Fly into the cauliflower and nowhere to be found
▓ Wang Yizao / Appreciation and calligraphy
Suxin City Xu Gongdian two Wang Yi early book
Suxin City Xu Gongdian two
★ Southern Song Dynasty Yang Wanli
The spring light is at the head of the willow tops, picking and folding long strips and inserting restaurants.
It is used to watch the cold food at home, and the village song and dance are more romantic.
The hedge is sparse and deep, and the flowers on the trees are not shady.
The children hurriedly chased the yellow butterfly and flew into the cauliflower and were nowhere to be found.
These two poems are a group, Yang Wanli was demoted from the imperial court at the age of 65, served as the deputy envoy of Jiangdong transshipment, and was also in charge of Huaixi and Jiangdong military horses, money and grain, and was appointed in Jiankang (now Nanjing, Jiangsu). He often patrolled the territory, and Xinshi was a town on the way, and there was an inn in the town, which was opened by an old gentleman surnamed Xu, known as Xu Gongdian. Yang Wanli stayed in Xu Gongdian this time.
The two poems stand on their own. The first poem writes about the local customs of the Qingming Festival.
The spring light is all in the willow tops
All the beautiful features of spring are concentrated in the tips of the willow trees.
The first line is that the poet's nerves are fluttering. The soft branches, the tender green goose yellow hue, and the dense leaf buds all show the harmony of heaven and earth and the life force it contains. The word "all" is so shallow and profound!
Pick and fold long strips and insert them into restaurants
Choose a long willow branch, fold it down and insert it on top of the restaurant, so that you can enjoy it at any time.
This is a natural action that follows the first line, reflecting the poet's love for spring.
I will eat at home and watch it
Although this Qingming Cold Food Festival is spent in another country, I should be in my hometown.
"And I did it...... look", which is a colloquial form that is equivalent to "see as ......". At home: in your hometown. Cold food: It is the Qingming Festival, and the custom is not to cook on this day, but to eat cold food.
The village song club dance is more romantic
The singing and dancing events held in the village community here are even more beautiful.
Village song and dance: The song and dance of the village community, folk song and dance. Merry: (Village Song Society Dance) has a lively style and attractive charm.
Qingming has never been in his hometown, which has always been regarded as a very sad thing; But Yang Wanli said that the right is the Qingming spent in his hometown; What's more, the folk songs and dances here are more "romantic"!
The second song is vivid, interesting, and more widely circulated.
The hedge is sparse and deep, and the flowers on the trees have not become shaded.
Beside the sparse hedge, a path leads into the distance, petals on the branches of the trees are falling, and new leaves have just grown, and have not yet formed shade.
This is a description of the environment: it is a small town, although there are restaurants, but it still retains the atmosphere of rural spring. Small towns and countryside infiltrate each other and merge into one.
The children hurriedly chased the yellow butterfly and flew into the cauliflower and were nowhere to be found.
The children ran in a hurry to catch up with the yellow butterflies, and the fluttering yellow butterflies ran in all directions, high and low, and flew into a large golden rape field by the roadside in a panic; And the children suddenly stopped at the edge of the field, and saw the yellow butterflies flying on the rape flowers, and disappeared in the blink of an eye.
The last two lines of the poem form a sharp contrast with the first two lines of poetry. The static depiction of the small-town environment and the dynamic depiction of children's activities complement each other. Sparse hedgerows are characteristic of the countryside. Falling petals and new leaves are characteristic of the early spring season; It is also a metaphor for the early spring of human beings. The poet's meticulous observation of children's lives and his in-depth understanding of children's mentality are expressed in the last two lines of the poem, forming a vivid and varied picture. Children chase after yellow butterflies, what a warm atmosphere; Butterflies flutter, up and down, both in terror and in terror, as if deliberately to tease children. Suddenly, the picture freezes, and the child stops at the edge of the rape field. What a sensible child! What a lovely child! The cauliflower bush is like a yellow lake, and a group of yellow butterflies flew in, and gradually, a little bit of yellow merged into a piece of yellow, "nowhere to be found". How do children feel? The indescribable melancholy leads to a trace of sweet joy in the poet's heart.
"Suxin City Xu Gongdian Two Songs" is very well written. The first song "Spring is in the willow tops", how poetic it is! How touching is the poet's love for the country! It can be read as an aphorism. The second song has spread much more widely than it. What's with? Food for thought. In fact, the reason lies in the last two sentences of the second song. The scene is concentrated, the image is vivid, children, yellow butterflies, and cauliflower give people endless enjoyment of beauty.
The column "Teacher Wang Says Poetry" was selected for the Toutiao Qingyun Plan Quality Graphic Award.
Wang Yizao is a professor at Nanjing Xiaozhuang University, a scholar, poet and calligrapher. Born in Suqian, Jiangsu Province in 1942, he graduated from the Department of Chinese at Nanjing Normal University (now Nanjing Normal University) in 1963. He has successively served as a Chinese teacher at Nanjing No. 3 Middle School, the director of the Nanjing Teaching and Research Department, the director of the Education and Health Department of the Nanjing Municipal Committee of the Communist Party of China, and the vice president of Nanjing Institute of Education. Wang Yi studied calligraphy since childhood, and later studied under the famous calligrapher and calligraphy educator Professor Shen Zishan, focusing on Wang Xizhi's "Sacred Religious Order of Collecting Characters" and "Lanting Collection Preface".