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In the 20th century Chinese theater world, there is a little-known emotional story, like a well-choreographed drama, fascinating. The famous actor Lu En and the talented playwright Wu Zuguang once spent seven years of marriage together.
However, this seemingly perfect union eventually came to an end due to personality differences. Surprisingly, even after parting ways, the two maintained a strong friendship until the end of their lives.
Lu En's life is like a drama of ups and downs, and he has experienced three marriages, among which his love affair with Wu Zuguang is the most eye-catching. Her story is not only a portrayal of personal emotions, but also a reflection of the fate of intellectuals in that special era.
In an era of war and political turmoil, how does Lu En find a balance between art and love? What kind of test has her relationship with Wu Zuguang experienced? Let's uncover this long-lost past.
In 1920, Changshu, Jiangsu Province ushered in an extraordinary life. Lu En's original name was Yu Chen, and he was born in an ordinary family in this small town in the south of the Yangtze River. From an early age, he showed extraordinary intelligence and love for art, and Lu En's life was destined to form an indissoluble bond with the stage.
In 1938, with a passion for theater, 18-year-old Lu En resolutely stepped on the train to Chongqing. In the war-torn years, she was admitted to the National Drama College with excellent grades and started her artistic journey.
This school is not only the starting point of her dream, but also a witness to an important turning point in her life.
In this temple of art, Lu En is like a fish in water. She threw herself into her drama studies and soon won the admiration of her teachers and classmates for her talent.
However, fate always likes to play jokes on talented people. It was here that she met Zhang Dinghe, who was four years older than herself, and quickly fell in love.
Zhang Dinghe is a talented composer and the younger brother of literary giants Shen Congwen and Zhang Zhaohe. In 1941, the two walked out of the campus hand in hand, and soon became happy with their noble son, and gave birth to a lovely boy for Zhang Dinghe-Zhang Yida.
However, the young and vigorous two find it difficult to resolve the contradictions in their daily lives. Lacking mutual understanding and tolerance, their relationship gradually came to an end. Eventually, when the child was not yet one year old, this short-lived marriage came to an end.
Although the first marriage ended in failure, it brought an important turning point in Lune's life. It was at the National Drama College that she met Wu Zuguang, who would have a profound influence on her in the future.
At that time, Wu Zuguang was the right-hand man of the school's principal, Yu Shangyuan, and was also Lu En's teacher. He taught Lu En's Chinese and History of Ancient Chinese Literature and was impressed by this brilliant student.
Wu Zuguang is three years older than Lu En, and he is also from the water town in the south of the Yangtze River. There seems to be a natural closeness between them. In class, Wu Zuguang was often attracted by Lu En's intelligence.
And Lu En also saw the shadow of a talented artist in Wu Zuguang. This teacher-student relationship laid the groundwork for their future relationships.
In this way, Lu En's artistic path slowly unfolded in the turbulent times. From Changshu to Chongqing, from a student to an actor, the stage of her life is slowly kicking off, and more exciting plots are waiting for her later.
In 1943, in the war-torn era, Lu En and Wu Zuguang entered the palace of marriage hand in hand. This marriage is like a well-choreographed drama, with sweet and heartwarming moments and difficult and tortuous trials.
The two worked together at the Central Youth Drama Society, and Wu Zuguang created many classic roles for Lu En with his talented brushstrokes. On stage, Luen was radiant; Offstage, Wu Zuguang silently supported.
However, in real life, marriage is not as perfect as drama. Lu En is open-minded like a boy, enthusiastic and cheerful; Wu Zuguang, on the other hand, is polite and has a slightly introverted personality.
The two also have many differences in living habits: Wu Zuguang prefers noodles and indulges in Peking Opera; Lu En loves rice and has little interest in Peking Opera.
Still, in those turbulent times, the two worked together through many difficult moments. On a cold winter day in 1944, Lu En unfortunately contracted pleurisy while performing in Zigong, Sichuan.
