【Editor's Note】
The light of The Mindu passed on the torch.
On March 24 this year, General Secretary Xi Jinping came to Fuzhou Sanfang Seven Lanes to inspect, listened to the introduction of the protection and restoration of Fuzhou Ancient House and Sanfang Seven Lanes, and also inspected Nanhou Street and Langguan Lane on foot to visit Yan Fu's former residence. General Secretary Xi Jinping has repeatedly stressed that it is necessary to "let history speak and let cultural relics speak" and "let the cultural relics collected in the Forbidden Palace and the heritage displayed on the vast land come alive."
This year, the 44th World Heritage Conference will be held in Fuzhou. It is imperative to protect the historical and cultural heritage, retain the cultural roots, keep the soul of the city, build the international brand of Mindu culture, and consolidate the cultural foundation for accelerating the construction of a modern international city.
To this end, "Minsheng" magazine launched the "Qingfeng to the Deceased - The Ink Of Fujian Celebrities in recent times", which is the physical evidence of the Collection of Fujian Calligraphy and Painting, more than 40 famous artists old ink, 200 pages and 200,000 words, more than 100 pictures, involving the late Qing Dynasty and the Republic of China academic circles, political circles, business circles, calligraphy and painting circles, collection circles, religious circles, education circles, literary circles and other fields, with historical and artistic value that cannot be underestimated.
This book is a monograph on Mr. Lan Ruo's calligraphy and painting collection, involving many knowledge sections such as original works, interpretations, small notes, examinations, appreciation, and reviews. We will continue to publish the wonderful content of "Qingfeng To the Past - InkBlot Talk of Fujian Celebrities in recent times", return to the "old bright moon" with you, touch those words with history, temperature and interest, and appreciate the profound and profound spiritual outlook of Fujian culture.
He Zhendai (1867~1952), Zi XinHe, Mei Sheng, Late Mei Shuo, Jue Lu Old Man. He lived in Houguan of Fujian (present-day Fuzhou), whose ancestral home was Fuqing Nanhua.
In the twenty-third year of the Qing Dynasty (1897), Shen Yuqing (Son of Shen Baozhen), the envoy of Jiangxi Province, hired him as a copywriter for the clan office. After the Republic of China, he was hired to revise the "West Lake Chronicle" and participated in the compilation of the "Fujian Tongzhi". He is the author of "Juelu Poetry Grass", "My Spring Room Anthology", "Rongnan Dream Video" and so on
He Zhendai's "Mei Shuo Old Ink" fan page Ink on paper
The name of Rongyuanfang Lane has long been polished in people's reputation. In Yu's impression, Yijinfang is like a new branch of Yuanlang who has to enjoy the golden clothes and jade food, Guanglufang is a family of officials and eunuchs who hold heavy and has no lack of style, and Wenrufang is an old literati who is indifferent and proud, Ning and Peaceful.
The green and quiet stone path leads Yu into the depths of Wenrufang, and the two long and high walls of wind and fire become more and more mottled in the sunset, with the breath of vicissitudes.
Daguangli is a branch alley between Wenrufang and Guanglufang, the alley is small and quiet, and it is a place where literati gathered in the past. Standing in front of the gate of No. 21 in Daguangli, under the ancient eaves lintel, this was once the residence of He Zhendai, a famous scholar of the Republic of China, in his later years. Diagonally opposite is the former residence of Chen Yan, He Zhendai admired the old man of Shi And specially bought a house as a neighbor. Both of them are good at poetry and literature, and they both feel sorry for each other, sitting on each other day and night, presumably there must be endless topics.
He Zhendai's poems are valued by the world, and sometimes there are 32 poets in the "Commentary on Poetry of Close people", He Zhendai ranks 10th, commenting: "He Meisheng is like a beautiful person in the empty valley, speechless and leaning on bamboo", which is unique in the "same light body" Min school.
This "beauty" in the poetry world, the style of poetry and literature is deep and distant, distant and quiet, and he can also play the piano, be good at calligraphy and painting, and be extremely elegant. At the beginning of the opening of the pond lotus, he set up a tea flower room, cooked and drank next night, and had a poem: "Occasionally take the small dragon ball, wrap it in a new yarn sac." When the pond lotus first blooms, it is a room of dense flowers. After being exposed by the wind, boiling water Shu flag gun. It is said that tea is not tea flavor, flowerless and floral. Trance like a thousand hibiscus, transformed into my liver and intestines. Zun Sheng thought about the Tao, but the grain of Xi Xian Fang. A small sip of flowers, a scoop of heavenly pulp." When the plum blossoms were in full bloom, he drank in the pavilion in the center of the lake and gave a poem: "The boat people carry wine to the people, and the green mountains and persuade the guests." The cup is empty and the flowers are unknown, but the pulse is affectionate. The cold in the heart of the lake has turned high, and the lake is light. The number of return boats is reviewed, and the smoke and shadows are haunting."
He Zhendai loves Mei Ailan and always chants: "The sound of the horn is still frost, and the fragrant stone path outside the wind is desolate." Not as good as the former Shu Su Calyx, the plum blossom has hatred leaning on the red wall"; "But the dew is not stained with dust, cherishing the jasper body before the wind." Jun looks at the hundred flowers are cute, what is the reason for the words to Lan? The only cold spring shines on the heart, and the Xiangshui water is not dusty. Letters on the left and on the right are the lingjun generation." His poems, clear and beautiful, do have a sense of dust!
