistaken for Ouyang Xiu's work.
This poem is beautifully written, and the famous sentence "Tearful eyes ask the flowers silently, and the red flies over the swing" was praised by Wang Guowei as "the realm of me" ("Words in the World").
But most of the poetry collections regard this poem as Ouyang Xiu's work, and even "Three Hundred Song Songs" lists it under Ouyang Xiu's name, and the word card is "Butterfly Love Flower".
Ouyang Xiu is a fan of Feng Yansi, and likes and imitates Feng Yansi's writing.
The courtyard is a little deep.
The willows pile up smoke, and the curtain has no repetition.
Yule carved saddle tour smelter, the height of the building does not see Zhangtai Road.
Rain, wind, and March twilight.
The door covers the dusk, and there is no plan to stay in the spring.
Tearful eyes asked Huahua silently, and the red flew over the swing.
"Magpie Treading Branch" is also known as "Butterfly Love Flower", originally Tang Jiaofang song, later used as a word card, also known as "Golden Wisp", "Bead Curtain", "Fengqi Wu", etc., the body is double tone and six crosses, five sentences each in the upper and lower que, and four rhymes.
This word is a resentment word, but unlike the common poetry works with the theme of resentment, the author hides the emotions of "resentment" deeply, leaving endless space for readers to experience it themselves.
The opening sentence "The courtyard is deep and deep" is stacked word by word, so that the "deep" is bottomless. It is the word "deep" that is used wonderfully and moving, and this "deep" is not only the depth of physics, but also the depth of spirit.
It is even better to use the word three "deep", and the literati of the past dynasties are full of praise for the simplicity of the opening question, which is obviously three "deep" can move people.
"A little", how much. It seems that the question is not a question, and it needs to be answered or not, and between the question and the answer, it shows the author's extraordinary ability to control the text.
An uncertain sentence structure of "a few deep" makes the beginning of this poem fascinating and intriguing, making this word famous in one fell swoop.
"Raising willows and piling up smoke, the curtain has no repetition" is to deepen this feeling, and the word "piling up smoke" is used well, so that the willows are separated by fog, explaining the image of "the curtain has no repetition", and paving the way for the next sentence.
"Yule carved saddle tour smelter, the height of the building does not see Zhangtai Road". In the second half of the scene, "Yule carved saddle" refers to the rich and noble; "Carved saddle", a delicate and gorgeous saddle.
"Wandering Place", a singing and dancing brothel for fun; "Zhangtai Road", originally the name of Chang'an Street in the Han Dynasty, was lined with brothels here in the Tang Dynasty, and was later metaphorically referred to as a place of sound and color.
Xia Rong changed the mood of Shang Rong and interceded with the scene: "The rain and wind are wild in March and twilight, the door covers the dusk, and there is no plan to stay in the spring."
"Rain and wind", and fierce wind and rain; "The door covers the dusk", the sentence is reversed, the door is closed at dusk, the third lunar month is already the twilight of spring, and everyone has a way to keep the spring.
At this moment, the hostess had to ask herself quietly, but the text was: "Tearful eyes ask Huahua silently, and the red flies over the swing."
"Messy red", scattered petals; "Swing", with its swinging character, is often tied to the mentality of a young woman in poetry.
Li Shangyin's poem: "Fifteen crying spring phoenix, under the swing on the back." Wei Zhuangshi: "It's good that the flowers and trees move across the curtains, and the girl is messing up and sending a thousand autumns." Later generations also used this image.
At this time, the author introduces the swing, puts its cultural imagery in a subordinate position, and lets the chaotic Luoying be blown through the swing by the wind, revealing the hostess's complex and longing mentality.
The author uses enough imagery closely related to young women, so that their emotions have three points of sadness, three points of sadness, three points of resentment, and one point of helplessness.