Ming Dynasty calligraphy everyone Wang Duo, 19 heirloom books for the expansion of the appreciation, netizens: comparable to Wang Xizhi's Ming Dynasty calligraphy wang Duo 19 paintings of the heirloom books for the expansion of the appreciation: the introduction of the book: written at the end of the article:

Wang Duo's calligraphy, which is a master of influence on China cultivated by the Ming Dynasty, is superb. Some people say: Zhao Mengfu, Dong Qichang, and Wang Duo are all Zong Wang Xizhi, Zhao Mengfu's penmanship is the most refined, Dong Qichang is second, but it can also come up with new ideas, but there are many soft failures, and although Wang Duo learns from Wang Zongwang, he is more powerful than new, let alone bound by Wang, and his pen power is too many superhumans to match. There is only one person who can surpass Wang Duo, Fu Shanye. With the deepening of calligraphy research and historical precipitation, the ills of Wang Duo's book have also been revealed, with more than enough strength and insufficient charm, and most of the deliberate components, the same is crazy, it is not as good as Qingteng crazy to the extreme, and also wants to receive, not as good as Dong Qichang's subtle and introverted. There is a strange phenomenon in today's calligraphy, works that the ancients despised, but in the current era, they are pushed to the extreme. Is it that the aesthetic concept of history is inferior to that of the present era, or whether the cognitive barriers of some literati today's literati on the ancients have caused the gap between the times.

After calligraphy became a calligraphy art, the traditional theory is far inferior to the foreign aesthetic theory, this kind of sublime false devil, is a stumbling block to the art of calligraphy, it should be well thought out, in order to turn calligraphy into a real calligraphy art. Books, like their own claims, I have always disagreed. Like Cai Jing and Dong Qichang, Wang Duo's character was not very good, and even his teacher Zhao Nanxing looked down on him. However, the depth of the calligraphy of Cai Jing, Dong Qichang and Wang Duo is an indisputable fact.

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Wang Duo's contribution to the history of calligraphy is in the ink method and chapter method, which exerts the dryness and wetness of the ink to the extreme, and the pioneering application of the ink and the tilt angle of the word posture are unprecedented in history, which greatly expands the aesthetic horizon of calligraphy, and the true grass is able to resist the pen. The two have their own strengths and weaknesses, and their personal superficial views are only on the achievement of calligraphy. Wang Duo's calligraphy chases the "second king", especially Wang Xianzhi, in addition to extensively involved in the Wei, Jin, Tang and Song masters, the most in-depth study of the "Ge Ti", Shi Gu Lin Ti is unique. His calligraphy is unique, and he is known as "Shenbi WangDuo". His calligraphy is on a par with Dong Qichang, and at the end of the Ming Dynasty, he was known as the "King of the South Dong and the North", and his calligraphy used pens, out of the rules, and was relaxed, but full of the power of flowing freely and with thousands of juns.

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