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Appreciation of ancient paintings: Ming Wang's "Autumn Forest Drunken Return" (HD)

author:A masterpiece of purity
Appreciation of ancient paintings: Ming Wang's "Autumn Forest Drunken Return" (HD)

Ming Wang Qiu Qiu Lin drunken return figure vertical axis coloring paper

【Appreciation of works】

Wang Fu (1362-1416), also known as Mengduan, nicknamed Jiulongshanren, played a pivotal role in the early Ming Dynasty painting world. He is good at painting, poetry, articles, calligraphy are exquisite, there are "Youshi Sheng Collection" passed down. His paintings are mainly based on landscapes and bamboo stones. Because he was born in Wuxi at the end of the Yuan Dynasty, he can better study the "Yuan Four Families", integrate the ancient and the present, and form his own unique style. Landscape and water both Wang Mengyucang's style and Ni Zhan's distant artistic conception, its painting brush has two kinds of simple and traditional, the complex pen mainly learns Wang Meng, Wu Zhen, like a phi ma, lotus leaf, more use of the center, the line is long, the turn is flexible and natural; the stick pen is derived from Huang Gongwang, Ni Zhan, more biased dry pen, rubbing and rubbing. His works are quite highly valued by later generations and have a certain influence on the "Wumen School", Wu Kuan, Shen Zhou, Wen Zhengming, Dong Qichang, Wang Shizhen, etc. have all appreciated and inscribed, such as Wen Zhengmingyun: "Mr. Youshi's paintings are above energy, and the critics say that the morale of writers is ready." Wang Shizhen gave a higher evaluation: "Meng Duan is in Xuande, and the sound price is no less than that of the Yellow Crane Mountain Tree." Dong Qichang said: "The national dynasty painted bamboo, and Wang Zhongmi was the founder of the mountain."

Appreciation of ancient paintings: Ming Wang's "Autumn Forest Drunken Return" (HD)

Part of "Autumn Forest Drunken Return Map"

According to the "History of Ming", he "did not paint meticulously, toured the country, drunk and held the pen, and the long corridor was dripping with plain walls." It can be seen that he does not paint easily, and likes to drink until he is drunk and paints. In the upper right corner of this frame "Qiulin Drunken Return Map", Wang Fu's self-title: "Qiulin Drunken Return Map." The sound of social drums is wild, and the life of Li Shule in the good years is enjoyable. The Maple Forest Dragon People first dispersed, and the huts were difficult to cry for a day. The old man's cup was full of tinctures, and the children clapped their hands and laughed. The most merciful yellow calf can know the Lord, and the return road is not afraid of credit. Kowloon Mountain man Wang Fu. Inferred from the title and the recognition of the model, perhaps the real scene after the painter's drunken return, Wang Fu recorded it with a paintbrush and presented the appearance of the work. It is a picture of a drunken man riding on a calf, waddling slowly forward, maple trees and trees are staggered, different postures, sparkling water, thick and firm slopes, or long cloaks, or cirrus clouds, or raindrops; a hut in the middle is located in the mountains, behind the house, behind the back of the mountain, surrounded by miscellaneous trees, the environment is pleasant; the distant mountains are stacked on top of each other, towering into the clouds, the clouds are swirling, ethereal, majestic but elegant. The whole picture not only shows the lushness, thickness and density of Wang Meng and Wu Zhen, but also does not lose the sparseness, beauty and simplicity of Huang Gongwang and Ni Zhan.

Brief Introduction of the Inscriptionist

Du Qiong, Ming Dynasty painter, character Jia, number Luguan Daoist. Known as Mr. Higashihara. A native of Wu (present-day Suzhou). Shanshui Sect Dong Yuan, the precursor of the Wumen Sect. Also worker characters.

Xie Jin, Ming Dynasty painter. Yi Zuo Jin, the character Kong Zhao, the number Kui Yin, the self-proclaimed Xie Dieshan, also known as the Deep Cui Daoist, Lan Tingsheng and so on. A native of Wu County (present-day Suzhou, Jiangsu), he lived in Jinling (present-day Nanjing, Jiangsu) for more than 20 years.

Shen Zhenji, Uncle of Shen Zhou, pioneer of the Wumen School. A masterpiece of chastity. Nan zhai, also known as Taoran Daoren, a native of Changzhou (present-day Suzhou, Jiangsu), Dong Yuan, a landscape master, and Liu Tingjue.

Shen Juechu, Jiaxing people, Wu Qiuqiu into the room disciple, the first name Jue, the name of Rong Tengzhai, shanshui, Dewu QiuQiu pen meaning, Cang Xiu Hun Gu, qiu yu yuan. He is also proficient in carving purple sand pots, and is good at carving bamboo, and is a famous hand in recent times.

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