Stroll around Hi Fei Kyushu, here is fat one and snow sauce of the exploration diary, to share with you what you saw and heard during the tour.
Jiangning Weaving Museum, located on Changjiang Road in Nanjing, adjacent to Nanjing Library, Presidential Palace and Kexiang Food Street. Culture, history, life, Jiangning Weaving Museum seems to always absorb the immortal qi of neighbors, transforming into a unique landmark of Jinling City.
The Jiangning Weaving Museum, built within the scope of the Jiangning Weaving Site, opened to the public on May 1, 2013, with the theme of displaying the history and culture of "Dream of the Red Chamber", with many fans.
On the connection between Jiangning weaving and "Dream of the Red Chamber", it is necessary to start from the past and present lives of Jiangning weaving.
In the Qing Dynasty, the Jiangning Weaving Bureau lasted for 260 years from the Shunzhi Emperor to the Guangxu Emperor, and during the Kangxi and Yongzheng years, 4 members of the Cao clan - Cao Xi, Cao Yin, Cao Yan, and Cao Fu successively succeeded Jiangning Weaving for nearly 60 years, which can be seen in the list of Jiangning weaving in the Qing Dynasty, which is a special honor for the Cao family and the most prominent.
In the second year of the Kangxi Dynasty, that is, in 1663, the Qing government removed the Inner Thirteen Yamen established during the Shunzhi period, and made it necessary for the official of the Ministry of Internal Affairs to serve as the weaving langzhong to manage the three weaving affairs in Jiangnan. The first Jiangning weaving langZhongcao Xi took office, thus opening the three generations and four generations of Cao's weaving.
Under the careful management of the Cao family, the Jiangning Weaving Bureau reached its full glory during Cao Yin's tenure. Cao Yin was also a qin cha, effective in his work, and was deeply favored by the Kangxi Emperor.
Kangxi made six southern tours and five times stationed at the Jiangning Weaving Bureau. Due to the emperor's trust and grace, the unique status of Jiangning weaving books became increasingly prominent, becoming an important political institution of the Qing government in the Jiangnan region and an important place for literati to gather. From this, it is not surprising that Cao Xueqin, a literary master, was born.
As the Royal Weaving House, the Jiangning Weaving House was responsible for the production and preparation of court costumes and musical instruments.
At the same time, as Cao Xueqin's grandfather, Cao Yin was also proficient in Kunqu opera, with a Kunqu family class, and composed plays such as "Continuing Pipa". Cao Yin and Hong Sheng, the author of "The Hall of Eternal Life", had a great friendship, and once invited Hong Sheng to the Weaving House to perform "The Hall of Eternal Life" with his family class, and the Hall of Eternal Life also went back to glory.
In Cao Xueqin's "Dream of the Red Chamber", there are a large number of opera descriptions, of course, this is inseparable from Cao Xueqin's childhood.
For example, in the chapter of Yuan Fei's provincial relatives, LiXiangyuan Jiaban interpreted the Kunqu opera "A Bunch of Snow", "Hall of Eternal Life", "Handan Chronicle", "Chao Ju Ji", "Peony Pavilion" and so on.
Another example is that in the twenty-second time in the book, "Listening to Quwen Baoyu Enlightenment Zen Machine Riddle Jia Zheng's Tragic Sayings", there is a description of the scene of the play:
When ordering a play, Jia Mu must first call the Baochao point. Bao Chao pushed it again, unable to, only to click a fold of "Journey to the West". Jia Mu was overjoyed, and then ordered Sister Feng to order it. Sister Feng also knew that Jia Mu liked to be lively, and she liked to laugh at the jokes, so she ordered a play of "Liu Erdang Dress".
The description of this little drama can be described as meticulous, and I vividly remember that BaoChao gave Bao Yu a detailed description of "Parasitic Grass" after ordering "Lu Zhi is deeply drunk and haunting Wutai Mountain", ending with "red strips come and go without concern".
If you ask, when Jia Baoyu was only a teenager, he began to think about the philosophical problem of "coming and going without worrying", and it was funny to think about it.
Here, the Cao clan, represented by Cao Yin and Cao Xueqin, Jiangning Weaving, Opera, and "Dream of the Red Chamber" seem to have a relationship of constant cutting and chaos. And these, in the Jiangning Weaving Museum, the blogger Xue Sauce encountered the exhibition "Mei Xi Jinling Tribute to a Hundred Years", but the above content still belongs to a remote corner.
Drama is the love of the world, and I want to know the world's situation and see the drama. Our Tang poems, Song poems, yuanqu, etc. can be sung, and the poetic language carries the sorrows and ups and downs of life, which is a major feature of opera.
This blogger picks a few of the more favorite ones for the small partner to eat——
Peking Opera "Spring Dream"
When I went, the flowers on the strange were like brocade, and today the building was willow and green.
Peking Opera "SuoQi Capsule"
The wind and rain outside the Spring and Autumn Pavilion were stormy, and the sound of sorrow was broken.
Yue opera "Liang Zhu Eighteen Send-offs"
There was a plum in front of the study door, and the birds in the trees were playing against each other.
Kunqu Opera "Peony Pavilion"
The beautiful scenery of the good day, the pleasure of whose yard.
It turned out that Zi Yan was red all over the place, and it seemed that all of them were paid with the broken well.
The last "Peony Pavilion" is particularly successful, I seem to see the LixiangYuan wall again, Lin Daiyu carefully chewed the eight words "like a beautiful flower, like water flowing", her heart shook, and she secretly shed tears.