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Appreciation of WenzhengMing Landscape Painting (Part 1)

Wen Zhengming's original name was Bi (or Bi), the character Zhengming, from the age of forty-two, with the character line, more character Zheng zhong, the number of Hengshan residents, known as "Wenheng Mountain". Wen Zhengming's poems, texts, books, and paintings are all exquisite, known as the "Four Absolutes", and he and Shen Zhou co-created the "Wu School". In the history of painting, together with Shen Zhou, Tang Yin and Qiu Ying, they are collectively known as the "Four Houses of The Ming Dynasty". In literature, together with Zhu Yunming, Tang Yin, and Xu Zhenqing, he is called "the four talents of Wu Zhong".

Appreciation of WenzhengMing Landscape Painting (Part 1)

Ten Thousand Valleys Controversy Diagram Ming Dynasty Wen Zhengming

This figure is full of paper green, the method is to first dye the light ochre color of the mountain stone, and then leave the ochre color of the stone root, and then the stone green, stone blue, and ink blue (flower blue and ink) color, thinly in order from bottom to top, layered dyeing. However, Wen Zhengming's ingenuity is unique: first, the green and green central tone and light ink, clean and elegant, is no longer as dazzling as the previous big green; second, the stone color is thin, does not cover the ink bone, so it is still the evolution of the early Yuan Zhao Mengfu green coloring method.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Han Lin Tu Ming Dynasty Wen Zhengming

This picture was made by Wen Zhengming when he was seventy-three years old, although it is a dry pen and light ink, but the pen and ink are refined, and the power can carry the top. Compared with the "Cold Forest Bell Diagram" made ten years ago, it is more powerful. The self-title talked about Li Chenghan's forest diagram, and he made it with feeling.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Dead wood sparse figure Ming Dynasty Wen Zhengming

In the picture, the ancient pine is like a dragon, with dry and curved branches, old-fashioned and autumnal; the sparse bamboo is full of green color and clusters. The painter freely writes in a moist ink color, painting the state and beauty of the bamboo trees after the rain and the autumn mood is getting stronger. This picture is one of the works with strong brush personality and poetic mood in Wen Zhengming Shengnian's thick brush paintings.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Gu Bai Gui Que Tu Ming Dynasty Wen Zhengming

There are several ancient trees in the picture, a few trees in the vicinity are densely leafy, and the next few trees seem to have just experienced a cold winter, leaving only dead branches; three magpies on the top of the trees are resting, and the other one is flying towards them, and the friends are chattering, so it is not lively.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Ming Dynasty Wen Zhengming

Painting high mountains and valleys, flying waterfalls and springs, ergaoshi playing alpine flowing water on the guqin in the shade of pine. The use of a clear pen and the elegant color are typical of Wen Taishi. The inscription is small and exquisite, which is a masterpiece of landscape and water handed down by Wen Zhengming.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Imitation of Wang Mengshan landscape map Ming Dynasty Wen Zhengming

The picture depicts cascading waterfalls and meandering mountains and streams. The painting is dense and loose, the meaning is exquisite and traceable, the composition is overlapping and complex, the drawing is orderly, and the layers are clear.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Years of Han Sanyou Figure Ming Dynasty Wen Zhengming

The author writes in ink about the cold three friends mei zhu pine next to the lake stone, standing cold wind, fighting severe frost. Ying wu pictogram, pen and ink Zihua, learning Zhao Songxue and close to Shen Shitian, is the right vein of Wu Men.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Absolutely high and idle figure Ming Dynasty Wen Zhengming

This picture depicts the deep forest shade, the stone wall hanging down, the cold waterfall spring, straight down from the stone, as if the sound of running water can be heard. The two main and guest, one sitting on the platform, one holding a staff is about to cross the bridge; the right side is painted with double pines and double cypresses, staggered and standing, echoing the two men in the painting, symbolizing the friendship of firmness. Looking around, all are trees and stone walls, and the quiet realm has a unique world, and there is really a victory in isolation from the world.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Snow full of peak axis Ming Dynasty Wen Zhengming

