Book I
Wen Zhengming, the initial name of the wall, the character Zhengming, and then the character line, more character Zhengzhong, the number Hengshan. Zeng Zuhui, who first lived in Suzhou. Zu Hong, Yizhou Laishui Teachings. Father Lin, official to the prefect of Wenzhou. Mother Qi Shou Duan, brother Kui, brother room. Wenbi was 23 years old when Heonji 5th Son (1492) married the third daughter of Wuyu in Kunshan.
Book II
Book III
"Wen Zhengming To Wu Yu Ruler Ten Tong", also known as "To Wu To Participate in politics of the Ten Books". These ten rulers are all written by Wen Zhengming to his maternal uncle Wu Yu, written between the ages of 35 and 55.
Book IV
The uncle, lord in-law, is also. The reason why calligraphers like calligraphers, on the one hand, is a personal private object, which can best reflect a person's sentimentality and morality; on the other hand, the letter is written by the daily hand, not confined by the technique, which can really be described as "where the love is, where the pen goes", which can better reflect the artistic standard of a bookmaker.
Book V
Book VI
Guan Wen signs this note, handsome and beautiful, beautiful and edible, but because of the daily book, it is mixed with cursive writing in many places, and it is more casual and lively and real to read. There is no intention of the Fa, and there is no respect for the Fa, and the technique has become the instinct of the writer at this point, so when writing, there is no need to think about the matter of the technique, which is to see art.
Book VII
Book VIII
Book IX
Book X
Wen Zhengming's achievements in calligraphy were almost unparalleled at the time. Other lines, grass, subordinates, and seals are all worked. However, in his various books, the most valued and the most artistic achievement is Xiao Kai. Sometimes there is a reputation of "small Kai name moving in the sea". His xiaokai is clean and elegant, and he is "deeply impressed by the wisdom of the penmanship". In his Xiao Kai works, "The Biography of Gao Shi" and "Title Zhao Wei Gong Er Ti" are early works, and Zhao Mengfu's shadow is more, his posture is slightly flat, and his pen is relatively sharp.
In the middle of the xiaokai works, there is a shadow of Ouyang Qian, such as the "Tomb Inscription of the Right Suffrage Wu Cemetery", etc., and Jin Jian has a stagnant atmosphere. "Returning to the Word" is a small letter written by Wen Zhengming when he was 82 years old, the characters are only slightly larger than millet, stretch freely, have the tendency to be sloppy and dense, and the pen is home, quite energetic and relaxed, showing superb calligraphy skills. This is also the work of Shi Ou's Xiao Kai, which belongs to a style in Wen Zhengming's Xiao Kai book.
The "Departure from sorrow" was written by Wen Zhengming at the age of 83, which has entered the realm of transformation and has no slackening. "Before and After Chibi Fu" is another style of Wenzheng Ming's calligraphy, which takes more from the calligraphy of the Fa Wang Xi and is a more common style of calligraphy. This kind of work is well-written, elegant and energetic, and meticulous. When he was 88 years old, he wrote "Xiao Kai Zhen Appreciation and Preface", which is still strong and unremitting, which is extremely rare in the history of Chinese calligraphy. Although Wen Zhengming's Xiaokai is slightly different in the early, middle and late stages, it reflects that he has worked Xiaokai all his life.
The graphics and text originate from the Network, if there is infringement, please contact to delete!