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On the stage of the 1988 Spring Festival Gala, a 60-year-old actress instantly captured the hearts of audiences across the country with her unique sense of humor and performance charm.
She is Zhao Lirong with the classic line of "palace jade liquor, one hundred and eighty glasses", which opened her glorious era as the "queen of sketches".
In the next eight years, Zhao Lirong became a frequent visitor to the Spring Festival Gala, and the vivid characters she created, such as the rural aunt in "Part-time Job Adventure" and the fashionable old lady in "So Packaged", not only made the audience laugh, but also conveyed a profound philosophy of life in laughter.
However, few people know what kind of magnificent and poignant life course is hidden behind this joke-filled "sketch queen". From the early death of her husband to the remarriage of her uncle, and then to the fight against cancer in her later years, Zhao Lirong's life seems to be a big drama with tears in laughter, and under the reflection of the stage halo, it presents a life of embarrassment and respect.
Zhao Lirong's artistic career began in 1929, when she was just one year old. Born in a poor family in Tianjin, she seems to have been destined to be associated with the stage since she was an infant.
's father works as a helper in the Ping Troupe, and his mother often takes the young Zhao Lirong to play backstage. By chance, the troupe lacked baby props, and one-year-old Zhao Lirong appeared on the stage in this way and played the role of "Cai Baby".
To everyone's surprise, the little Zhao Lirong not only did not have stage fright, but became more and more excited, and also waved to the audience, winning warm applause. Since then, almost all the children's roles in the troupe have been taken over by her, and her fate with art has begun.
Zhao Lirong, who became famous at a young age, did not stop there. At the age of 12, she was already a veritable "old drama bone". Under the recommendation of the artist Hibiscus Flower, Zhao Lirong worshipped the famous teacher Ma Jingui to learn drama commentary, and changed her milk name "Lao Ai" to "Lirong".
At that time, the academic career was extremely difficult, practicing his voice by the pond in the summer and singing by the ice cave in the winter, just to be able to sing the unique "water sound". Zhao Lirong gritted her teeth and persevered, and finally performed on stage for the first time at the age of 15.
However, the real moment of glory came when she was 25 years old. In 1953, Zhao Lirong played the role of "Three Fairy Aunts" in the drama "Little Erhei Marriage", the image of this greedy and lazy, tricky and spicy middle-aged woman is completely different from the elegant Tsing Yi and delicate Hua Dan she played in the past.
Although she hesitated at first, with the encouragement of her brother Zhao Lianxi, Zhao Lirong devoted herself to the role and finally became famous with her superb acting skills.
From drama review to sketches, Zhao Lirong's artistic career has experienced a major turning point. In 1988, at the age of 60, she made her debut at the CCTV Spring Festival Gala, starting a glorious Spring Festival Gala journey for eight consecutive years.
Works such as "A Day of a Heroic Mother", "Mother's Today", and "Eating Dumplings" not only make the audience laugh forward and backward, but also convey a profound philosophy of life in laughter.
Zhao Lirong's dedication and dedication to the performing arts are admirable. In order to perfectly present the scene of the traffic police command in "A Day of a Heroic Mother", she did not hesitate to study with the traffic police on the street for several months.
In "So Packaged", despite suffering from osteoporosis and even small bone residues embedded in her knees, she insisted on dancing on stage to her heart's content, overcoming her physical pain with great perseverance.
The most impressive thing is her performance in "Part-time Job Adventure". The four big words "genuine" that appear at the end of the play are more difficult than memorizing lines for Zhao Lirong, who has a deep cultural heritage.
For this reason, she took these four words as a picture to learn and figure out, and after months of hard practice, she finally showed a calm and beautiful brush in front of the camera.
From the stage of Pingju to the screen of the Spring Festival Gala, Zhao Lirong has spent nearly 70 years interpreting what is the real artistic pursuit and professionalism. The trajectory of her life, like the lifelike characters she has created, deeply touches the hearts of every audience.
Zhao Lirong's life is like a sketch she performs, full of drama with tears in laughter. In 1953, 25-year-old Zhao Lirong met Sheng Qiang, who was also a literary and art worker, and the two soon fell in love.
However, the relationship faced many obstacles from the beginning.
Sheng Qiang is a college student who is handsome and knowledgeable, while Zhao Lirong was born poor and has a low level of education. The disparity in status between the two has caused strong opposition from both parents.
Sheng Qiang's parents complained about Zhao Lirong's origin and appearance, while Zhao Lirong's parents were worried that their daughter would be abandoned because of this. But the power of love overcame all obstacles, and the two finally entered the marriage hall hand in hand.