Appreciation of WenzhengMing Landscape Painting (Part 1)

Qin He Tu Ming Dynasty Wen ZhengMing

This picture is set up in the color boundary painting heavy building open Xuan, the guest and the host sit in the hall to talk, in front of the court Tong Yin Takamatsu, a crane pecking moss, a boy holding the piano to. The pen and ink are clear and energetic, the color is elegant, and although the pavilion is a boundary painting method, it still maintains the elegant atmosphere of the literati painter.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Visiting friends with the qin Ming Dynasty Wen Zhengming

The picture depicts the scene of the master and servant taking the piano to a friend's house as a guest. The picture depicts a secluded place in the flowing water of the mountain, a hut in a spacious courtyard, and a nearby piano boy and Coats crossing the bridge. This frame is elegantly arranged, rhymed with high rhymes, and the pen is chuchu, indicating its high standard of seclusion.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Mountain villa guest to figure Ming Dynasty Wen Zhengming

The picture depicts a scene of friends coming to visit, the mountains in the distance are undulating, the valley is green, several pavilions are located here, and one person is standing outside the door waiting to knock; the water at the foot of the mountain is babbling, and several people are busy.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Luyin Caotang Figure Ming Dynasty Wen Zhengming

The picture depicts the village surrounded by lofty mountains. On the picture, the waterfall falls straight down and meets at the foot of the mountain; several grass halls are hidden in the green trees of the mountain stream, and one person in the grass hall sits by the window, and a person on the opposite bridge comes to fight, as if two old friends meet each other and promote knee-to-knee conversation.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Ancient wood cang smoke figure Ming Dynasty Wen Zhengming

This picture is Wen Zhengming's imitation of Ni Yunlin's painting method. Nearby ancient wood support, the middle of the mountain in the middle of the spring, there are three rooms under but no shadow, a cold and lonely atmosphere, quite the spirit of Ni painting.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Shulin hut map Ming Dynasty Wen Zhengming

This picture of the cloud forest, the composition is very simple and the pen is very sophisticated,

Appreciation of WenzhengMing Landscape Painting (Part 1)

Tea tasting figure Ming Dynasty Wen Zhengming

The picture depicts a beautiful place with beautiful mountains and clear water, sitting in three or two huts, surrounded by green trees, the water in front of the house is babbling; the bright and neat house is spotless, the two gentlemen sit around the tea table and chat, a child fanned the fire in another room, the mountains in the distance are undulating, and the peaks are towering. The picture is clean and tidy, the layers are clear, and the scenery is pleasant.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Xiqiao Scepter Diagram Ming Dynasty Wen Zhengming

The picture depicts ancient trees and greenery, the valley is quiet, the water on the creek is not happy, one person stands on the bridge, and the staff watches the flow; the mountains in the rear are continuous, and a large area of white space behind the mountain highlights the emptiness of the sky.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Hanlin Feixue Figure Ming Dynasty Wen Zhengming

This picture is a picture of the Poetry of the Tang Dynasty poet Xu Hun "Boat crossing the wild cold wind, the door covers the deep mountain night snow", and with Li Yingqiu's brush meaning, the cold river is lonely, and the snow peak is speechless.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Listen to quantu Ming Dynasty Wen Zhengming

Between the paintings and the sparse forest, a clear spring meanders through, the soldiers sit under the forest and listen to the spring, and the forest is faintly in the light smoke. This pen and ink is clear and elegant, and it has the fun of being concise and far-reaching.

Appreciation of WenzhengMing Landscape Painting (Part 1)

Wind and rain return to the boat figure Ming Dynasty Wen Zhengming

This picture depicts a small boat tied to the side of the dense forest water pavilion, coats have returned to the hut, the distant mountains with rain, the hanging waterfall is high, and the valley is full of smoke and clouds.

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