He Zhendai and his fifth son, He Dunren
In his later years, He Zhendai returned from Beijing to Rong, and sent a message to Wen Rufang Daguangli, "a moment of bridesmaids competing to worship the door wall" - Ye Kexi, Wang Deyan, Liu Yu, Wang Zhen, Wang Xian, Xue Nianjuan, Shi Bingzhuang, Zhang Suzheng, Hong Shouzhen, He Xi, etc. successively studied poetry under He Zhendai' door, and held poetry meetings regularly every month.
He Zhendai loved plum blossoms, and in his later years he called himself "Mei Shuo", and planted two plums in his former courtyard, one red and one white. In 1943, his wife Zheng Lanping (the great-granddaughter of Lin Zexu) died, and Hongmei died; in 1952, his husband died, and Baimei also died. He Zhendai likes to paint things, often using Mei as the theme to praise Qiankun Qingqi and express his lonely and pure literary feelings and moral ethics. The poet guan mei painted mei, turned thousands of thoughts into the exquisite pen and ink of his hands, and sprinkled intellectual spirituality with affection. He cherished mei and painted mei, in fact, he cherished himself and wrote himself, meaning to be sincere, making the painting super charming, and the atmosphere of the book overflowed the paper.
He Dunren's "Hanjiang Returns to the Boat" album color on paper
As he said in the Collected Poems of My Spring Room: "Although I have no painting knowledge, I have a slight painting posture. Self-written painting outside the meaning, real painting chest poetry. I am poetic and sexual, with joy and sorrow. "The poem contains a pictorial meaning, and the poem is a painting." Knowing that poetry comes first, it is better not to paint poetry. Hong (Liangji) Sun (Xingyan) does not speak of painting, and can write poetry. This talent is the same, and the root is in elegance. ”
Mei Shuo's poetry throughout his life, calligraphy and painting for its style and pleasure, but its high personality, which makes today's opportunity to see his works is also small, his authentic works in the market a little appearance, it is cherished by the knowers. Living in the noisy and chaotic moment, Yu Xin still yearns for the green curtain wine and the red sun to enjoy the flowers, although he was born a hundred years late, he admires Mei Suo. Perhaps related to Mei Shuo, over the years have successively collected his pieces of zero notes. When the night is quiet, Yu quietly observes these collections in the study alone, such as making friends with the old lord, "and there is calligraphy and painting music, but no insults and shocks", there is such a joy in life, what does Yu Fu ask for?
He Zhendai", "Abstract of Mustard Boat Painting", a copy
Press: Shen Zongqian (1736-1820), character 煕遠, no. mustard boat, Zhejiang Wuxing people. With calligraphy and painting all over Wuyue, Ya bears fame. He is the author of the "Compilation of Paintings on the Study of Mustard Boats", denouncing folklore and expounding the Fa-rectification, which is enough as a guide for painting the Tao
He Zhendai's "Old Mei Yi Yi In the Snow" is draped in paper and ink
He Zhendai "Zhendai Painting Seal" (Wang Fu'an Zhiyin)
The two paintings of Mei Shu Mo Mei collected by Yu, judging from the pen and ink, one is composed by him in his early years, the painting style is clear and ethereal, and it is very charming; the other is his later works, titled "Lao Mei arbitrarily opens in the snow" sentence, signed "Jue Lu Old Man He Zhendai System", the poet has entered the twilight year at this time, with Lao Mei's own draft, his pen and ink are becoming more and more vigorous and wanton. Although the two works have a large time span and different pen and ink, the artistic conception and style of the works are the same, and they are all seen in the elegance of qing rhyme, the abundance of plum blossoms, and the ice and jade on the paper. Mei Shuo's calligraphy is elegant in style, and it is deeply charmed and beautiful by the Wang and Chu families, and has a strong atmosphere of books. It can be seen from the manuscript of Yu Collection's excerpt from Qing Shen Zongqian's "Mustard Boat Painting" that his calligraphy is clear and smooth, his pen gesture is strong, his charm is super easy, and he expresses his ancient qualities in the beauty of Mingli Yan, and his qinggang and confident personality is revealed between the lines.
He Zhendai was famous and had many anecdotes, and it was worth mentioning that Wu Shi had learned poetry from Mei Shuo: Wu Shi, the character Yu Xuan, and The Number Zhanran, a native of Luozhou, Fuzhou, was then the director of the History and Political Bureau of the Ministry of National Defense of the National Government, the deputy director of the Fuzhou Appeasement Office, and the deputy chief of staff of the Ministry of National Defense. From 1922 to 1924, he studied classical poetry under He Zhendai and wrote "East Journey A Draft" and "East Journey B Draft". He Zhendai wrote a preface to praise: "Yu Lanjun poetry, clear bones and clean language, reading things and writing scenes, all have a heart, and the Prancing Horse is horizontal, and the sad song is generous." It is especially invincible to the feeling of the rivers and mountains of his homeland. Before and after the liberation, Wu Shi provided our party with a lot of valuable information, and in March 1950, he was arrested and sacrificed, and before he died, he wrote a magnificent verse "With a heart of a general, Izumi shimasa can be compared to me" heroic poem. In 1973, General Wu Shi was posthumously recognized as a revolutionary martyr. Before his death, Zhou Enlai talked to Luo Qingchang and talked about the old friends of the CCP in Taiwan, one being Zhang Xueliang and the other Being Wu Shi. General Wu Shi is widely believed to be the prototype of the male protagonist of the TV series "Latent" Yu Zecheng.
Wu Shishi's poems are inkblots
He Zhendai and his disciple Yaji (Wu Shiju, first from the right in the back row)
Source: Minsheng Media