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On the stage of the sixth season of "Happy Comedian" in 2024, Gao Xiaopan, a cross talk actor who once had unlimited scenery, looked particularly lonely.
His carefully prepared stage play not only failed to resonate with the audience, but was also ridiculed by Guo Degang.
This rookie, who once appeared on the CCTV Spring Festival Gala and won the gold medal in the cross talk competition, has now become a marginal figure with "lack of attention and exposure".
What is the reason why Gao Xiaopan is proud and then frustrated on the road of cross talk?
Gao Xiaopan's cross talk road is not smooth sailing, but full of dramatic turns. Before he became a rookie in the cross talk industry, life was not easy. Gao Xiaopan, who is in his early twenties, has traveled to many industries in order to make a living.
He worked as a salesperson in a clothing store, a master of ceremonies for weddings, and even a painter. These work experiences that seem to be incompatible with cross talk have inadvertently accumulated rich materials for his future cross talk creation.
Opportunity always favors those who are prepared. In 2008, when Guo Degang led a wave of cross talk, Gao Xiaopan, who was only in his early thirties, seized this once-in-a-lifetime opportunity.
He boldly founded the "Hip Hop Baggage Shop", and with his own unique perspective and innovative performance methods, he soon emerged in the cross talk industry.
Gao Xiaopan's talent has been widely recognized. He not only appeared on the stage of the much-anticipated CCTV Spring Festival Gala, but also won the gold medal in the cross talk competition. Under his leadership, the "Hip Hop Five Tigers" became famous and became the best among the younger generation of cross talk actors.
Gao Xiaopan seems to have found his own stage, and his career is thriving.
During this period, Gao Xiaopan has become a new star in the cross talk industry. He not only gained a firm foothold in the mainstream cross talk circle, but also established a good cooperative relationship with non-governmental cross talk groups.
The audience likes him, and industry insiders recognize him, and Gao Xiaopan's career can be said to be advancing all the way.
However, like many success stories, Gao Xiaopan's glorious moment is only one chapter in his cross talk career. Standing at the pinnacle of his career, he may not have imagined that greater challenges awaited him.
Gao Xiaopan's career is like a roller coaster, and after climbing to the top, he began an unexpected decline. The once beautiful "hip-hop baggage shop" gradually revealed the dilemma of development.
Those main actors who were once proud of left the team one by one. It is difficult for newcomers to grow up quickly, and there is a fault line in the team's talent echelon.
In the first season of "Happy Comedian", Gao Xiaopan can still play with ease, showing his cross talk skills. But when it comes to the "Cross Talk with Newcomers" program, the situation is different.
His performance is obviously inadequate, which makes people wonder where the once radiant cross talk rookie has gone. What made Gao Xiaopan even more embarrassed was that Zhang Guoli, who was highly respected in the show, actually took a nap during his performance.
This scene not only embarrassed Gao Xiaopan, but also let the audience see the clues.
Seeing that his career is going downhill, Gao Xiaopan seems to be a little confused. In the sixth season of The Happy Comedian, he made an unexpected decision. He abandoned traditional cross talk in favor of a small stage play.
In this work, Gao Xiaopan mercilessly criticized the phenomenon of "traffic first" in the current cross talk industry, and also admitted that he "lacks attention and exposure".
In this way, he hopes to resonate with the audience and regain attention. However, it backfired, and this attempt did not achieve the expected results, but encountered an embarrassing situation of "hastily passing the motions".
What's worse is that in the show, Guo Degang, a former boss in the cross talk industry, ridiculed Gao Xiaopan's performance. This put Gao Xiaopan in a dilemma.
In subsequent media interviews, he directed his dissatisfaction and anger at Guo Degang, and even sarcastically ridiculed that "Happy Comedian" should be renamed "Deyun Comedian".
was once a high-spirited cross talk rookie, but at the moment he looks resentful and lost. Gao Xiaopan's situation seems to be an inextricable predicament, which makes people sigh at the impermanence of fate.
Faced with the trough of his career, Gao Xiaopan's reaction was surprising. It should have been a time of introspection, but he seems to be more inclined to blame external factors for his failures. In his opinion, his lack of attention is not a problem with the quality of his works, but because his cross talk is "not only to entertain the public, but also to arouse the audience's thinking".
This may sound self-consoling.
Gao Xiaopan's heart is full of contradictions. On the one hand, he admits that he craves more attention. He hopes to have an exclusive dressing room, be surrounded by fans at the airport, and participate in those top variety shows.
even said that he didn't mind hyping up some scandals, just to win attention. But on the other hand, he stressed that he did not want to go along with the world's currents. This contradictory state of mind reflects his inner struggle.
Despite the difficult situation, Gao Xiaopan still did not give up his dream of cross talk. He still serves as the head of the hip-hop baggage shop, shouting the slogan "Fight for life for the cause of cross talk" on various occasions.
But the reality didn't seem to be what he wanted. Among the cross talk actors in the same period, Gao Xiaopan's light is slowly dimming. used to be a "cross talk rookie", but now it has become a forgotten character.
In an interview, Gao Xiaopan revealed his desire to become famous. He said that he also wants to be sought after by fans at the airport, and he also hopes to participate in those top variety shows.
These words reveal his dissatisfaction with his current situation, and also reflect his strong desire to return to the top.
However, Gao Xiaopan seems to have fallen into a strange circle. He craves attention but is reluctant to cater to popular tastes; He wants to succeed, but he doesn't want to change his style.
This contradictory mentality makes it more and more difficult for him to go on the road of cross talk.
Gao Xiaopan's cross talk road is like a drama full of ups and downs. From obscurity to fame, to his current difficult situation, all this seems to stem from his inseparable blind confidence.
Looking back on Gao Xiaopan's career, it is not difficult to find that it is this overconfidence that hinders his development to some extent. When he stood at the pinnacle of his career, he insisted on his artistic philosophy, which is understandable.
But the problem is that he seems to ignore the needs of the audience and the changes in the market.
Gao Xiaopan's overconfidence in his own professionalism makes it difficult for him to objectively assess the quality of his work. When he encounters setbacks, he tends to attribute them to external factors rather than reflect on his own shortcomings.
This attitude undoubtedly limits his room for improvement.
In the pursuit of artistic ideals, it is equally important to maintain an attitude of humility and self-reflection. Gao Xiaopan's experience has taught us that blind self-confidence is valuable, but if it can't keep pace with the times, it will eventually be eliminated by the times.
For Gao Xiaopan, the road ahead is still full of challenges. Will he be able to find a balance with the audience and the market while sticking to himself? Will he be able to re-examine himself and rise again on the road of cross talk? The answers to these questions may only be given in time.
But one thing is for sure, Gao's story reminds us that in any industry, it's important to be confident, but it's even more important to be self-aware. Only by continuous learning and progress can we gain a firm foothold in the fiercely competitive arena.
Gao Xiaopan's cross talk life is not only a personal history of struggle, but also a microcosm of the changes in the entire cross talk industry. It tells us that finding a balance between tradition and innovation, between persistence and compromise, is a challenge that every artist needs to face.
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