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Once upon a time, Deyun Club was a leader in the cross talk industry, and Guo Degang was known as the standard-bearer of the revival of cross talk.
However, recently, Deyun Club has frequently encountered doubts and criticisms, and has fallen from the focus of attention to the target of public criticism.
The tour was frustrated, the reputation of film and television works collapsed, and he was even labeled as the "king of bad movies".
The once dominant cross talk group is now stuck in a creative bottleneck, and the quality of its performances is deteriorating.
Does the ups and downs of Deyun Society reflect the dilemma of traditional art in the wave of commercialization?
What happened to Deyun Club?
On the stage of Deyun Club, there was laughter and thunderous applause. However, the recent tour has disappointed many audiences. Although the theater was still full, the quality of the performances on stage was much lower than before.
Those cross talk actors who used to have witty words now seem to have lost inspiration and can only use old jokes repeatedly. Audiences are discovering that what was once a striking coin now sounds more like reciting a script mechanically.
This decline in the quality of the performances soon became widely discussed. At a public event, actor Zhu Yawen had a heated argument with Guo Qilin, the representative of the new generation of Deyun Club.
Zhu Yawen mercilessly pointed out the current problems faced by Deyun Club, and his words revealed deep concern about the current situation of the cross talk industry. This public collision has made Deyun Club's predicament even more eye-catching.
However, Deyun Club's predicament is not limited to the cross talk stage. In order to expand their influence, they began to set foot in the field of film and television, but unexpectedly encountered greater setbacks.
originally hoped to enhance his reputation through cross-border, but he unexpectedly won the title of "King of Bad Movies". This disgraceful title, like a hammer, not only hit the image of Deyun Club, but also made the audience question its future development.
In the face of Deyun Club's various performances, the fan base has also been significantly differentiated. Some die-hard fans still firmly support Deyun Club, believing that this is only a temporary trough.
But many more expressed their disappointment. They miss Guo Degang, who regarded cross talk as his life in the past, and are eager to see Deyun Club bring wonderful performances again.
To understand the situation of Deyun Club today, we have to go back to 2005, which was the starting point of Deyun Club's real take-off. At that time, Guo Degang led a group of young people, and with his unique humorous style and sharp stage performance, he quickly became a new star in the cross talk industry.
Their performances are different from traditional cross talk, closer to the tastes of young people, and soon attracted a large number of fans.
As its fame grew, Deyun Club began to expand across the country. Their footprints are all over the country, almost monopolizing the cross talk market. This rapid expansion has brought great commercial success, but it has also buried some hidden dangers.
Other cross talk groups have been squeezed into the corners of the market, and Deyun Club's "survival of the fittest" view has also made them lose many friends in the circle.
In order to cope with the growing operational pressure, Deyun Club began to try to diversify its operations. In addition to traditional cross talk performances, they also began to participate in variety shows and even shoot movies and TV series.
This strategy worked well at first, but over time it also created new problems.
At the same time of rapid development, Deyun Club is also facing the problem of talent management. Deyun Club has always emphasized the "mentoring system", but this model has also shown shortcomings in the modern business environment.
Some outstanding actors chose to leave Deyun Club and fly solo, but they were labeled as "betraying the teacher". These things not only affected the atmosphere within Deyun Club, but also made the outside world question their management methods.
Looking back on the development process of Deyun Club, we can see that their rise is full of opportunities and challenges. From a small cross talk group to a nationally renowned cultural brand, the success of Deyun Club is not accidental.
But the problems brought about by rapid expansion have also planted the seeds for today's predicament.
The rapid rise of Deyun Club has made people look forward to its future. However, from glory to controversy, the decline of Deyun Club is not an overnight thing, but the result of the superposition of multiple factors.
First of all, the rapid expansion of the business has brought huge management pressure to Deyun Club. Guo Degang had to devote a lot of energy to team management, which undoubtedly distracted him from his artistic creation.
The time that should have been spent on figuring out new jokes and improving performances is now being spent on all sorts of complicated matters. It's like a chef who is supposed to focus on cooking, but has to manage the entire restaurant.
Secondly, although diversification has brought more income, it has also made Deyun Club lose its focus on the core business of cross talk. The energy of cross talk actors is scattered to various fields, some go to make movies and some go to record variety shows, resulting in a decline in the quality of cross talk creation and performance.
It's like a grocery store, you have everything but you don't have everything.
To make matters worse, when Deyun Club took the lead in the country, they lost a strong competitor. The lack of competitive pressure also lacks the motivation to innovate.
As Guo Qilin said, there is no real opponent in his own industry. It's like a long-distance runner, if you're always running alone on the track and there's no one around to chase you, his speed will naturally slow down.
In addition, some of Deyun Club's practices have also aroused dissatisfaction among peers. Their strong marketing strategy squeezes the living space of other groups, and the attitude towards the departing actors is also uncomfortable.
These have led to the deterioration of Deyun Club's reputation in the industry. It's like a neighbor who doesn't know how to live in harmony with others, and although the family is rich, no one wants to deal with him.
As time goes by, these problems gradually appear, and the performance of Deyun Club is becoming more and more disappointing. The once innovative spirit is gone, and the performances on stage have become the same.
The audience began to miss the passionate and creative Deyun Club in the past, instead of the current business machine that seemed to only care about making money.
In the face of the current predicament, Deyun Club did not sit still. They are trying a new path: from a single cross talk group to a diversified conglomerate.
This road is full of challenges, but it also brings new possibilities to Deyun Club.
It's like a long-established restaurant that originally only sold one famous dish, but now it's trying to come up with a new menu. Deyun Club began to get involved in more cultural fields, no longer limited to cross talk performances.
They organize variety shows, participate in film and television productions, and even develop related cultural and creative products. Although this transformation is risky, it may be able to inject new vitality into Deyun Club.
Looking back on the history of Deyun Club, I have to say that they have made important contributions to the development of cross talk art. Deyun Club has revitalized the traditional art of cross talk and attracted a large number of young audiences.
Just like a teacher who successfully made students fall in love with a boring subject, Deyun Club successfully made young people fall in love with cross talk.
Not only that, the actors of Deyun Club have also established a good image in terms of professional ethics. In today's impetuous atmosphere in the entertainment industry, the actors of Deyun Club maintain a relatively low-key style and focus on their acting careers.
This attitude has become an example that is difficult for many traffic stars to achieve.
However, the future of Deyun Club is still full of uncertainty. Will they be able to regain their focus on the art of crosstalk while maintaining their commercial success? Can we stay true to our original intention in diversified development? It's like an acrobat who has to walk a tightrope in the air and juggle tricks at the same time, which is as difficult as you can imagine.
The story of Deyun Club may be a microcosm of the balance that traditional art seeks in the wave of commercialization. It allows us to see how to protect the roots of traditional culture in an era of rapid change, and at the same time keep pace with the times, which is a question worth pondering.
Although Deyun Club is currently facing many challenges, we are still looking forward to seeing this once glorious cross talk group find a new direction on the road in the future.
is like a wonderful cross talk, with a climax of laughter and tears, we look forward to Deyun Club bringing a satisfactory ending to the audience.
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