First, in this jaw-dropping anti-Japanese drama, the director seems to have left the seriousness of history behind and turned the heroic anti-Japanese war into a comical fashion show.
In front of the camera, what we see is not a group of heroines who are ready to go, but a group of "fashionistas" who make people laugh and cry.
In the picture, a group of female warriors are preparing to set off to fight devils. However, their outfits make one wonder: are they going to the battlefield or going shopping? I saw everyone wearing tight-fitting cheongsam, stepping on thin high heels, and not forgetting to hold a delicate handbag in their hands.
Their eyes were full of excitement, as if they were about to go not to a dangerous battlefield, but to a bustling shopping mall. This kind of absurd picture makes people laugh dumbly: Could it be that in this parallel universe, cheongsam and high heels have become magic weapons to subdue devils? What is even more ironic is that when these "flowery" female warriors meet heavily armed Japan soldiers.
Astonishingly, these female warriors in high heels not only moved freely, but also easily subdued enemies armed with guns. In front of the camera, we even saw a female soldier stomp on the neck of a Japan soldier with her thin high heels.
This ridiculous picture makes people sigh: Could it be that in this strange world, high heels are more powerful than pistols? However, this is not the most outrageous. In another scene, we see five women preparing to ambush devils on the side of the road.
But their outfits are nothing short of spicy – colourful fancy dresses, and even one woman in a decidedly anachronistic modern outfit. This exaggerated costume is not so much an ambush for the enemy as it is for some kind of wacky cosplay event.
The director's brain hole continues. In another scene, we see a group of female warriors preparing to raid the devil's lair. However, their looks make one wonder if they have gone to the wrong set - everyone is dressed in handsome leather jackets, holding submachine guns in their hands, and their faces are so delicate that they look like they have just come out of a beauty salon.
This kind of future soldier-like shape forms a strong contrast with the background of the Anti-Japanese War, which makes people wonder: Is this a time-traveling drama? Finally, let's get a glimpse of the director's ultimate play.
In a jaw-dropping scene, the three female warriors turned out to be the black-clothed men in the martial arts drama, wrapped tightly all over their bodies, and wearing mysterious black masks.
One of them even put on an exaggerated kung fu pose, as if he was about to perform peerless martial arts in the next second. This weird picture makes the audience wonder: Is this a cross-border cooperation between anti-Japanese dramas and martial arts dramas? In the face of these laughable scenes, we can't help but ask: Director, are you serious? Such a plot setting is not only disrespectful to history, but also a great challenge to the audience's IQ.
The War of Resistance Against Japanese Aggression is a history full of sacrifices and suffering, not an entertainment theme that can be arbitrarily added with strange elements. Perhaps, it's time for our creators to calm down and think seriously about how to restore history and convey the right values.
Second, in this anti-Japanese drama that makes the audience call it "outrageous", the design of the battle scenes breaks through the boundaries of common sense, as if you are in a parallel universe that reverses black and white.
The first thing that catches your eye is the group of female warriors in tight-fitting cheongsams. Despite their limited mobility, they engaged in a fierce struggle with heavily armed Japan soldiers. Astonishingly, these female warriors in stiletto heels not only moved freely, but also easily subdued the enemy with guns.
In front of the camera, we even saw a female soldier stomp on the neck of a Japan soldier with her thin high heels. This ridiculous picture makes people dumbfounded: Could it be that in this strange world, high heels are more powerful than pistols? The director seems to have completely forgotten that in a real war, such a scene is almost impossible to happen.
High heels will not only seriously affect the operation, but also be less likely to pose a threat to a heavily armed enemy. However, in this drama, they have become a magic weapon to win, and this setting is undoubtedly a great challenge to the audience's IQ.
What's even more incredible is that in another jaw-dropping scene, a baby less than a few months old shows extraordinary abilities. In the picture, a man is preparing to shoot the unarmed little life.
At the last moment, the baby, who was supposed to be defenseless, jumped to his feet and quickly dodged the deadly bullet. Not only that, but this "superpowered baby" quickly got into the cart on the side and successfully escaped.
This surreal plot is simply a blatant challenge to the laws of physics, and it is also another affront to the audience's sanity. However, the absurd plot does not end there. In another bizarre scenario, we see a large army of devils retreating.
Suddenly, a soldier of the Eighth Route Army hugged the leg of a devil. What is puzzling is that no matter how this devil struggles and kicks, the soldiers of the Eighth Route Army just don't let go.
What is even more incomprehensible is that other passing devils turned a blind eye, as if suffering from collective "selective blindness". This kind of unreasonable plot setting makes people wonder: Are these devils all outsiders? Or is it that this devil with his leg in his arms owes money to someone else? In the end, in this absurd battle, we see that the tenacious soldier of the Eighth Route Army successfully detonated a grenade and wiped out all the devils who passed by.
Although this ending satisfies the refreshment of some audiences, it is completely detached from reality and is a serious distortion of the real war. In the face of these laughable battle scenes, we can't help but ask: does the director have any understanding of real war? Such a plot setting is not only disrespectful to history, but also a great challenge to the audience's IQ.
The War of Resistance Against Japanese Aggression is a history of sacrifice and suffering, not an entertainment subject that can be arbitrarily added with superpowers. Perhaps, it's time for our creators to seriously think about how to authentically restore history and convey the right values.
In this ridiculous anti-Japanese drama, the director seems to have a very unique understanding of the word "hardship", depicting life during the Anti-Japanese War as bizarre and absurd, completely subverting the audience's perception of that era.
Third, the first thing that catches your eye is a scene that makes people laugh and cry. In the picture, a commander of the Eighth Route Army with a three-seven distribution pattern is receiving guests. He said solemnly: "I am here for a temporary station, the conditions are a little difficult, there is nothing to entertain you.
