This movie, the editor was directed by Cao Amway when he brushed Weibo last week.
To be more precise, it was moved by the hot comment of this Weibo: Men left the scene indignantly?
Whether it is true or not, it is suddenly full of absolute curiosity about such a movie that can afford ridicule.
The editor always sat in the last row watching the movie, but this time it brought some other "benefits", because I found that looking around, there were really few boys in the whole movie hall. Halfway through everyone was laughed at several times, and they were all looking at each other and then laughing at each other, and when they came back to the film review, they found that laughter is nothing, and the whole audience stood up and applauded!
Suddenly feel that I owe "Love Myth" at least one scene, then it is better to change the way, with a sincere headline, and you guys seriously talk about this movie.
I have seen too many unappetizing domestic romance films, and the name does not look very bright "Love Myth" (hereinafter referred to as "Eros"), but it can wash your eyes.
Cao Daobo mentioned that the female director is named Shao Yihui, a native of Shanxi, after the 90s, "Eros" is not only her directorial debut, but also serves as the screenwriter of the film.
Shunto touched Director Shao's Weibo and found that her avatar was ruth Bader Ginsburg, the feminist justice who had been introduced to newspaper friends by the editor before, and suddenly felt that she would make a movie like "Eros" that resonated strongly with women.
At the end of the film, there is a "tribute" to the "Blue, White and Red Trilogy", the lines are pearlescent, and there is a bit of "tribute" to the meaning of "White Rose and Red Rose".
Miss Li: "Most men write plays with this tone, and there are two kinds of women in their minds: an amorous woman and a pure woman."
Gloria: One is the woman who has hurt her, the other is the good woman like.
Miss Li: "And in the end, no matter what kind of woman, you have to find an honest man to marry."
Gloria: "A woman can't marry a dead crab."
Lao Bai: "I want to be ashamed of the Chinese male directors, and I think I should apologize to you on their behalf." ”
Lao Bai, played by Xu Zheng, "apologized" to the female audience on behalf of the Chinese male director, alluding to something, and everyone tacitly agreed. After so many years, no matter how far life has rolled forward, the image of women is still standing in the same place, the one-sided one-sided, the face of the face.
One of the highlights of the film "Eros" is that no matter how many scenes there are, the characters are all vivid and unforgettable.
Miss Li's appearance is very special, the love scene is a measured and dashing sister, and the workplace is a big woman who is fierce.
But she looks bright and beautiful, and she also has troubles in life.
She has a daughter with her British ex-husband, and the mother and daughter live in her mother's dark and cramped alley house, and they have to eat a meal of "Tang monks" from the old man's home.
However, this does not prevent her from having quality suitors at all, nor does it prevent her from dressing exquisitely.
Lao Bai's mother took a look at her at the entrance of the alley, and the evaluation was that the woman "should wear good clothes, can you afford it"?
Indeed, in addition to the pair of Jimmy Choo lace heels that are quite dramatic (discounted at about 5,000 yuan on the lyst, but already sold out), her piece is also worth savoring.
The purple knit suit at the beginning of the film is from Tibi, and the white shoulder bag with it is boss's ELLA white handbag, which is a middle-class Style.
Lao Bai went to her set to help, and Miss Lee's commuter outfit was an Isabel Marant check coat with silver earrings, and there were details in addition to the competence.
Lao Bai officially invited her to the home, and Miss Li wore Nili Lotan's nude knit cardigan with Jimmy Choo high-heeled mules, which had a texture and a sense of distance.
Actor Ma Yili's friendship with Lu Yan in private is also very good, so there are also several sets of COMME MOI in the film, such as talking with Lao Bai on the rooftop, wearing a light gray high-neck knit suit.
Later, she also wore a handsome COMME MOI gray plaid suit, and the plot of this time was that she rationally decided to keep a little distance from Lao Bai first. Compared with the sense of atmosphere created by the knitwear before, is this set quite in line with the plot setting?