At that time, the troupe was financially constrained, and Lu En could not even afford to pay for medical treatment, so he had to lie on the cold floor in a high fever. Wu Zuguang, who learned the news, didn't say a word, and immediately rushed from Chongqing to send her to the hospital.
Lu En, who was on the sickbed, deeply felt Wu Zuguang's love.
In 1947, the relationship between the two underwent a greater test. An underground party member was living in their home, and the reactionaries suddenly came to their door to search for it. At the critical moment, Lu En was in danger, and wittily hid the mimeograph machine under the bed of the nanny in the attic on the third floor, and successfully helped the underground party members escape the catastrophe.
At this moment, Wu Zuguang saw the strong and brave side of his wife, and the relationship between the two became deeper.
However, as time passed, the differences in their personalities became more and more apparent. Lu En gradually felt that although Wu Zuguang was talented, he seemed slightly tired in his daily life.
She has a deep respect for her husband, but it is difficult to produce a poetic and fiery love.
In 1950, after much deliberation, Lu En finally made up his mind to file for divorce. Faced with his wife's decision, Wu Zuguang was full of reluctance, but in the end he chose to respect Lu En's wishes.
It is touching that during the divorce process, Lu En showed great tolerance and understanding. She not only gave Wu Zuguang all the money from the sale of the joint property, but also bought him a camera that was comparable to the value of a limousine at the time.
After the divorce, the two did not become strangers, but maintained a rare friendship. In the autumn of 1951, when Wu Zuguang tied the knot with Xin Fengxia, the "Queen of Pingju", Lu En also sent sincere blessings and gifts.
Although she was unable to attend the wedding in person, her blessings were palpable.
This seven-year marriage, although it ended in a breakup, left an indelible mark on Lu En's life. It has witnessed Lu En's transformation from a young girl to a mature woman, and also achieved her brilliant achievements on the road of art.
Years later, when asked about his past with Wu Zuguang, Lu En was always grateful. She admitted frankly that Wu Zuguang has given real help in her life.
From correcting her southern accent, to teaching her how to keep a diary, to leading her on the revolutionary path, Wu Zuguang's influence was everywhere.
This marriage is like a wonderful drama, although it has ended, the love and righteousness in it will always remain in the hearts of the audience.
After the divorce, Lu En was not knocked down by emotional setbacks. Instead, she threw all her passion into her artistic career, and soon ushered in the golden age of her career.
In the early 1950s, Lu En joined the prestigious Beijing People's Art Theater and became a high-profile actor. In this temple of art, her talent was fully unleashed.
Lu En has created unforgettable characters in many classic dramas, the most famous of which are Fanyi in "Thunderstorm" and the tiger girl in "Camel Xiangzi".
Her delicate and nuanced performance not only won the applause of the audience, but also was unanimously recognized by industry insiders. It is rumored that even Premier Zhou Enlai was full of praise for her acting skills.
In the spring of 1954, Luhn's life took a new turn. She meets Hu Yexiang, a former United States Thunderbird Air Force Base pilot who is three years older than her.
Hu Yexiang is the cousin of the famous movie star Hu Die, who performed heroically in the Anti-Japanese War. The two fell in love at first sight and soon entered the marriage hall. This marriage brought new happiness to Lu En, and they had a son, Hu Qiming.
With the warmth of his family, Lu En's performance on the stage is more calm and confident.
In his career, Lu En's achievements have been highly recognized by the state. In 1992, she was awarded the special approval of the State Council, which is an affirmation of her artistic achievements over the years.
In 1999, she won the "Lifetime Contribution Award" and became a benchmark figure in the Chinese theater industry. These honors are the best praise for Lu En's lifelong artistic pursuit, and also witness her brilliant achievements on the stage of New China.
However, fate always likes to play jokes with great artists. The shadow of the Cultural Revolution of 1966 hung over the whole of China. Both Lu En and her husband, Hu Yexiang, were inevitably involved in this political storm.
