Lake Mountain Escape, 82x42cm Color on Paper, 2016
Green and green are neat and tidy, easy to customary; can have morale, rare.
Looking back at the classics, the traditional green is always gorgeous. Literati painters are innocent and naïve, and this poetic perched on the color of the chapter, the longer it is renewed.
Wu Zhao, Dangzhou Lake Smoke Zi Chang Shen, 34x68cm Sheng Xuan Qing Green 2016
"Take the law, take it, only get it." The I Ching says so. The university of Chinese painting asked, a beginner has found it difficult to get on the roots of the ancient law of tunneling. That is, to settle down in this way, he will tirelessly seek up and down. From the traditional concept, contemporary painting is enriched.
I'm at the age of liking five colors. Chinese painting is also known as Danqing, stone blue stone green is the most typical representative of the color of the landscape, cinnabar and ink color represent the national color, ochre, flower blue, is the literati will be the symbol of heaven and earth as the symbol color, the more ancient the more modern.
Wu Zhao, Lake Runaway, 35x68cm, 2016
"The division of color is called painting". In particular, the ancient classic green landscape, a piece of seiko rich, jasper green Yao, very poetic perched color. This elegant and very bookish color can bring a modern atmosphere from tradition, that is, it is ancient and fashionable, and there is an aesthetic resonance of the power of the flood, and good Gu Minqiu will pursue it.
Wu Zhao Jia Shan Qiu 35x68cm 2016
Since ancient times, Chinese painting has always been practiced with the philosophical idea of dialectical unity. As the ancient sage couplet said:
Loutai Jinbi General Painting,
Mizuki Kiyoshi's poems.
2016 White clouds on the ridge 60x45cm Green on paper 2016
Golden landscape, seiko rich, jasper Green Yao brilliant poetry. Jin Bi is on top of the green, and gold is applied to the slope stones, trees, buildings, and water patterns, which increases the magnificent decorative effect and shows the prosperous grand atmosphere. Green is based on writing ink painting, with light color as the concept, and then superimposed several times according to the texture structure of the very light stone blue or stone Lu, that is, transparent and thick, that is, quaint and modern. Sheng Tang used green as the mainstream painting, and the best pigments were used in landscape painting.
Green landscape is a traditional form since the Eastern Jin Dynasty, through Gu Kaizhi's "Luoshen Futu", to the ancestor of Tang painting Zhan Ziqian "You Chun Tu", and then to the Sheng Tang Zuo Wuwei big and small General Li Father and Son pushed to the peak. "Using golden bihui as a family law". Li Sixun is mostly high and far-reaching, the clouds are ethereal, and he sees the things of the gods and immortals, and the shadow of the rocky mountains. The history of painting is attributed to the ancestors of the Northern School.
Wu Zhao Autumn Color on the Lake 45x98cm Raw XuanQing Green 2013
The literati painting Zu Wang Youcheng (the prime minister's assistant Right Cheng was in charge of the three departments of soldiers, criminals, and workers), and his representative work "Yuanchuan Tu", follow-ups Such as Youduo, Guo Zhongshu, Qiu Ying, Wang Yuanqi, etc. are repeatedly chanting. Wang Wei's Pingyuan schema is open, grand, flat, deep, three views and rich experience and learning, which determines his emotional mood of pursuing pingyuan, nature, leisure, humility, and indifference in literature and art. Among his poems, there are paintings and paintings, poetry and painting are zen, and the ancestors of literati paintings.
The common feature of mainstream Chinese painters throughout the ages is that they are scholars. Outside of the office, Shihan dyes and paints, and the ancient written language is called "戾家". The works of ancient Chinese painters with high personal cultivation and aesthetic value, with the ideological realm as the victory, the most important thing is that the theoretical system is complete and the context is continuous.
Wu Zhao Yonghe Wind Flow 60x45cm Green on Paper 2016
The paintings of the Royal Academy belong to the paintings of writers, the system of the courtyard is complete, their skills are very good and the painting theory is less, and many skills cannot be verified. When he arrived at the Northern Song Dynasty Huizong Royal Painting Academy, Wang Ximeng, a painting student at the age of eighteen, became a model of "A Thousand Miles of Rivers and Mountains".
The brothers of the imperial family Zhao Qianli (Zhejiang Terracotta Warriors and Horses) chased after Li Sixun's father and son, inheriting the family law of their father Zhao Danian, "having morale in addition to work extremely", which is extremely rare. His noble identity temperament and the family origin of the literary and elegant celebrities at that time and the ancestors and Su Shimi Yuanzhang and other literati painters, Zhao Boju's paintings injected a rich literary temperament and poetic ideals. The rigor and richness of "Green Seiko" combines the dashing nature of "literati ink opera" to produce a new type of green landscape with extreme Fuji atmosphere and poetry. His masterpiece "Autumn Color Scroll of Jiangshan" perfectly interprets his aesthetic ideas, and the picture presents the light and frozen stone, which makes people suddenly have the poetic association of "the mountains are like green, the smoke is green, the separation is at first, or the gathering or scattering is uncertain". It silenced me and looked back for a long time.
