Source: Little Flowers by the River
万俟 (mò qí) Yong, the character Yayan, self-called Ziyin or Daliang Ziyin, was a famous lyricist from the late Northern Song Dynasty to the early Southern Song Dynasty. He is now well-known for his poetry during the period of Zhezong Yuanyou. Wan Qianyong's lyrics are proficient in music and rhythm, and can create their own new voices, and their style of words has learned Liu Yong, and there are a total of 27 surviving words.
He once compiled his own collection of words, which was divided into two bodies: "Yazi" and "Side Yan", and later deleted the "Side Yan" as a whole, and then compiled it into a collection, which was divided into five bodies: "Ying System", "Fengyue Fat Powder", "Snow Moon Wind Flower", "Fat Powder Caisi" and "Miscellaneous".
Among the five poems in this article, "Long Thoughts of · Rain" takes the loneliness of a rainy night as the setting, and through the depiction of sounds and phenomena, it conveys the endless troubles and loneliness of the lyricist. "Long Miss · Mountain Station" takes the mountain station as the stage, through the fusion of natural phenomena and human emotions, expressing the earnest feeling of parting sorrow.
"Appealing to · Spring" depicts the boasting and vitality of spring, expressing the reluctance to leave spring and the longing for distant friends. "Zhaojun Resentment · Spring to the Snow End of the South Building" shows the ardent attachment to his hometown through the delicate depiction of the spring phenomenon. "Magnolia Flowers Slow · Growing Old" is a depiction of the phenomenon of spring and an exclamation for the passing of time, reflecting the earnest perception of the short time of life and the fleeting nature of exaggerated things.
01 "Long Miss · Rain"
A sound, a change.
The light in the banana window outside the window is infinite at the moment.
Dreams are hard to come true, and hatred is hard to peace.
Don't worry about people don't like to hear, the empty steps drip to the light.
The film depicts the sounds and phenomena of a rainy night, rendering a lonely atmosphere. These two sentences describe the sound of the night rain dripping and the sound of more drums, and this repetitive sound enhances the silence and length of the night, and also hints at the poet's state of mind that is difficult to sleep.
"The banana outside the window and the light in the window", the plantain outside is ticking in the rain, but the lights inside the house seem to be lonely and helpless, this depiction of internal and external comparison, further highlights the lyricist's loneliness and melancholy. "Infinite love at this moment", this sentence points out the love of the lyricist, at this moment, his heart is full of endless emotions and thoughts.
The next film directly expresses the lyricist's melancholy state of mind. "Dreams are difficult to come true, hatred is difficult to peace", these two sentences bluntly express the predicament of the lyricist, dreams are difficult to come true, and the resentment and troubles in the heart are difficult to stop.
"If you don't like to hear it, you don't like to hear it", this means that the sound of rain seems to be unintelligible and depressed people don't want to hear it, but it still keeps dripping. The last sentence depicts the phenomenon of raindrops dripping on the empty steps until dawn, which not only reflects the passing of time, but also a true portrayal of the lyricist's sleepless nights and troubles.
This poem is set on a rainy night, and through delicate depictions of phenomena and vivid sound descriptions, it conveys the loneliness and troubles in the heart of the lyricist. The sound of rain and drums are intertwined, and the contrast between the plantain and the light creates a quiet and lonely atmosphere, making the reader feel as if he is in a lonely and helpless rainy night, and feels the helplessness and pain in the poet's heart.
In the words, "dreams are difficult to come true, hatred is difficult to peace", straightforward but in-depth reminder of the lyricist's state of mind, and the sentence "empty steps drop to the light" pushes this melancholy emotion to a climax, reflecting a kind of endless waiting and impossible disappointment. After the delicate description of the phenomenon of rainy nights, the whole poem shows the loneliness, melancholy, and inability of the lyricist in the depths of his heart in front of the reader, which has a strong appeal.
"Long Miss · Rain" is concise and clear in language, easy to understand, but extremely reflective. The lyricist is good at conveying the emotions in his heart through the depiction of specific phenomena, such as "plantain", "lamp", "empty step" and other images, which are very pictorial and symbolic, which enhances the artistic appeal of the word.
02 "Long Miss · Mountain Station"
Short and long pavilion, ancient and modern.
The cool toad outside the building is dizzy, and the rain and autumn are clearer.
Twilight clouds, twilight mountains.
The sound of autumn leaves and geese, pedestrians should not listen.
The beginning sentence "short and long pavilion, ancient and modern love." As a resting place for pedestrians on the side of the road in ancient times, the short pavilion was often used as a sign of parting and missing. The lyricist begins with this, which not only refers to the mountain post in front of him, but also contains the common emotional experience of people in this place since ancient times, skillfully blending space and time, creating a resonance across time and space.
