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On June 24, 1993, in the studio of Fuji TV, a seemingly ordinary live-action show was in full swing. Beyond lead singer Huang Jiaju and Japan host Mitsura Uchimura stood on the three-meter-high platform, no one predicting what would happen next.
Suddenly, a loud bang broke the noise of the scene. The water splashed and the backdrop collapsed. Huang Jiaju and Mitsura Uchimura fell from a height at the same time, and the sky spun in an instant.
When the dust settled, Mitsura Uchimura clutched his waist in pain and barely stood up. But Huang Jiaju lay motionless on the ground and fell into a deep coma.
Why did the same accident at the same height end so differently? This heart-wrenching question has touched the hearts of countless fans and unveiled a little-known rock legend.
In a cramped apartment in Sham Shui Po, Kowloon, Hong Kong, young Wong Ka-kui and his family of six are crammed into less than 30 square meters of space. No one in this ordinary family would expect to give birth to a rock star.
On an ordinary day at the age of 17, Huang Jiaju found an abandoned worn-out acoustic guitar in the stairwell. This seemingly inconspicuous instrument became the key to changing his life.
He took the guitar home and began to teach himself. Since then, the small home is no longer just a place to live, but also a starting point for him to pursue his music dream.
With no background in professional training, Huang Jiaju has continuously improved his skills with his love and talent for music. He began to practice in the bandroom, performing at small private parties, and gaining experience step by step.
Despite the skepticism and ridicule, he always stood for his musical ideals.
In 1983, in order to participate in the "Mountain Leaf Guitar Competition", Huang Jiaju and his friends temporarily formed the Beyond band. Despite the short preparation time, they won the championship with excellent strength, laying the foundation for Beyond's development.
However, the road to success has not been easy. Beyond has undergone several member changes, with the position of the lead guitarist being particularly unstable. At a concert organized at his own expense, the lead guitarist suddenly left the team, but fortunately, a friend temporarily replaced him, so that the performance could go smoothly.
In the end, Huang Jiaju's younger brother Huang Jiaqiang joined as the bass player, and later Huang Guanzhong also joined as the lead guitarist, and Beyond formed the golden lineup we are familiar with.
This process is full of challenges and uncertainties, but Huang Jiaju has always maintained his love and dedication to music.
In an era when the Hong Kong music scene was dominated by love songs and cover songs, Wong Ka Kui and Beyond chose a different path. They boldly combined Cantonese with rock to create a unique Chinese rock.
Huang Jiaju's lyrics are profound and infectious, not only expressing his perception of life, but also incorporating reflections on society and human nature.
From an ordinary teenager with a passion for music to leading Beyond to become an iconic band in the Hong Kong music scene, Wong Ka Kui's musical journey is full of hardships but dazzling.
With his talent and persistence, he proved the power of dreams and opened up a new world for the Chinese rock music scene.
In the Hong Kong music scene in the late 80s and early 90s of the 20th century, pop music was dominated by sweet love songs and covers of European, American and Japan songs. In such an environment, the emergence of Beyond is like a clear stream, injecting new vitality into the Hong Kong music scene.
Huang Jiaju led Beyond to make a bold attempt, combining Cantonese and rock, and creating a unique Chinese rock style. Their music is no longer limited to love and love, but looks at the broader social reality.
Huang Jiaju's lyrics are profound and infectious, not only expressing his perception of life, but also incorporating reflections on society and human nature.
Beyond's music styles are diverse, and each song has its own unique charm. Wong firmly believes that the style of the band should not be fixed, but should respect the individuality of each member, so that everyone can give full play to their strengths.
This philosophy is fully embodied in Beyond's work.
For example, the song "Cold Rainy Night" was originally written by Huang Jiaju for his younger brother Huang Jiaqiang. When Wong broke up with his girlfriend in pursuit of his music dream, Wong encouraged him to write the lyrics and sing the song himself.
As a result, Wong Ka-keung's affectionate interpretation combined with a sad melody created a classic.
Another classic song, "Earth", was sung by lead guitarist Huang Guanzhong. The song depicts the pain of separation between father and son, while also symbolizing the reality of separation between the two sides of the strait and expressing the desire for national unity.
Even drummer Ye Shirong, Huang Jiaju wrote a slow-rock song for him called "Complete Possession". At the 1991 concert, Ye Shirong stepped out of the position of drummer and performed the song affectionately.
Beyond's music is not only melodic and moving, but the lyrics are even more heart-to-heart. The sentence "Forgive me for my uninhibited indulgence and love of freedom" in "The Sea and the Sky" seems to be Huang Jiaju's cry for life, and it has also become the voice of countless people.
Behind the success, however, is a myriad of skepticism and ridicule. Beyond had to face the incomprehension from the industry and the audience. But they have always adhered to their musical philosophy and proved their worth with their strength.
Beyond's musical innovation has not only changed the landscape of the Hong Kong music scene, but also brought new possibilities to the entire Chinese music scene. Their songs transcend language and cultural barriers and touch the hearts of countless listeners.
This perseverance and courage to innovate is the key to the longevity of Beyond music.
In 1991, Beyond had already made a name for itself in the Hong Kong music scene, but Wong Ka Kui and his band members made a surprising decision: to go to Japan to develop.
