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Recently, the finals list of "Singer 2024" has detonated heated discussions on Hunan Satellite TV, and the discussion on the Internet has soared, and even the topic of "Mango Channel" has also topped the hot search.
The ultimate showdown of this Chinese music event finally kicked off last night, which has been long-awaited for a long time.
Popular candidates such as Chantimo, Fan Xia, and Sun Nan have attracted much attention, who would have thought that the final crown would be won by Na Ying? This kind of plot reversal is really surprising.
Although Na Ying won the championship at the age of 57, which is amazing, this victory also makes people think deeply.
Is this a pure singing competition, or is there something else going on in there? Each contestant is talented and unique, but the results seem to confirm once again the unspoken rules of the entertainment industry: seniority, status, and sophistication may all be important factors affecting the outcome of the competition.
What we see may be just the tip of the iceberg, and the competition and choices behind it are far more complex than we imagined.
In particular, the perfect cooperation between Chantimo and Di Mahi combines American SOUL with classic classics to present an unparalleled audio-visual feast.
However, such an amazing performance was eliminated in the first round, leaving the audience stunned.
This makes people feel that sometimes the best performances don't always get the recognition they deserve.
Perhaps, this is the difference in expectations between the judges and the audience, even the best performances can be overshadowed by various factors.
In addition, Di Mahi's sentence behind the stage, "Chinese must be ahead of you", seems to have inadvertently revealed some inside information.
This sentence not only raises questions about the fairness of the game, but also adds a shadow to the event.
In such a high-pressure environment, even unintentional words can become a key clue for the audience to interpret the fairness of the game.
The other candidates performed equally well.
Tan Weiwei's "Trumpet of the Sichuan River" and Sun Nan's "A Life of Dripping Water" both show their profound musical skills and unique personal style.
Tan Weiwei combines ethnic style with modern stage art to present an audio-visual feast; The collaboration between Sun Nan and Liu Huan is even more wonderful, their singing not only touches people's hearts, but also shows their deep understanding and respect for music.
However, in the finals, which was billed as a major event in the Chinese music industry, the talent and emotion of each artist were fully displayed.
However, the untold story behind it and the complex network of interpersonal relationships have raised many doubts about the outcome of the competition.
The delicate balance between commercial interests and artistic pursuits challenges the impartiality and transparency of the production team in setting rules and judging criteria.
What happened to Vanhia is even more unbelievable.
She amazed the audience with her original songs, far surpassing Na Ying's performance in every aspect.
However, she was always at the top of the first 10 competitions, and she was ranked fourth and last in the finals.
Such a result is difficult to accept and calls into question the fairness of the competition.
What happened to Van Shea may have been just a microcosm of the opaque elements of the judging process, which not only dealt a blow to her personally, but also affected the audience's perception of the fairness of the competition.
And Na Ying's performance was also controversial, and the cooperation with Rejuvenation Dan was accused of being deliberate and lacking in rock style, and it also appeared to be insufficient in tension and reluctant in the treble part in solo performances.
The audience was puzzled by Na Ying's victory, especially her performance in the previous episodes had been tepid and even frequently out of tune.
This result raises doubts about other non-musical factors influencing the judges' decision-making, further exacerbating doubts about the overall fairness of the competition.
Although "Singer 2024" presents us with a feast of Chinese music, the controversy and doubts in it also make us have to think: how can we find a balance between commercial interests and artistic pursuits? How do you ensure the fairness and transparency of the competition? This is not only a question that the production team needs to think about, but also a question that every one of us in the audience needs to pay attention to.
It is hoped that future music competitions will pay more attention to the purity and fairness of art, so that every talented artist can get the recognition and respect they deserve on this stage.