Life after marriage is like honey, Sheng Qiang patiently taught Zhao Lirong to learn cultural knowledge, and Zhao Lirong repaid her husband with delicate love. In 1955, they welcomed their first son, Sheng Daming, and two years later, they had Sheng Fuchun.
In just two years, he was happy to have a noble son, and in that era of advocating more children and more blessings, he attracted the envy of the neighbors.
However, happy days are fleeting. In 1960, the talented Sheng Qiang was wrongly classified as a rightist and sent to a farm in Chadian in Tianjin to undergo labor reform.
Soon after, the bad news came, Sheng Qiang died of hunger at the age of 32. The blow almost destroyed Zhao Lirong, who was overwhelmed with grief and fell seriously ill at one point.
But life does not allow her to dwell in grief for a long time. For the sake of her two young children, Zhao Lirong endured her grief and returned to the stage. However, the double pressure of work and taking care of her children left her with no skills.
At this difficult time, relatives and friends suggested that she remarry Sheng Qiang's younger brother Sheng Hong. At first, Zhao Lirong was reluctant, she was worried about the gossip of others. But considering that the children need fatherly love, she finally agrees to the proposal.
In 1964, Zhao Lirong married her brother-in-law Sheng Hong, who was nearly ten years younger than herself. For the next 16 years, she took a break from the stage and devoted herself to family life.
They have a son, Sheng Qian, and life seems to be back on track. However, fate once again played a cruel joke on Zhao Lirong.
At the age of 42, Zhao Lirong finally looked forward to her first daughter, but unexpectedly, the child was born with a serious brain tumor. The couple sought medical treatment from place to place, exhausted their savings, and eventually lost their daughter when she was 7 years old.
This blow was tantamount to a bolt from the blue for Zhao Lirong, and she still burst into tears when she mentioned it many years later.
In 1984 an even greater tragedy struck. 56-year-old Sheng Hong died of a heart attack, leaving Zhao Lirong into widowhood again. Twice widowed and lost his beloved daughter, such a blow is enough to crush anyone.
But Zhao Lirong chose to live strongly.
In the face of one misfortune after another, Zhao Lirong did not give up on herself, but chose to devote all her energy to artistic creation. She uses laughter to cover up the pain in her heart, and uses performance to heal the wounds of life.
On stage, she is the "sketch queen" who makes the audience laugh; In life, she is a strong and unyielding ordinary woman.
Zhao Lirong's life story tells us that even if life gives us more hardships, we must maintain an optimistic attitude. Just like the roles she created on stage, Zhao Lirong used her life to interpret what it means to be truly strong.
Her story is not only a personal biography, but also an inspiring hymn to life.
For Zhao Lirong, the stage is not only a place for her to show her talent, but also a haven for her to escape the pain of reality. Every time she performs on stage, she can temporarily forget all kinds of unsatisfactory things in life and devote herself to the role.
This dedication and love for art has become her strongest strength in the face of life's difficulties.
Among Zhao Lirong's many works, "The Adventure of a Part-time Job" can be called a classic among the classics. The sentence in the play, "Palace jade liquor, one hundred and eighty glasses" has become a well-known sentence.
However, what few people know is that in order to perfectly present the four big words "genuine" at the end of the play, Zhao Lirong has made unimaginable efforts. For her, who has a deep cultural background, the difficulty of writing these four words is even more difficult than memorizing lines.
For this reason, she took these four words as a picture to learn and figure out, and after months of hard practice, she finally showed a calm and beautiful brush in front of the camera. This attitude of striving for perfection is the key to Zhao Lirong's artistic achievements.
Zhao Lirong's professionalism is admirable. In "So Packed", despite suffering from osteoporosis, she insisted on dancing on stage in the most popular chain leather jacket of the time.
Every jump was accompanied by severe pain, but she never showed a trace of discomfort to the audience. The last kneeling scene is actually a mistake caused by unbearable pain, but it happens to be a classic.
This spirit of devoting herself to performance despite physical pain shows Zhao Lirong's infinite love and dedication to art.
In "A Day of a Heroic Mother", in order to truly present the scene of the traffic police command, Zhao Lirong did not hesitate to follow the traffic police on the street for months to study, just for those few simple gestures.
This extreme pursuit of detail makes each of her characters come to life and deeply move the audience.
In addition to sketches, Zhao Lirong's achievements in the field of film and television are also remarkable. She played the king of Che Chiguo in "Journey to the West" and Grandma Liu in "Dream of Red Mansions", creating vivid characters.