Please enjoy the following works on your phone landscape
Wu Zhao Mu Ji Qianli 34x136cm Sheng Xuan Jin Bi 2016
The Southern Song Dynasty relics painter Qian Xuan, Shi Wang Wei, Zhao Boju, You Jing morale golden landscape, indifferent and broad, open and peaceful, character and paintings are praised at that time. Inheriting the literati painting theory of Su Shi and others, advocating morale theory, and advocating the painting of the Jia family. He advocated the "morale" of painting, and inscribed poems or words on the paintings, which sprouted the distinctive characteristics of literati paintings that closely integrated poetry, books and paintings. Qian Shunju is good at copying the seal, and there is the "Qian's Seal Spectrum". Zhao Mengfu was trained by Qian Xuan. Since the Ming and Qing dynasties, most of the pictures have been in the shape of Jiangnan, and the school is far away.
Looking back at the lake and mountains, the letter is the beauty of the southeast, and the exhibition rank looks at it, and it is all viewed as such.
Wu Zhao Qiushan Jinbi 138x35cm Sheng Xuan Jinbi 2016
In view of this, ancient Chinese painters had an underlying cultural instinct to use poetry and calligraphy to show their cultivation and express their ideas. Or practice the Zen realm, or practice the metaphysical thought of Lao Zhuang and take refuge in nature. Dasheng, inaction, sitting and forgetting, materialization, communicating with nature, and achieving tacit understanding. At the same time, show their own spiritual views and social values.
I like Wang's poems and paintings are clear and zen. Zhao Boju's seiko is elegant, quiet and deep, and the size is thousands of miles. Qian Xuan's literary reputation is morale and openness. as well as Wang Yuanqi's Wang Yanghong's green painting and work "Rain Window Manhua Pen" in the Qing Dynasty.
Wu Zhao Hermitage Figure 24x138cm Sheng Xuan Jin Bi 2016
The classics of the past, looking back from time to time, the paintings passed down from generation to generation are too vast, and I hope to be able to get a little nourishment, inherit and develop to my own era, and still be fashionable and elegant. Due to my personal preference for classic literary and artistic works, I am currently more pursuing resonance from commonality with sincerity. Era painting has never lacked personality, and for this stage of my study tradition, I have a self-authentic Taoyuan dream.
Walking in the wind of the subway, it is as if you are traveling through time and space, close your eyes, and look back, thinking that the beauty of the lake and mountains is in your heart.
"Looking back on the lake, the mountains are green and white clouds."
Write on the road.
Wu Zhao
Wu Zhao, born in 1987, is a young Chinese painter. It is painted in classical landscape paintings and flowers. He is good at seal carving, and compiles the notation "Wu Zhao Seal Stone". Living in Beijing. He loves ink painting and has fun.
exhibit
August 21, 2016, Beijing, Su Art Museum, Han Brick Rubbings Calligraphy and Painting Exhibition
June 18, 2016, Xinyang, Xinyang Calligraphy and Painting Institute,
May 29, 2016, Beijing, Su Times Group Exhibition,
January 23, 2016, Beijing, Yonghe Art Museum Art Review Network Annual Exhibition,
On January 11, 2016, Beijing, Qianjitang dedicated to the exhibition of six people,
January 10, 2016, Beijing, To the Youth Exhibition,
December 27, 2015, Beijing, Core Nutrient InvitationAlist Exhibition
December 12, 2015, Beijing, Art Emerging Exhibition
November 20, 2015, Linyi, Foreign Teachers Creation Boutique Exhibition,
January 9, 2015, Beijing, the same is true
December 5th, 2014, Qingzhou, Situational Double Exhibition,
August 2014, Beijing, Runwu silent
July 2014, Dongying, under the Bodhi Tree
June 2014, Beijing, Renmin University Academy of Fine Arts,
January 2013, Beijing, YihuaShanfang Art Museum
In January 2012, Zhengzhou Art Museum, "The Remembrance of Fishing Tree Cultivation Reading" won the Excellence Award of the 16th Newcomer New Works Exhibition.
In October 2010, Henan Provincial Art Museum, second prize of the Department of Culture of "Book Series".
-end-
Special thanks
Young painter Mr. Wu Zhao
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