The film "Soul on the Leather Rope" is being screened in theaters across the country, and as highly anticipated as the previous release of "Kailash", it is also directed by Zhang Yang, which is also a theme that directly confronts ethnic minorities, but the direction of the film, the development of the story and the discussion of human nature have their own advantages. Under the vast expanse of the sky, the man who came back from the dead, the girl who dared to love and hate, and the dumb boy with the ability to have a premonition, three seemingly unrelated people, formed a wonderful combination, through a difficult journey of search and redemption, experienced the test of life or death, and faced the deeper sin and punishment in human nature. In the film, whether it is the tyrannical Tabe, the hate-for-life Guo Ri, the magical mute boy Pu, or the soul-seeking writer Ge Dan are impressive, and the shepherd girl Joan played by Qu Ni Tsering gives the character more expressiveness and becomes the key figure leading the development of the plot.
Joan, the heroine played by Qu Ni Tsering, is a Tibetan girl who lives by herding cattle and sheep, doing monotonous work day after day, has long been bored with life, wandering between dull and persistent or outing difficult choices, with the arrival of the intruder Tabe, Joan strengthened her inner belief, entered the desert area alone, pursuing the freedom and ideals in her heart, as well as the hard-won love, and what awaited her was from emotion, spirit, Multiple tests of will and other aspects.
Joan, played by Qu Ni Tsering, has her own firm and unique view of love for love. Joan appears to be a "silent lamb" on the surface, and when love knocks on the door, her inner reason and emotion collide violently, and her desire for love jumps to the screen, transforming into a beast that pursues love, which can be said to have a tiger sniffing roses. You can walk the end of the world for love without hesitation, even if you go deep into the barren land alone for half a month, you are a strange woman who fights for love and bravely breaks through the end of the world.
Joan's words are not much, but every sentence can be said at a point, and she is a very assertive girl who can judge the situation. She did not blindly or blindly follow, and never fought unprepared battles. Although it is a solo outing, but the equipment is calm, from blankets, food and other necessities, to pots and pans and other guys, everything is available. On the waist is a long leather rope, on which is densely tied one after another buckle, the leather rope is used to calculate the number of days, a buckle represents a day, which is also the origin of the "soul on the leather rope".
At present, actors are roughly divided into two categories, one depends on appearance, the other relies on acting skills, but Qu Ni Tsering seems to be incompatible with both, belonging to the kind that can obviously rely on appearance but rely on acting skills. The roles played by Qu Ni Tsering are quite broad, Tibetan girls, art seller girls, royal favorite concubines, etc., both young and immature roles, and there are two roles of conveying the gods. It can be said that Qu Ni Tsering has been playing different roles to polish his acting skills. With the improvement of acting skills, Qu Ni Tsering's control of the role has its own way and method, and the performance of the role is more and more from the heart, free and relaxed, so that the audience can feel the different understandings from the depths of the heart, and joan in the film is a typical example.
As the acting director of the film, Qu Ni Tsering undertook most of the emotional scenes. There is love at first sight with Beta to go to the end of the world alone for love, and there is also a long journey with Pu at first sight. On her face there is not only youth and beauty, but also perseverance, bravery and hope. A "Soul on a Leather Rope" seems to open a door to the depths of human nature, and Quni Tsering is the most intuitive feeling behind this door, Joan is so, And Quni Tsering is even more so.