"The cool toad outside the building is dizzy, and the rain and autumn are clearer." "Liang Toad" refers to the cool moon, and here "a halo" is used to describe the soft and hazy beauty of the moonlight, and the autumn night after the rain looks extraordinarily fresh. These two sentences are depicted by natural phenomena to create a quiet and slightly cool atmosphere, suggesting the loneliness and coolness in the lyricist's heart.
"Twilight clouds, twilight mountains." The clouds in the twilight spread out, the distant mountains are horizontal, and the picture is open and far-reaching, which further strengthens the sense of vastness of the scene, and also reflects the outline and heaviness of the lyricist's mental mood.
"A few autumn leaves and geese, don't listen to pedestrians." The last two sentences point out the main theme of the whole word, the sound of the autumn wind blowing the fallen leaves and the chirping of the southern flying geese in the air are intertwined, forming a bleak autumn sound. The lyricist said "pedestrians don't listen", but in fact, he couldn't avoid these sounds that touched his heart, expressing his earnest feelings about parting and infinite nostalgia for the past, and also revealing a chaotic state of mind that escaped from reality and did not want to face the pain of parting.
The whole poem is concise and symbolic, closely combining the natural landscape of the mountain post with the poet's sense of mind, not only the delicate capture of natural beauty, but also the in-depth understanding of the joys and sorrows of life, showing the unique sensitivity and affection of the literati of the Song Dynasty, as well as the infinite thinking about the past and the future.
03 "Appeal to the Heart· Send Spring"
A whip Qing Xiaoxi returned home. Hangover sleepiness.
The light rain comes at night, and the double swallow dances obliquely.
The mountains are endless, and the water is endless. Hope for credit.
Send the taste of spring, miss the feelings, and pay the poplar flowers.
"A whip Qingxiao happily returns home", the beginning of the word depicts a picture of returning home in the morning, riding a horse, waving a whip on the road in the early morning, and his heart is full of joy. The "happy homecoming" here is not only the joy of returning home, but also a sense of belonging and satisfaction.
"Hangover sleeps Liuxia", the previous night's banquet makes the lyricist have hangover fatigue, "Liuxia" is a kind of fine wine, here used to describe the feeling of drunkenness, the poet is in a drunken and hazy state.
"The light rain comes at night, and the double swallows dance in the wind." The light rain at night has just stopped, and the morning air is full of freshness, and pairs of swallows dance obliquely in the wind, showing a vivid picture of spring. These lines not only depict the beauty of the environment, but also hint at the vitality and vitality of spring.
"The mountains are endless, and the water is endless." These two sentences describe the landscape in the eyes of the poet, the mountains are endless, and the water is boundless, reflecting a feeling of breadth and boundlessness. This phenomenon also marks the endless thoughts and emotions in the lyricist's heart.
"Looking at the credit", in the distance, the landscape seems distant and vague, with a sense of being far away. This ambiguity also reflects the lyricist's inability and melancholy for the imminent departure of spring.
"Send the taste of spring, miss the distant feelings, and pay the poplar flowers. : This directly points to the main thrust of the whole word. Spring is about to leave, and the poet's heart is full of messy taste when he bids farewell to spring, and he also misses his friends from afar. "Distributing Yang Hua" is to place his emotions on Yang Hua, marking that he entrusts his thoughts and sentimentality to Yang Hua in spring, drifting away with the wind.
This poem depicts the scene of returning home in the early morning and the scenery of spring, expressing the reluctance to leave in spring and the longing for friends from afar. The scene is written in the film, and the early morning homecoming, the tiredness of the hangover and the swallow dance after the night rain and early glow reflect the grandeur and vitality of spring. In the next film, through the endless depiction of the landscape and the chaotic emotions of bidding farewell to spring, the lyricist's deep melancholy and longing for distant friends are expressed. The words are fresh and fluent, and the emotions are sincere and moving, showing Wan Qiyong's delicate emotions and meticulous depictions of natural phenomena.
04 "Zhaojun Resentment · Spring to the Snow End of the South Building"
Spring arrives in the south building and the snow is exhausted. Disturb the lantern period flower letter.
Light rain and a chill. Leaning on the trunk.
Don't lean on the railing. A look at a few heavy smoke and water.
Where is Jinghua. Twilight clouds.
The first sentence "Spring to the end of the snow in the South Building" directly points to the transformation of the season, winter to spring, and the snow around the South Building has now melted, indicating the beginning of a new life. This sentence is concise and clear, laying the scene of the whole word from winter to spring, implying the circulation of time and the change of the natural world.
"Disturbing the Lantern Period", "Lantern Period" usually refers to the night of lights during the Lantern Festival, and "Flower Letter" refers to the season when the flowers bloom. This sentence uses anthropomorphic techniques to say that the arrival of spring seems to wake up the lights of the Lantern Festival and the sound of the flowering period, which not only reflects the vigorous atmosphere of spring, but also implies the faint sorrow that Shaoguang is in a hurry and the festive atmosphere has passed.
