There are no celebrities and ticket fans in the drama listening family outside the door, and I guess that there may be people in my ancestors who have teased birds and listened to music, which has echoed and paved the way for me to be a fan of drama in this life. Maybe this like with

Listening to the drama outside the door There are no celebrities and ticket holders in the family, and I guess that there may be people in my ancestors who have teased birds and listened to music, which has echoed and paved the way for me to be a fan of drama in this life. Perhaps this kind of love is innate, and it seems that fate has fulfilled this hobby. Of course, it is not excluded that when you are young, you want to win people's attention and be elegant. The opera genre is complex and runs through the north and south. But my listening to the play is not limited by geography. I love to listen to Peking Opera, whether it is the neurotic model plays or the traditional plays of historical origin, I am impressed by Kui zhi's xiaofan; I am obsessed with Li Shengsu's "Guifei Drunk"; I am intoxicated with Zhang Xuejin's thousands of turns of Ma Pai singing; I admire Meng Guanglu's domineering singing voice; and Yang Chunxia's high-pitched modern Peking Opera; the unique charm of Peking Opera genius Wang Peiyu; shi Yihong's beautiful water sleeves are all my most sincere and sincere love. When I was a child, I had a Sanyo tape recorder at home, which allowed me to record my favorite plays on TV and then chant them word by word. Experience the joys and sorrows of the characters in the play. Many of my contemporaries are inspired by Qiong Yao's novels. I myself am convinced that I am grateful for the love of men and women who are promised to each other in the play, and the love sinus has just opened. I like Yue opera, especially the stickiness of Yin Pai Wu Nong's soft language. Xiao Ya's "He Wenxiu", Zhao Zhigang's "Desert Prince" and so on are all classics that cannot be tired of hearing. But at that time, under the influence of his mother, he learned to make "Dream of the Red Chamber". Although it is Xu Pai, who he does not like very much, he still hums a paragraph from time to time on weekdays. My understanding of this classical masterpiece began with studying drama. I like Yu opera, and the extravagance of the late stage of the often school has become the mainstream of Yu opera since its head donated planes to the state. This style is not only handy in shaping heroes such as Mu Guiying and Hua Mulan, but also plays a role in holding hot and capable women such as red brides and silver rings. Personally, I like the crisp and neat singing sections such as "Mother-in-Law Duet", "The Great Sacrifice Pile", "Three Cannons Outside the Gate Like Thunder", etc. I like Huangmei opera, and since the widely sung "Heavenly Immortal Match", this kind of drama with a deep mass base has entered my life. Huangmei is catchy and easy to produce effects. "Playing Pig Grass", "Female Pony", etc. are all popular songs, and Ma Lan and Han Zaifen, who are famous characters with bright voices and beautiful appearances, are trying their best to spread the artistic beauty of Huangmei opera. For the commentary, I only like excerpts from Xin Fengxia's "Liu Qiao'er" and "Flowers as Media" and several other masterpieces. Originally, the commentary was performed on the flyover, and both Xin Fengxia and Zhao Lirong were illiterate. Later, with the new Fengxia and Wu Zuguang's association, it gave the commentary more amazing. Mr. Wu's lyrics complement Xin Fengxia's mellow singing voice. Especially in "Zhang Wu Can Be Seen", the delicate and meticulous description of the daughter's family in the character boudoir is quite impressive. Later, I listened to the version sung by others, and I thought that I could not reach the height of the new Fengxia. The opera is broad and profound, absorbing the local atmosphere derived from life and exerting fangfei that is higher than life. The unfulfilled good and evil will be rewarded and the childish absolute fairness will be comforted in the form of opera to the wandering sentient beings. It is said that the Chinese people have no faith, is it not through the interpretation of the opera and laughter, optimistically giving back the resentment that people cannot let go of. Perhaps life is originally a drama, which cannot be seen through before death, and cannot be seen after death. So, how dare a daredevil like me pretend to be an entry? I was just a mesmerized spectator outside the door. Shedding their own tears in other people's stories.