As the plot progresses, the relationship between the characters also becomes familiar and cordial, and Miss Li also shows her not so big woman's side. Watching the movie with everyone, she chose an Acne Studios print dress to echo the atmosphere of the "Sister Tao" party.
Dressing is to pick the brand goods, and the partner is to consider all aspects.
Even if Lao Bai suddenly has more admirers around her, she is not in a hurry to eat fly vinegar, and there is no hostility after a few confrontations at the dinner table, and finally she becomes friends with others. Therefore, her emotional line with Lao Bai has a chewing head.
In real life, this is also the case, there are not so many clear watersheds, people are inherently good and bad polyhedrons; things are not black and white, there is a possibility of reversal at any time.
Gloria's appearance can be described as a classic.
The sentence "Rich, idle, husband missing" came out of her mouth, and the audience instantly followed the yearning for such a life: it is quite spiritual!!
That kind of seemingly deliberate tone of voice has found a proper place in her.
How many women would be generous enough to say they are "wildcats"? And it's the kind of thing that eats and pats your ass and leaves
With this kind of "rich woman on earth" persona, Gloria is like a bright red rose in the film, (wild).
Her warm and unrestrained personality is naturally reflected in her dress.
Lao Bai set up a banquet at home to entertain her sweetheart Miss Bai, who came uninvited and was mainly anti-guest.
Wearing a Sandro's Persley print maxi skirt (deep V), zara's denim jacket.
The editor has been attracted by her knife and fork earrings, Taobao sweep, affordable, but also in line with Gloria's high-profile style.
After having an inexplicable "relationship" with Lao Bai, she invited people to KTV and sang love songs surrounded by accompanying singing brothers.
Still picked a printed skirt from Central Then.
This brand dress, she also wore when she went to the old white family party for the second time to see a movie.
Her role is very fluent, Ni Hongjie, who speaks Mandarin in "The Tale of Wulin", the editor remembers that she is not so spiritual.
One is due to the actor's many years of line and acting skills training, and the other is that the director's script is well written.
Shao Dao said that he only writes interesting dialogue, and uninteresting dialogue will not be put in, so several protagonists will be so witty.
A film that basically speaks Shanghainese throughout the whole process, the audience in the non-Shanghainese area does not tie the knot after watching the eyebrows, and the theater can not leave Gloria's mantra "spirit of the spirit" in three sentences, which can no longer be said to be planting grass, basically hypnotic level.
This kind of ability to speak the lines well, Bei Bei also has.
Wu Yue plays Lao Bai's ex-wife, who is a very Shanghainese woman. It looks gentle and gentle, but in fact, it is loud and playful, and the desire to express it is still strong, you may not remember what she said, just remember to say it! get! true! Yes! road! reason!
Her "line head" is actually a little textured, and the items on her body are mainly beige, olive, brown, these pure and low-key tones.
For example, the one that accidentally bumped into a large dinner party was wearing See By Chloé's jacquard ruffled shirt with a brown Vintage bag.
In terms of accessories, she will not play with stacking like Miss Li, nor will she look for some exaggerated styles like Gloria, and only recognize the classic pearl earrings.
The editor's favorite is the last one that everyone watches a movie at the old white house, Bebe wears an olive top with cream white pants, pearl earrings with light makeup, good looking.
You say that Bebe is rebellious, and she says that "it is incomplete for a woman to have no children in this life"; you say that she is traditional, and she divorced because she "made the mistake that all men make".
All in all, it's a very interesting character.
Cold but put an "archaeological photo", when he was young, Wu Yue and his brother Xu Zheng were a little cute
A vivid female perspective, a game of gender swapping
It is such a life-like, a bit of a romantic light comedy type of movie, after watching it can also turn over the film critics to touch it again, that in addition to the law of character attraction, there must be something in the intention.
Although the whole movie is based on the male protagonist Lao Bai as the first point of view, but look at it you will find that this is not a traditional love movie.