In 1991, she won the Best Actress Award at the Tokyo International Film Festival and the Best Actress Award at the Hundred Flowers Award for Popular Films with her superb acting skills in the movie "Chinese New Year", becoming a well-deserved international actress.
However, even after success, Zhao Lirong has always maintained a humble attitude. When fans ask for autographs, she is always cautious, for fear that the signature will not be beautiful because she is not wearing reading glasses.
This approachable personality makes her image in the hearts of the audience more and more amiable and respectable.
Through art, Zhao Lirong not only healed her own wounds, but also brought joy and emotion to countless audiences. She uses her life to interpret the responsibility and responsibility of an artist, sublimating personal joys and sorrows into universal emotional resonance.
On the stage, Zhao Lirong found her own value in life and left an eternal artistic wealth for the audience.
In the final stages of her life, Zhao Lirong showed admirable courage and optimism. Her physical condition is deteriorating, but her passion for life and performance has not diminished in the slightest.
Before starring in the sketch "Veteran", Zhao Lirong had been diagnosed with advanced lung cancer. Despite being extremely weak and constantly relying on prop chairs, she persevered through the show.
Immediately after the performance, she was taken to the hospital for further treatment.
Faced with the invasion of the disease, Zhao Lirong had to rely on a large number of painkillers to relieve the pain. She was unable to eat properly and lost her weight to just 70 pounds. However, these physical tortures did not break the strong old man.
On the contrary, she remains positive and optimistic, trying to make her life fun.
During her hospitalization, Zhao Lirong asked the nanny to buy chess and invited the nurse to learn her skills in her spare time. Even after painful chemotherapy, she was able to humorously joke about her situation.
She once half-jokingly said, "Now I can finally get free from the shackles and no longer have to be trapped on the bed like a donkey." This ability to maintain a sense of humor in the face of adversity is exactly the portrayal of Zhao Lirong's life.
When realizing that life was coming to an end, Zhao Lirong faced death with surprising calmness and calmness. She personally planned her funeral process and even sewed the shrouds and shoes by herself.
This courage in the face of death is reminiscent of the optimistic and strong characters she portrayed on stage. Zhao Lirong used her actions to interpret the attitude of life that she advocated throughout her life - no matter what kind of difficulties she faces, she must remain optimistic and dignified.
On July 17, 2000, the queen of sketches, who brought countless laughter to the national audience, quietly passed away at the age of 72. At her funeral, more than 30,000 people spontaneously came to say goodbye, which shows her status in the hearts of the audience.
This love from the heart comes not only from her artistic achievements, but also from her strong and optimistic attitude towards life.
Zhao Lirong has experienced too many hardships and setbacks in her life, but she has always faced life with a positive and optimistic attitude. Even in the last moments of her life, she maintained a sense of humor and a love of life.
This spirit may be the key to her becoming the "queen of sketches". She used her life to tell us that laughter is the true wisdom of life and laughter to death.
Time flies and Zhao Lirong has passed away for more than 20 years, but her voice and smile still exist vividly in the memories of countless audiences. Her tombstone is made of white stone, which is said to be a nod to her love of cleanliness during her lifetime.
This detail seems to be a perfect annotation of her life - pure as white, but it contains too much flavor of life.
Looking back on Zhao Lirong's life, her artistic achievements are undoubted, but what is even more admirable is her attitude towards life. Twice widowed, beloved daughter, and seriously ill, these blows are enough to make anyone feel hopeless.
However, Zhao Lirong chose to use laughter to heal her pain and use art to enrich her life. Every role she creates on the stage seems to be an interpretation of her own life.
What Zhao Lirong left us is not only those hilarious sketches, but also a kind of wisdom to face life. She used her life to tell us: no matter what kind of difficulties we encounter, we must maintain an optimistic attitude; No matter where you are, be humble; No matter what the outcome is, you must meet it with a calm attitude.
In this fast-paced era, we need a spiritual role model like Zhao Lirong even more. Her laughter seems to still be in her ears, and her wisdom is still inspiring future generations.
Zhao Lirong's life is a life textbook with laughter and tears, teaching us how to remain optimistic in the face of suffering, how to remain humble in the face of success, and how to live a wonderful life at every stage of life.
Twenty years later, we still miss Zhao Lirong deeply. Because the world needs her laughter, her wisdom, and her never-say-die spirit.
Zhao Lirong's artistic charm and wisdom in life have become a valuable spiritual legacy, which will forever inspire future generations to bravely face the challenges of life.
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