We then introduce Wen Zhengming's landscape paintings.
Ancient wood cold spring figure Ming Dynasty Wen Zhengming
The picture of pine trees and cypress trees growing on each other, cypress tree branches are coiled, branches are scattered in all directions, pine poles are straight and leafy; mountain stones are layered on top of the painting, and a waterfall falls from the top of the mountain, like a white practice dazzling. The whole picture is more complicated, but the painter draws the layers of the scenery with sophisticated brush and ink, and a waterfall in the back makes the picture more refreshing.
Qianyan Jingxiu Figure Ming Dynasty Wen Zhengming
In the picture, the heavy mountain is flying down, the two people sit opposite each other under the tree, and a child is next to the piano. The color is gentle and elegant, and the pen is elegant. The frame paper is narrow and long, and the composition overlaps and is complex. Zheng Mingnian made such paintings in the next year, and the late Wu school was also influenced by this.
Yu Yu Chun Shu Figure Ming Dynasty Wen Zhengming
The picture shows that the slopes of the creek are stacked and the flat banks are uneven. In the distance, a towering peak is flat and steep. The pine forest under it, looming in the light smoke, covers the scenery after the rain. The pen is extremely meticulous, and the brush of painting trees is quite naïve.
Xishan Qiuji Figure Ming Dynasty Wen Zhengming
Jinshan Tu Ming Dynasty Wen Zhengming
The image of the golden mountain in the middle of the water matches the poem copied above, highlighting the immortal mountain attribute of the golden mountain.
Turquoise GaoShitu Ming Dynasty Wen Zhengming
This picture depicts the scene of the painter and his friends visiting Wuxi Huishan Mountain, tasting tea and drinking tea, chanting and singing. There are four characters in the picture, two people sitting on stones and talking for a long time, two little children boiling tea on the side to serve; four or five ancient trees in Cangjin, with lush branches. This painting uses the small green painting method, and at the same time pushes the green landscape painting of the Ming Dynasty to a new pattern.
Snow landscape map Ming Dynasty Wen Zhengming
Pictured mid-winter scenery, mountain peaks, tree leaves only branches, everywhere covered with mist and snow. Nearby, the surface of the river should have turned to ice, and across the river was a bridge, and a pavilion on the side of the bridge, a big man wearing an orange coat and a black turban on his head staggered forward. In the valley in the painting, everything is silent, in the white world, there is a mood of time stillness.
Qiao Lin boiled tea scroll Ming Dynasty Wen Zhengming
Panasonic Guanquan Figure Ming Dynasty Wen Zhengming
In the picture of the pine shade, the two men sat across the creek, waving and talking, a child came from the pine with a piano, the cliffs were majestic, the steepness was exposed, the pen gesture was strangely collapsed, and the pen was powerful. The pine forest is tall and handsome, and the pine needles are overlapped randomly, and the thick ink is pointed twice with thick and light ink, and the thickness is seen in the yatang.
Youjian Mao foot figure Ming Dynasty Wen Zhengming
The picture depicts deep mountains and streams, and Coats is full of dirt. The mountain stone method does not make a strange brush, slowly wiped out, the leaves on the cliff are all dyed with a fine pen, and the whole width is clear and dusty, which makes people feel refreshed.
Return to the picture volume of the Ming Dynasty Wen Zhengming
Pictured chrysanthemum lake stone, pine green bamboo. The pen is old and spicy, and the knot is full of meaning, which is the work of Wen Zhengming in his later years, and the cursive writing after the volume records Tao Yuanming's return to resign. It can be seen that the chrysanthemum of the picture scroll refers to the poetry under the eastern fence of the Yuanming Chrysanthemum.
East Garden Picture Volume Ming Dynasty Wen Zhengming
In the picture, the Banqiao bridge is across the babbling stream, the green pine and green bamboo echo each other, the lake stone is sparse, the green trees are shaded, and the pool water is blown by the breeze, and the ripples are rippled. The two scribes on yonglu road walked and talked, followed by the piano boy; the four people in the hall were concentrating on appreciating the paintings, and there were children holding several scrolls of calligraphy and paintings standing at the table, and the two people playing against each other in the water pavilion looked leisurely and comfortable. It is a kind of garden painting that was popular in the Wumen school,
Huishan Tea Party Diagram Ming Dynasty Wen Zhengming
The picture depicts a well in the pine forest, the environment is elegant, friends or sitting around the well, or walking in the forest, or enjoying the scenery and talking, the boy boils water on one side to cook tea.
Lin Xie Sencha Diagram Ming Dynasty Wen Zhengming
This volume is a volume of garden sketches painted by Wen Zhengzhong to his student Wang Guxiang, with a gentle and quiet beauty with a pen, and the composition of the creek and mountain is deep. It reflects the author's literary elegance.
True Appreciation Jai Tu Scroll Ming Dynasty Wen Zhengming
There are two painted huts, and there are several cases in the left room, and books and scrolls are placed on the shelves. In the middle room, two old men sat facing each other, leaning on their right, and two children in a separate hut on the right seemed to be cooking on the fire. In the distance, the mountains are continuous, surrounded by bamboo and pine trees, and high ancient juniper trees.
Gu Songtu Ming Dynasty Wen Zhengming
Horizontal scroll as an ancient pine, do the dragon flip the momentum, with a sharp pen, pine needles to learn Guo Xi's painting method, to get the real state of the old pine.
Huxi Caotang Figure Ming Dynasty Wen Zhengming
This picture depicts the Huxi Caotang of Shen Tianmin in Wuyi, on the water side of a mountain stream and lake, with many houses, trees, beautiful scenery, and quiet leisure. Nearby, two or three grass halls were built near the lake, and the hosts and guests in the hall talked very happily, and the two children in the hall next to them were busy making tea. Technically, the mountain stone is slightly smeared with thirsty pens, and the light and shade are shown with moss, showing the tranquil environment of the grass hall and the quiet artistic conception.
Taoyuan QingjinTu Ming Dynasty Wen Zhengming
The long scroll depicts the scene of the Taohuayuan Chronicle of the Boatman asking for directions and witnessing the leisurely life in the countryside. In the picture, green trees surround the village, and hills are interspersed with them; three or five small friends in the house drink tea and talk about the past and the present, the women downstairs ask for directions with children, and the stream in the village is babbling, and the scenery is beautiful. The thickness and rotation of the lines on the technique are varied, and the ink color is thick and wet, and the layers are rich.