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Text: Ling'er said
Editor|Ling'er said
Since its establishment in 1996, Deyun Club has cultivated many well-known cross talk actors, such as Guo Degang, Yu Qian, Yue Yunpeng, etc. However, in recent years, Deyun Club has also seen some worrisome problems in the tide of pursuing market heat and pragmatic management, which are worthy of our in-depth analysis and reflection.
One of the roots of Yue Yunpeng's rise and wandering
We all know that Yue Yunpeng is the hottest contemporary star of Deyun Club. From an obscure small role, after years of training and struggle, he finally won Guo Degang's appreciation with his outstanding comedy talent and hard work.
But no one thought that a "cross talk rookie" who had high hopes would go further and further on the road of development in the future, and gradually deviated from the tradition and essence of cross talk.
What is the reason that Yue Yunpeng, who was once regarded as the successor of Deyun Club, finally became a "joke"? We have to find the answer from the commercial development history of Deyun Club itself.
Around 2007, as the reputation of Deyun Club grew, business development opportunities also followed. In order to seize the market dividend, Deyun Club began to actively expand the performance market and toured all over the country.
At the same time, TV stations have extended olive branches to Deyun Club, hoping to use the popularity of cross talk actors to increase the ratings of their variety shows.
This invisible pressure from the market has undoubtedly buried some hidden dangers in the development path of Deyun Club. Under the temptation of popularity and money, the art of cross talk has slowly become a tool for profit, and even lost its independence. Some actors who originally focused on traditional cross talk have also begun to set their sights on a new stage.
Yue Yunpeng is the epitome of this transformation. His performance during the Deyun Club period was a traditional and pure cross talk path, with precise baggage and proper rhythm control. But since he was gradually attracted to the variety show stage, his performance style has undergone a huge change, and he began to rely heavily on the way of spring feet and cheap laughter to get the audience's laughter, while ignoring the deep comedic wisdom.
What the audience sees is no longer a pure cross talk actor, but a variety show star who caters to the public. This transformation has brought Yue Yunpeng's popularity to a new height, but at the same time, it has also buried the hidden danger of sliding into "jokes".
The crisis caused by the negligence of Deyun Club's management
In addition to the artistic deviation caused by commercialization, Deyun Club has also faced internal management chaos in recent years. The scandals of some Deyun Club actors have been continuously exposed, which has seriously affected the image of Deyun Club in the eyes of the public.
Among them, the most typical is the departure of cross talk actors Zhang Yunlei and Zhang Jiunan. As the former "pillars of the next generation of Deyun Club", the sudden departure of the two actors surnamed Zhang undoubtedly brought a major blow to the development of Deyun Club.
What's even more infuriating is that the reasons for the two to leave are related to private morality. Zhang Jiunan was exposed to domestic violence against his wife, marital cheating and other explosive incidents, which completely buried his good popularity. And the reason why Zhang Yunlei left also has a lot to do with the infighting in the division, he once publicly criticized Guo Degang's teaching system, and the cruelty of the words is jaw-dropping.
Deyun Club faces a moral dilemma
All kinds of scandals have been exposed, which not only dealt a heavy blow to Deyun Club's reputation, but also further exposed various problems in its internal management. When cross talk actors begin to ignore their work ethic and pursue personal interests, an artistic team that was once united will fall into a dangerous situation of falling apart.
The root cause of all this seems to be Deyun Club's extreme pursuit of commercial interests. In order to gain market recognition and capital sponsorship, Deyun Club had to allow actors to participate in variety shows or appear in film and television works. But once the actors are "infected" with these opportunities to make money, it is easy to relax the moral bottom line under the temptation of money and do some hurtful things.
We have to sigh that when the art of cross talk has completely become a tool for profit, the "family rules" of Deyun Club have lost their binding force. Therefore, how to find a balance between commercial development and the essence of art has become a major problem that Deyun Club must face.
Guo Degang's undoubted employment has led to the loss of think tanks
As the head of Deyun Club, Guo Degang also bears unshirkable responsibility in this management crisis. Judging from the case of his single-handedly promoting and supporting Yue Yunpeng, Guo Degang seems to have a "tendon" style of employing people, believing too much in personal will and determination, and ignoring the constraints of the system.
In the eyes of many people, Yue Yunpeng eventually degenerated into a "joke", and there are certainly reasons for his personal pursuit of comedy short-circuit. But more importantly, the lack of effective discipline made him go further and further on the lost road, and finally buried his talent for cross talk.
In addition to Yue Yunpeng, there are many leaders that Deyun Club has lost due to negligent management. For example, Zhang Yunlei, because of his opposition to Guo Degang's master and apprentice, he finally chose to leave Deyun Club. This young man, known as the "king of a new generation of cross talk", could have continued to write glory for Deyun Club, but he had to give it a go.
In addition, Deyun Club also has serious deficiencies in the construction of internal systems. This directly led to the embarrassing situation of some cross talk actors being expelled due to personal morality, such as Chen Xiaohua, who was dismissed by Deyun Club for alcoholism.
In the face of many crises, Guo Deniu must calmly reflect on whether Deyun Club should further move towards marketization or return to tradition, and what kind of concepts and systems are needed to deal with internal and external troubles, so as to bring back the glory of the ancient art of cross talk. Otherwise, the future of Deyun Club may fall into an even bleaker situation.
The current problems of Deyun Club can be traced back to the contradiction between cross talk art and market interests. Blindly pursuing commercial popularity while ignoring the roots of art will inevitably cause the once dazzling stars to fall into the embarrassing situation of moral degradation and technical degradation.
Only by re-examining the essence of cross talk and establishing a correct development concept can the banner of traditional art of Deyun Club flutter again. Only in this way will Yue Yunpeng not live as the next "joke". For Deyun Club, there is still a long way to rebuild its glory, but as long as you stick to the right course, there will be a day when you will shine again.
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