Some people are destined to live together, and they can only live together.
Korean film and television dramas seem to have a characteristic, the male and female CPs of TV dramas are always envied, and the most attractive in movies is often "male CP". The man here is not a same-sex love, but through two elaborate same-sex roles, to give the audience more thinking about society. Because of this, Korean movies generally have profound social significance, and today we will talk about the movie starring Shin Ha-kyun and Lee Kwang-so - "My First-Class Brother".
The plot of "My First Brother" is very simple, that is, the story of a disabled brother and an intellectually disabled brother who support each other to face life together. At first, the two got along very difficult, but as time went on, the brothers became more and more tacit, and the audience once recognized the film with mixed laughter and tears. But in the end, with the arrival of the younger brother and mother, the whole movie was divided into two parts.
Many people think that "My First Brother" is very similar to the American movie "Untouchable", which is a bit one-sided. The two people in "Untouchable" show more of a gap between superior and subordinate status. This is completely inconsistent with the social status of the East Ninth and Shihe Rivers. "My First Brother" is more about the story of two people huddled together for warmth. Physiologically, the two are really weak, weak to the point of being vulnerable to falling leaves, but from the emotional connection, they are very strong, strong enough to survive more than ten years of difficulties with faith and love. This contradictory contrast elevates the film from the original healing film to a higher level.
The feelings of the movie Middle East Jiuhe and Sehe inevitably make countless people moved, but blindly warming and earning tears is not the way Korean movies often follow. If you only care about being moved by the plot, then 80% of this movie is also in vain. A combination of a middle-aged man who is completely paralyzed from the neck down to the neck and an "adult" with an IQ of only five years old will be difficult to walk in any society. The film is also through such a role setting, to express a kind of social helplessness.
In the end, Dongjiu, persuaded by Se-ho, returned to his original home, but this was mainly because he felt that someone would push the wheelchair for his brother instead. When he saw the lonely shihe again, the concept he had established collapsed in an instant, and he resolutely returned to his brother. Behind this, a profound question arises: should a child who has been separated from his original family for many years still choose to return?
While we are happy to find a mother and harvest mother's love for Dongjiu, we will ignore Dongjiu's own thoughts. A disabled person who misses his parents all the time finally forms a new family with another person. In his heart, The unrelated Shihe was his relative, but he had to be brought back to "reunite" with his nominal relatives, how could this not be cruel to him? In Dongjiu's growth, his "family" has never participated, and his feelings for his original family have long faded, to put it cruelly, even if he comes home, he is only faced with a bunch of seemingly close strangers.
This also reflects the current phenomenon of family searching, the sincere feelings of family reunion on stage, what will be left after the tempering of the new life? How will the person balance their family and emotions? These questions, which have no answers, are not something that a movie can say clearly.
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