Now with the rise of various anime cultures, many young people also have their favorite anime characters. Using exaggerated hair, costumes, and makeup effects to make yourself look like the characters in the anime, we call them coser. They also have their own specific circles for playing cosplay.
Recently, a dance event is being held in the atrium of a shopping mall in Suzhou County, Jiuquan, Gansu Province. A couple of cosers were about to perform on stage when suddenly a man rushed out and began to insult the coser and hit him. The female staff stepped forward to persuade the fight, and the man raised his hand and slapped the staff to the ground. Strings of blood were splattered on the ground.
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The male staff member stepped forward and asked why he was beating people and what he was doing with women. The man shouted: "I don't want to hit people either, I wear strange shapes, I wear Japan clothes one by one, look at what you wear." As he spoke, he picked up the wooden props on the ground and shouted, "If we don't die, culture can't invade." Later, he hit someone with props, and the people around him quickly called the police, and the man was taken away by the police.
In fact, in recent years, there have been many contradictions in public because of coser's fancy dress. The most controversial thing is Japan clothing, in fact, some of the culture and elements of Japan are really difficult to define. A lot of their stuff came from China, and they say that they don't let the culture invade, but our students still have to learn English.
Besides, the man's behavior, in the name of patriotism, he beat the coser. Later, the female staff persuaded and did it to the staff, what is the reason? It's just beating people to vent their personal emotions in the name of patriotism. Isn't it too unscrupulous to criticize others for being unpatriotic just by relying on one piece of clothing.
There is an essential difference between cultural invasion and cultural diversity, our country is rising day by day, and there are countless treasures in museums around the world, and this cultural self-confidence still needs to be had. Our progress lies in taking the best and discarding the dross, not in blind denial. I hope we can look at the problem objectively, instead of killing it with a hammer.