This decision stems from Huang Jiaju's persistent pursuit of music and his desire for a broader stage.
In Hong Kong, Beyond felt that its creative space was limited. They aspire to create music that is more in-depth and socially responsible, rather than just superficial entertainment.
As an important market for Asian music, Japan is a new world full of challenges and opportunities for Beyond.
However, the trip to Japan was not all smooth sailing. Language barriers, cultural differences, and unfamiliar market environments have all brought great challenges to Beyond. They had to start from scratch and participate in various variety shows in an effort to open up their popularity.
The process was arduous and even physically and mentally exhausting.
In Japan, Beyond had to face a reality that was contrary to their musical philosophy. In order to get exposure, they had to participate in some variety shows that had nothing to do with music.
This compromise made them feel helpless, but it also inspired them to create.
It is in this environment that Beyond created the classic song "Sea and Sky". The song seems to be a portrayal of their mental journey in a foreign land, showing their persistence in ideals and their desire for freedom.
The cry of "forgive me for my uninhibited indulgence and love of freedom in this life" in the lyrics is not only a rebellion against the status quo, but also an insistence on dreams.
Beyond's trip to Japan is an experience full of contradictions and struggles. They find a balance between the pursuit of musical ideals and the realities of the market, and constantly break through the difficult situation of a foreign country.
This experience not only enriched their musical creation, but also strengthened their musical philosophy.
However, who would have thought that "The Sea and the Sky" would become Huang Jiaju's last gift to the world. On June 24, 1993, during a program recording, the gears of fate quietly turned, and Huang Jiaju's music career came to an abrupt end.
Although Beyond's trip to Japan ended in tragedy, the music they created during this time has become an eternal classic in the Chinese rock music scene.
They used music to interpret the courage to chase their dreams, and also opened up the path of internationalization for later musicians.
On June 30, 1993, in the emergency room of Tokyo Women's Medical University, Huang Jiaju closed his eyes forever. This news was like a bolt from the blue, shocking the entire Chinese music scene.
A passionate rock 'n' roll dream came to an abrupt end.
However, Huang Jiaju's departure did not make Beyond's music disappear. On the contrary, his singing voice seems to travel through time and space, continuing to infect generations of listeners.
In Chinese mainland, Hong Kong, Taiwan, and even Japan, countless fans spontaneously sang Beyond's songs, passing on the musical spirit of Huang Jiaju.
In the men's dormitory of Guangzhou Institute of Physical Education, there was once a group of young people singing "The Sea and the Sky" in unison, expressing their nostalgia for their idols and their persistence in their ideals.
Such scenes continue to be staged all over the country, and Beyond's music has become an important vehicle for young people to pursue their dreams and express their emotions.
Beyond's influence even transcends borders. On the streets of Japan, a singer from Hainan sang the Japanese version of "Sea and Sky", which attracted a Japanese woman to harmonize in Cantonese.
This touching scene is the best proof that Beyond music transcends language and cultural barriers and touches people's hearts.
Although Huang Jiaju is gone, his musical spirit will always live in people's hearts. His dedication to music, his persistence in his ideals, and his desire for freedom continue to inspire countless dreamers.
Beyond's songs are not only a memory of an era, but also a spiritual sustenance that transcends generations.
Beyond's influence on music creation is equally profound. The Cantonese rock style they pioneered injected new vitality into Chinese music. Many later musicians have drawn inspiration from Beyond's work to carry on and develop Beyond's legacy in terms of musical style and creative philosophy.
Beyond's music has also been a catalyst for social change. The social care and humanistic spirit contained in their songs have inspired many young people to take a sense of social responsibility.
Songs such as "Glorious Years" and "I Really Love You" are not only popular hits, but also an important way for people to express their social ideals.
Huang Jiaju's departure has caused Beyond to lose its soul, but their music has gained eternal life. Whenever the melody of "Sea and Sky" sounds, people seem to be able to see Huang Jiaju swaying passionately on the stage again.
His music, his spirit, and his dreams have been deeply imprinted in the long history of Chinese music and have become eternal echoes.
Huang Jiaju's unexpected death is not only a personal tragedy, but also reveals many problems in the Japan entertainment industry. Those seemingly interesting variety shows often hide excessive consumption of artists and serious safety hazards behind them.
The program where the accident occurred was set up with a three-meter-high game scene with a pool full of water in the middle, and the surrounding platforms were narrow and lacked adequate safety measures. This neglect of safety for the sake of stimulation ultimately leads to tragedy.
What is even more thought-provoking is that the Japan host Mitsura Uchimura, who fell at the same time as Huang Jiaju, was only slightly injured in the accident. Today, he is not only still active in the Japan entertainment industry, but also has become the host of programs such as "Whole Man Award".
This kind of show that uses tricks on artists as a selling point is exactly what Huang Jiaju and his partners hate.
This tragedy has triggered reflection on the safety of the entertainment industry. How to ensure the safety of participants while pursuing the effect of the program? How to balance the intensity of an artist's work and personal development? These questions deserve deep consideration for the entire industry.
Huang Jiaju's departure is not only a loss for the music industry, but also a warning to the entire entertainment industry. We should take this lesson to heart and strive to create a safer, more humane entertainment environment where artists can focus on their creations rather than being forced to take risks or cater to low-grade tastes.
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