She was deprived of the right to perform and was forced to leave her beloved stage and be sent to the countryside for manual labor. This is undoubtedly a huge blow to an artist who is over forty years old.
In 1973, fate played a joke on Luen again. She contracted severe lupus erythematosus and her life hung by a thread. But Lunn's strong willpower was on display again.
She fought the disease tenaciously and finally succeeded in overcoming it.
In 1976, with the end of the Cultural Revolution, Lu En finally returned to the stage. Despite a decade of hardship, her love for acting has not diminished in the slightest. The moment he stood in the spotlight again, Lune felt like he was home again.
She continues her artistic career, passing on her experience and wisdom to the younger generation of actors.
Even in his 80s, Luen was still active in the theater world. In 2005, Beijing Renyi rearranged the classic play "Thunderstorm", and Lu En, who was already in his old age, was still invited to guide the young actors in performance skills.
Her dedication and love for art have touched everyone.
Lu En's life is like a wonderful drama. On the stage of New China, she used her talent and tenacity to compose a moving artistic hymn.
The haze of the Cultural Revolution finally dissipated, and Lu En's life gradually returned to peace. However, fate does not seem to have spared this much-weathered artist. In 1998, her beloved husband Hu Yexiang passed away due to illness, which brought a heavy blow to her.
The pain of losing her lover puts Lu En at a low point for a while, but her strong character once again helps her get through it.
Interestingly, during this sad period, a respected veteran actor expressed to Lu En his desire to accompany her for the rest of her life. However, Lu En declined this sincere affection.
The deceased husband in her heart is irreplaceable. This decision shows Luen's fidelity to love and attitude towards life.
After losing his lover, Lu En did not become depressed, but devoted more energy to artistic creation. In 2007, she published her autobiography My Artistic Life, which reflected on her life of ups and downs.
What is surprising is that Lu En, who is 87 years old, actually taught himself how to operate a computer and wrote the book by himself, word by word. This persistent pursuit of art makes people can't help but be moved.
In his later years, Lu En still maintained his love of life. When her son Hu Qiming invited her to retire in the United States, she politely declined. She chose to stay in Beijing, which she loved, because she could feel familiar family and love here.
This decision reflects Lu En's attachment to his homeland and his deep affection for Chinese culture.
Even at the end of his life, Lune kept in touch with his old friends. At a rare gathering, she met her former husband Wu Zuguang again.
Although Wu Zuguang has been unable to communicate normally due to illness, the deep friendship between the two is still touching. This scene seems to be the last tribute to their lives.
Luhn's later life showed the tenacity and wisdom of a great artist. She uses her actions to interpret what is the dedication to art and the love of life.
August 15, 2012The summer sun in Beijing is still shining, but the Chinese theater industry has lost a bright star. Lu En died peacefully at the age of 92 in the city she loved.
Her life is like a wonderful drama, with laughter, tears, ups and downs, and the unremitting pursuit of art.
Lu En's departure is not only a great loss to the Chinese theater industry, but also the end of an era. Her life spanned some of the most turbulent decades in modern Chinese history, and her artistic career has witnessed the whole process of Chinese theatre from its inception to prosperity.
Many of the classic roles she created are still praised and learned by later generations of artists.
However, Luen's artistic spirit did not fade with her departure. Her son, Hu Qiming, inherited his mother's artistic genes and founded a film and television culture company in Beijing, committed to promoting Sino-American film exchanges and cooperation.
Every Qingming Festival and the death of his parents, Hu Qiming will go to the cemetery to pay tribute to the memory of this great mother and artist.
Lu En's life is a persistent pursuit of art and a passionate love for life. She has experienced the ups and downs of her marriage, the ups and downs of her career, but she has always maintained her love for the stage.
Her story will forever be engraved in the history of Chinese theatre and become a model for future generations to remember and learn.
In this noisy world, Lu En spent her life interpreting what the true spirit of an artist is. Her curtain call is not the end, but the eternal beginning of a legend.
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