However, when the camera panned to the inside of the tent they were in, the audience was stunned. This absurd comparison can't help but make people wonder: Could it be that in this parallel universe, the standard of "hardship" is the absence of abalone and lobster? The director seems to have completely forgotten that in that era of scarcity of materials, it was already a great happiness to have a mouthful of dry food to satisfy hunger.
Such a plot setting is not only disrespectful to history, but also a disguised mockery of the martyrs who fought bravely against the war. However, this is not the most outrageous. In another jaw-dropping scene, we see a real "steamed bun war".
In the picture, a group of soldiers of the Eighth Route Army were eating, and suddenly another group of soldiers came, and without saying a word, they cut into the front line. This behavior naturally caused displeasure among others.
One of the soldiers stood up and asked, "Why do you still want to eat later?" In the face of doubts, the soldier who cut in line replied without showing weakness: "You are a recruit, I am a veteran!" In this way, a supposed civilized and orderly meal activity instantly turned into a fierce verbal battle.
Even more bizarrely, the altercation quickly escalated from a verbal confrontation to a physical one. But the most jaw-dropping thing is that these "heroic" soldiers actually began to pick up the steamed buns on the table and throw them at each other, as if playing a childish "food war".
In that era of extreme scarcity, food was such a precious resource! However, in this drama, the precious rations have become a "weapon" to fight each other. Steamed buns were smashed all over the ground, and this kind of wasting of food formed a strong contrast with the revolutionary spirit of hard struggle in real history.
In the face of these "anti-Japanese life" scenes that subvert common sense, we can't help but ask: Does the director have a basic understanding of that era? Such a plot setting is not only a serious distortion of history, but also a great disrespect to the revolutionary martyrs who died heroically.
The War of Resistance Against Japanese Aggression is a history full of hardships and sacrifices, not an entertainment theme that can be arbitrarily added with elements of dog blood. Perhaps, it's time for our creators to calm down and think seriously about how to restore history and convey the right values.
In this controversial anti-Japanese drama, the director seems to feel that the ordinary interrogation scene is not eye-catching enough, so he staged a jaw-dropping "beauty plan".
This plot not only breaks through common sense, but also seriously distorts history, which makes people wonder: Is this an anti-Japanese drama or a bloody love drama? In the picture, we see a soldier of the Eighth Route Army who was unfortunately captured and tied to his bed.
Surprisingly, however, he was greeted not by torture, but by a Japan female chief in a long purple dress. Instead of showing the ferocity of the enemy, the female prefect showed unusual interest in the "man with a masculine aura".
I saw this Japanese female commander bow down and say to the soldiers of the Eighth Route Army in an almost provocative tone: "I am just a man full of masculinity like you, a young and beautiful little Japanese woman.
"This ambiguous atmosphere makes people completely forget that this is a scene of interrogation of prisoners of war. In the face of such a "beauty plan", our soldiers of the Eighth Route Army showed a firm will at first.
He looked at the female chief of Japan and said in a sonorous voice: "I will not give in, no matter what method you use." These words were supposed to show the iron backbone of the revolutionary soldiers, but what happened next was a big surprise.
Fourth, what is shocking is that this soldier of the Eighth Route Army, who once swore that he would "never give in", actually shared the bed with the enemy female commander after just a few minutes of camera switching.
This dramatic turn of events makes the viewer wonder: Is the revolutionary will really so vulnerable? Or, in this absurd script, can love really cross the line between friend and foe? This absurd plot setting not only blasphemes the heroes in real history who would rather die than give in, but also a great insult to the audience's IQ.
In the real War of Resistance Against Japanese Aggression, countless revolutionary martyrs were unyielding in the face of the enemy's torture, and even regarded death as home. But this drama easily wiped out this noble revolutionary spirit with a bloody love bridge.
The director seems to have forgotten that the War of Resistance Against Japanese Aggression is a history full of sacrifices and suffering, not an entertainment theme that can be arbitrarily added with dog blood elements. This kind of practice of distorting history and blaspheming heroes and martyrs in order to win attention is really chilling.
Faced with such a plot, we can't help but ask: Does the director have a basic sense of reverence for that period of history? This way of creation is not only disrespectful to history, but also a great insult to the revolutionary martyrs who died bravely.
Perhaps, it's time for our creators to calm down and think seriously about how to restore history and convey the right values. In this laughable anti-Japanese drama, the director seems to have completely blurred the boundaries of time and space, presenting a jaw-dropping "crossing" scene.
What we see is not weapons and equipment that conforms to the historical background, but a series of modern equipment that is obviously ahead of its time, as if it is an equipment exhibition that transcends time and space. In the footage, we see a group of female warriors preparing to raid the devil's lair.
Their looks make people wonder if they went to the wrong set. Everyone was dressed in a handsome leather suit, a material and style that was unheard of in China at the time.
What's even more surprising is that they actually hold submachine guns in their hands, a weapon that gradually became popular in the late stage of World War II, and magically appeared on the battlefield of the Anti-Japanese War.
Not only that, but the makeup of these "future soldiers" is also staggeringly exquisite. With perfect base makeup and bright lip color, she looks like a soldier who is about to go to the battlefield, but more like an urban beauty who has just come out of the beauty salon and is ready to go to an appointment.
This exaggerated costume forms a strong contrast with the bitter background of the Anti-Japanese War, which makes people wonder: Is this a time-traveling drama? The director seems to have completely forgotten that in that era of scarcity of materials, not to mention submachine guns, even ordinary rifles were scarce resources.
The anti-Japanese fighters in real history often fought against the well-equipped Japanese army with backward equipment, relying on strong will and the belief that they would win. This deliberate "upgrade" not only fails to increase the credibility of the plot, but makes the whole drama seem more absurd.