Like what:
Originally, Lao Bai wanted to feast on Miss Li's romantic dinner for two, but I didn't expect that Gloria came in the middle, and her ex-wife Bei Bei also came, and finally everyone sat together and came to a "sentence-making contest".
Bei Bei first threw up her head and asked Gloria, who was "missing husband", if she had any children, people said no, and she replied:
"It is incomplete for a woman to have no children in her life."
Gloria followed up with the sentence "I'll make up this nonsense too", and then the sentence-making contest began:
"A woman who has not dumped 100 men is incomplete",
"A woman who has not earned 1 million is incomplete",
"A woman who has not lived for herself is incomplete",
"A woman who has never wandered the world is incomplete."
Finally, Lao Bai raised a glass to the next sentence "Fool around together" as the end.
After the women chatted this time, it is estimated that they also confirmed their teammates in their hearts.
Not an opponent, oh, a teammate!
For example, the next morning, Lao Bai woke up, and the sound of Gloria telling him to eat breakfast came from downstairs.
It was Lao Bai, Gloria, who was generous and said that he wanted to buy his paintings, and then involuntarily transferred more than 20,000 yuan.
Is it like a drama between the domineering president and the little white rabbit after a night of passion, trying to compensate for money (and for the sake of each other's self-esteem)?
No wonder Lao Bai told Lao Wu that he felt that he had been prostituted
Looking at the scene where Lao Bai came to the dance hall to find his ex-wife, we know from their back-and-forth dialogue that the real reason for the divorce between the two people is:
Bei Bei spoke sincerely: "I just made the mistake that men make, but speaking of principles, I play outside, and home is still the first."
Don't these words sound so familiar? Classic lines, right?
It's just that the gender is reversed, and this time the "scum" is a woman who looks soft and delicate.
There are many such bridges, and it is inevitable that some people will come out to question: this director, is she boxing, is she going to provoke gender confrontation!?
After editing and reading several interviews with Shao Dao, her final emphasis was: Offending men is definitely not my purpose, my purpose is to make men understand women, not to intensify the existing contradictions.
It makes more sense to have arguments than to have fixed answers.
There is a movie in France called "Men Want To Love Themselves", which is a very classic male and female role swap movie, and the bridge section is very hilarious.
For example, men want to shave their legs to get women's love, but in fact, this kind of movie is a very simple "mirror reflection" (Mirroring), just like the "give money after sleeping" bridge section in "Eros", if it causes discomfort, it means that you feel uncomfortable after the role swap.
This, really, is great.
Or, we can also easily watch, the traditional movies in the "ridicule" of women's passages, is not getting boring? Suddenly there is such a perspective that does the opposite, how rare!
Not only China's film circle, but also a few more "Shao Yihui"! Even all walks of life need more "Shao Yihui" (the number of women in decision-making positions needs to increase, so that more policies of empathy can be formulated and implemented), at least! There is no need to argue about whether sanitary napkins are a necessity or not
This film is also cool to watch because, finally met a movie, the means of narrative is - to live a woman's life in a man's way, rather than letting women fall into stereotypes forever, or simply let women live a man's life, which is the novelty of perspective.
And our resonance is precisely because of the change in the trajectory of urban life, the breaking of the inherent marriage and love mode, so some new "rules" or "consensus" should be established. Everyone is actually quietly building, but no one dares to say it out loud.
Women and men are definitely not opposed, but as small as equality in a relationship, as large as the workplace, the right to speak in the world of power, if women want to fight, then the "opponent" we negotiate is men.
Only when such works first stir up everyone's basic cognition, the next "new consensus" can be established. This is like Lu Xun said in a speech: For example, you said that this room is too dark, you must open a window here, everyone must not allow it, but if you advocate the demolition of the roof, they will come to reconcile and are willing to open the window. ”
We didn't think about lifting the roof, but we definitely have the right to open a window in many unconscious "little dark rooms."
Image source: Visual China \Network\Invasion and Deletion
Producer: Teresa Zhao
Edit: Stacy
Design: Alare
The poster is stylish
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