"The light rain is cold, leaning on the dry", and then wrote about the chill brought by the spring rain, the protagonist looked at the distance by the railing, this action revealed the loneliness and worry of his inner world. The chill after the rain combined with the action of leaning on the railing creates a quiet and slightly sad atmosphere.
"Don't lean on the railing", the protagonist seems to be self-persuading, don't always rely on the railing to look, which reflects a kind of endless longing and hope for the distance, together with a bit of inability and self-restraint.
"A Look at Several Smoke and Water" depicts the phenomenon of long-term viewing, where heavy smoke and water vapor cut off the line of sight, marking the long and impossible way to see the homecoming, enhancing the sense of spatial isolation and deepening the sorrow and farewell.
Epilogue "Where is Jinghua." Twilight clouds cover the distance, which is a metaphor for the distance of Jinghua (that is, the capital). This sentence is not only a visual depiction, but also a spiritual emotion, expressing the poet's deep longing for the capital and his helplessness to return to the date.
Through the delicate description of the spring phenomenon and the wonderful change of the protagonist's emotions, the whole word shows the delicate emotions in the poet's heart and the ardent attachment to his hometown, and also reflects the general consideration and emotion of the literati doctors of the Song Dynasty for the journey and destiny.
05 "Magnolia Flowers Slow · Hatred Warbler Flowers Grow Old"
Hate warbler flowers are getting old, but the grass, green island.
The longitudinal wall is thousands of fathoms, and the elm money is stacked, and it is difficult to buy spring stay.
Plum blossoms have always been goodbye, and in a hurry, full of branches.
Outside the door, on the side of the weeping poplar bank, draw the bridge who is tied to the orchid boat.
Long. The years go by. Sigh that the water is covered and it is difficult to collect.
Relying on paintings, they often raise their heads and eyes, and they are all spring sorrows.
The spring breeze is even worse when it comes late, and I am afraid of flying red and shooting into the library.
Shuangyan came back and asked me why I couldn't get a curtain hook.
The upper part of the poem focuses on the phenomenon of spring and the sadness caused by the withering of flowers and plants.
"The hated warbler is getting old, but the grass and the green island." The word "hate" here shows the author's melancholy and inability to leave spring. "The warbler is getting old" points out the spring of spring, and "Fangcao, Green Pond" is the last bit of green left to people in spring, with a touch of sorrow.
"The longitudinal wall is thousands of fathoms, and the elm money is stacked, and it is difficult to buy spring stays." Even if the mountains are thousands of feet high, and the elm money (the fruit of the elm tree, which marks the arrival of spring) is heavy, it is difficult to retain the dying spring. Here is an exaggerated way to emphasize the cruel reality that Shaoguang cannot be reversed.
"Plum blossoms have always been goodbye, and in a hurry, full of branches." The plum blossoms have just withered, and they are now full of fruit in a hurry. The rapid change of plum blossoms marks the passing of Shaoguang, making people feel that life is short and impermanent.
"On the side of the weeping poplar bank outside the door, who draws the bridge is the orchid boat." The weeping willows outside the door are clinging, and the bridge is drawn across the shore, but no one is tied to the boat to stay. This phenomenon has a sense of loneliness, suggesting the loneliness in the author's heart and the reminiscence of boastful things.
The next part of the word turns to a sigh for the passing of time, and an inability to look at the future.
"Yoyo. The years go by. Sigh that the water is covered and it is difficult to collect. "The years pass by slowly, as if flowing water is gone. The word "sigh" here once again reflects the author's inability and melancholy.
"With paintings, I often raise my head and eyes, and I am all sorrowful." Leaning on the edge of the painting railing, I looked up, and my eyes were full of troubles brought by spring. No matter where you look, it is a sentimentality for the passing of spring.
"The spring breeze is even worse when it comes late, and I am afraid that it will fly red and shoot into the library." The evening breeze of spring is getting more and more poignant, and I am afraid that those falling flowers and flying flakes will float into the study building and disturb my thoughts. This detailed depiction reflects the author's disgust and avoidance of the remnants of spring.
"Shuangyan came back and asked me, why can't I give birth to a curtain hook." A pair of swallows returned, as if to ask the author why he didn't hang up the curtain hook. The double swallows here mark the free coming and going of spring, and the unhung curtain hook suggests the author's reluctance and inability to pass away from spring.
Through the description of the phenomenon of spring and the lament of the passing of time, this poem reflects the author's ardent perception of the short time of life and the fleeting nature of exaggerated things. The depiction of the phenomenon in the words is delicate and realistic, the emotions are sincere and moving, the words are beautiful and the artistic conception is far-reaching, and it is a poem with sincere love and high artistic value.